The Cold War was the elongated tension between the Soviet Union and the United States of America. It was a clash of these supergiants in political‚ ideological‚ military‚ and economic values and ideas. The blame for the Cold War cannot be placed on one person -- it developed as a series of chain reactions as a struggle for supremacy. The conflict in ideologies between capitalism and communism resulted in one of the greatest conflicts of the twentieth century. Both the United States and the Soviet
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“small slights were made out to be witchcraft‚” and “others had hidden motives for accusing their neighbors” (The Crucible- Witch Trials NP). Similarly‚ people have the eyes of a hawk in Salem‚ so whatever happens‚ there is always someone who knows and they spread like wildfires. Presently‚ those suspected of witchcraft often confessed to save themselves of more trouble by naming people who may be involved with witchcraft. Marilynne Roach once said‚ “In general‚ however‚ an assortment of characteristics
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Tragic Endings A Shakespearean tragedy calls for a tragic ending. Shakespeare ends Hamlet most appropriately through the use of character development and a cathartic burst of violence. Shakespeare’s ending to Hamlet is satisfying in that Shakespeare succeeds in his goal and purpose of creating an effective tragedy. Through his technique in dramatizing Hamlet‚ Shakespeare communicates that procrastination leads to nothing but the suffering of man. As the play nears its end‚ Shakespeare uses development
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Act one of The Crucible begins with the confusion over what happened in the recent forest incident involving Abigail‚ Betty‚ Mary‚ Mercy‚ and Tituba. After a lot of questioning and uncertainty about the situation‚ all of the character except Abigail‚ Betty‚ Mercy and Mary
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The Crucible as a Tragedy Today‚ Arthur Miller’s The Crucible is commonly believed to be a tragedy‚ but the standards for different types of literature have changed over time‚ and the tragedy in not a type of literature that has only been around since yesterday. So let’s ask the inventors of theaters and dramas and see what their opinion would be‚ if they would approve with our definition of tragedy. According to Aristotle‚ a tragedy is defined as follows: “Tragedy‚ then‚ is an
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Othello as a Tragic Hero William Shakespeare’s famous tragedy Othello‚ the Moor of Venice (c.1604‚ as reprinted in Laurence Perrine and Thomas R. Arp‚ Literature: Structure Sound and Sense‚ 6th ed. [Fort Worth: Harcourt‚ 1993]1060-1148) is arguably one of the finest‚ if not the finest‚ tragedies in the literary history of Western civilization. This paper discusses Othello as a tragic hero and compares him to the great Aristotle’s concept of what a tragic hero actually is. First‚ we need to understand
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inevitability of human flaw - these factors are archetypal of the classical tragedies‚ first made popular by notable Sophocles‚ Euripides‚ and Aeschylus. Arthur Miller adopts this structure in his play‚ The Crucible: a tragedy‚ in which John Proctor is the epitome of an Aristotelian tragic hero. The Crucible is presented in a superstitious village‚ located in Salem‚ Massachusetts‚ in 1692. The time frame is compressed‚ and the action a fast pace. There is thus an unifying
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Crucible. One word. Three syllables. Two definitions: “a container for purifying metals” and “a severe test.” When applying this dual meaning to the Salem Witch Trials’ havoc‚ the title’s cleverness becomes apparent; Arthur Miller’s selection is fitting. Both definitions are suitable for the play because its characters are refined to their core elements as well as given the ultimate test. In terms of the word’s chemical definition‚ Salem itself becomes a crucible. The scorching temperatures used
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with little evidence‚ and it was in itself a witch hunt like those described in “The Crucible” by Arthur Miller. Arthur Miller was inspired directly by McCarthyism when he was writing The Crucible. The many claims of witchcraft made by characters in The Crucible--lacking sufficient evidence--share great similarities with the “witch hunts” of the McCarthy Era. The first great example of McCarthyism in The Crucible appears in Act One when Reverend Parris first becomes a major character in the tragedy
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Reputation is the estimation or name of being‚ having‚ having done‚ something specified by the general opinion of either a private or public group of people. In Arthur Miller’s screenplay‚ The Crucible‚ Miller presents his opinions on the factual truth of the Salem Witch Trials. Various events in Arthur Miller’s screenplay reveal the theme of reputation as being a leading force in the developing plotlines of the story. By doing this‚ he brings a whole new point of view to the readers of his screenplay
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