The Devil’s Favorite Sin: Vanity In "Where are You Going‚ Where Have you Been?" Joyce Carol Oates uses an allegorical figure of evil to illustrate the theme of temptation. Oates alludes to hell through the character Arnold Friend‚ as the devil‚ and his victim Connie‚ who invites him in by committing one of the devil’s favorites sins: vanity. The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character
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In Joyce Carol Oates’ “‘Where Are You Going‚ Where Have You Been?’ and Smooth Talk: Short Story into Film‚” Oates writes that Connie “An innocent young girl is seduced by way of her own vanity” and that “she confuses death for erotic romance” (419). Oates clearly defines her point when Connie first discovers Arnold Friend at the drive in diner. She catches Friend staring at her with a big smile and Connie “slit her eyes at him and turned away‚ but she couldn’t help looking back” (409). The fact
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The character in “where are you going‚ where have you been?” Connie is affected by the role she plays in modern society. Fifteen year old Connie has the confusing‚ often exterior behavior typical of those girls who are facing the difficult transition from girlhood to womanhood in the 1960s. She is caught between her roles as daughter‚ friend‚ sister‚ and object of sexual desire‚ uncertain of which represents her real self. The sixties were the age of youth‚ young people wanted change. The changes
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Gone Baby Gone Analysis According to Kant Theory I’m going to talk in this assignment about the movie: Gone Baby Gone; which is an incredible‚ fresh‚ and real film‚ and its relation with Kant theory. In this movie characters are rich and alive; the story is compelling‚ surprising‚ and not at all predictable. Kant said that one must have a respect for the moral law that is expressed in the intention‚ and I think that Patrick’s intentions were good because he did not want for the kidnapped girl
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“All it takes for evil to flourish is for good men to do nothing” This old saying is relevant to the tragedy of Hamlet. Claudius embodies evil and Hamlet a good man. By Hamlet doing nothing he allows Claudius’ evil to flourish into a poisonous tragedy at the end of Hamlet. Claudius is undoubtedly evil. He commits evil deeds and can therefore be seen as an evil person. From early on in the play we hear that‚ “Something is wrong in the state of Denmark”. That something is the King. Claudius admits
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Kyle Rempfer Period 1 English II Honors Dialecticorial All the King’s Men - The dialectical journal. Passage 1: In this first passage the author describes the scenic views of the rolling countryside as he and Willie Stark drive to Mason City for some quick press photos at Willies old house. The author spends a great deal of time in this passage detailing the landscape and introducing figures. The entire passage reminds me of the time in which I was driving out to Arizona this summer with
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“Nothing’s riding on this except the‚ uh‚ first amendment to the Constitution‚ freedom of the press‚ and maybe the future of the country.” Towards the end of the movie‚ “All the President’s Men”‚ Washington Post executive editor Ben Bradlee says this famous quote to his two investigative journalists Bob Woodward and Carl Bernstein. The movie was able to capture Bradlee’s sarcasm in the quote when he says “maybe the future of the country”. This is clearly sarcasm because not only was the first amendment
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All people experiences changes in their life. Some of these changes are small such as the passing from one grade to another in school. Other changes are more intense‚ such as the transition from childhood to adulthood. In Joyce Carol Oates’ "Where Are You Going‚ Where Have You Been?" Oates goes into depth regarding the transition from being a carefree‚ innocent child to adulthood. In the short story "Where Are You Going‚ Where Have You Been?" two separate worlds are drawn to the reader’s attention
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INTRODUCTION: “Where Are You Going Where Have You Been?” by Joyce Carol‚ showcases the inevitable effects of youthful exuberance in a teenage girl. The story is a compelling tale which unveils the vulnerability of Connie‚ a young teenage girl who could barely substantiate fantasy from reality. She prides herself as a pretty girl who understands the basic principles of life. Her encounter with Arnold Friend reveals her as someone who lacks the mental ability to make meaningful decisions and accurate
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