The art of sampling music is relatively new to the world of music. Since its debut‚ there have been many legal‚ moral‚ and stylistic arguments over how to deal with both artists that choose to use samples‚ and the artists who’s music is being sampled. After watching the movie Copyright Criminals‚ I full heartedly disagree with the following thesis: “The current licensing system for sampling ensures fair compensation to musical creators.” Clyde Stubblefield‚ also known as the “Funky Drummer” of James
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Music has a powerful influence on society‚ like mass media and television. In our society today‚ music has the ability to define our culture. Many people around the world listen to music while driving‚ at work‚ doing housework‚ or even studying. Music may be seen as simple and unproblematic‚ but looking at the structure behind it is very important. One of the key features of music is music copyright and what that means to the music industry. Defining what this means in the historical context is of
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considered cheesy from the view point of some mainstream recording industries and organizations. According to Zhang‚ CEO of the Idol Entertainment Ltd‚ ‘this represents neither a retrogression of society‚ nor a down step in terms of culture. It is normally a reflection of the current music market‚ which is to satisfy the consumers’ demands fundamentally.’ In fact‚ music online is currently receiving both profit and widespread acclaim‚ drawing lines with recording industry and traditional music profit modal
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Copyright Learning Team Weekly Reflection LAW/421 Learning Team D Weekly Reflection Week three focused on copyright infringement‚ and the legal issues in cyberspace associated with copyright laws. Copyright infringement can be classified into three theories; direct‚ indirect‚ and vicarious. Direct is the most obvious form because the copyright owner can prove legal ownership of the work in question and that the infringer copied the work without permission. A facilitator in indirect theory
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will be lost by 2015 from pirated content. With sites like The Pirate Bay and Kickass torrents making it as simple as a few clicks away‚ downloading illegal copies of music‚ TV shows‚ movies and other software has never been easier. In the second quarter of 2014‚ an estimated 10 billion movies‚ TV shows and many other files had been downloaded worldwide. Six percent of that was illegal downloads‚ 600 million illegal downloads in just a three month period. Copyright infringement is one of the many horrible
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Case 2- Emerging industries Online music industry – iTunes and Spotify Table of Contents Introduction 1 iTunes 2 Spotify 2 Why are iTunes and Spotify so popular? 4 Critique 4 Sources 5 Introduction In this casework‚ we want to focus on the changing environment of music industry. It started with radio‚ later on gramophone‚ vinyl and records‚ CD’s and now online music. We want to research why this new type of listening and sharing music is so popular and finally‚ will
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The Music Industry in a Digital Age Table of Contents * Report Justification * Summary * Introduction * Main Body * Conclusion * Bibliography Report Justification As multimedia students we have become accustom to the changing technology around us. We are always at the forefront of fads and changes. In terms of music most people carry around with them an ipod or some form of mp3 player. In 2006 46.6 million ipods alone were sold by Apple. In the same
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have. Did you know the music and lyrics you are singing with is an act of copyright infringement if not licensed by the publisher? In fact‚ even if the music is coming from an mp3 player containing songs downloaded from iTunes whereas you legally “purchased” the material‚ you still yet must be licensed‚ if rights are owned‚ to play for your restaurant and/or bar. Additionally‚ ASCAP‚ one of the nation’s most successful publishing rights organizations‚ considers their music property just as any other
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Music Industry Digital Communications Peter McLelland – 1001849 In this essay‚ I intend to discuss several points regarding the state of the Music Industry and Digital Communications (MIDC). I will begin by explaining how Copyright is affected by technological developments‚ then I will go on to compare Digital and Physical Marketing and Distribution with a SWOT analysis to show my findings. I will then continue to describe how Corporations‚ Artists and Consumers have responded to changes in the
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Pirate Bay and Copyright Infringement Introduction: Copyright infringement is a violation of the creators’ works in art‚ science‚ and invention. Copyright infringement by definition is the un-authorization or the non-prohibited use of works covered by copyright laws. The infringement violates the copyright owner’s exclusive rights for the work. This includes the right to reproduce or perform the copyrighted work‚ or to make derivative works from such original works. Illegal distribution of
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