of a failed attempt to get back at Hamlet. Polonius died because of Hamlet’s vendetta plot against Claudius‚ Ophelia’s tragic end was an effect of Polonius’s death (thanks to Hamlet) “ "Pretty Ophelia‚" as Claudius calls her‚ is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet”(Innocence of Ophelia and Gertrude‚ Studymode Research). Last‚ but not least‚ the death of Hamlet’s father‚ and previous king of Denmark was caused by Claudius‚ the new king of Denmark‚ and Hamlet’s
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Poetry Analysis/ Discussion Mirror I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is‚ unmisted by love or dislike. I am not cruel‚ only truthful- The eye of the little god‚ four cornered. Most of the time I meditate on the opposite wall. It is pink‚ with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me‚ Searching my reaches
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How you can be a creator and not victim relies on how well you can mentally handle situations that don’t turn out the way you would have liked it to go. It takes a lot of mental attitude to not blame something for your situations outcome. A victim will protect themselves by saying whatever they think that will help gain approval‚ picture a kid that agrees with everyone but doesn’t say how he/she feels. To be a creator‚ don’t be scared of your inner critic. Sometimes what you are thinking to say out
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Cyberbullying victims hardly come forward and face their attackers. Victims are scared to come forward for fear of retaliation‚ feeling ashamed and many other things. What they do not know or fail to understand is that victims are never responsible for what is happening. Everything that is being done about it now is most commonly because of an incident that has already happened. It is sad to say it but it is true. Like many other things it is often too late but better than never. The only time a
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Allison Gilpin Dr. Jones English 102 20 July‚ 2012 Complexity of Poetry Poetry is a way for the reader to openly interpret a poem in almost any way they see fit. Because there is so much freedom of interpretation with poetry‚ there leaves a lot of room for discussion and opposition. Billy Collin’s poem‚ “Introduction to Poetry”‚ breaks down the basic ways for interpreting and understanding a poem. In summary‚ he explains that the reader cannot focus on trying to figure out one specific meaning
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We agree that Shylock is more a villain than a victim. Shylock is a villain because he has evil intentions towards Antonio. In an aside‚ shylock displayed his hatred for Antonio when he said “If I catch him once upon the hip‚ I will feed fat the ancient grudge I bear him.” This means that shylock’s hatred for Antonio has reached such a point that he desires to harm Antonio in some way. The phrase “feed fat” suggests that if he can find some way to get the upper hand of Antonio‚ He will use it to
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Each and every war has had an effect on those who lived through it‚ and those who fought in it. Poets write about what effects‚ and inspires them. If they were soldiers in war they often times have a strong opinion of war. This comes out in their poetry. Seigfried Sassoon‚ and Rupert Brooke were English poets who both served in World War I. Sassoon‚ a true survivor of trench warfare‚ wrote‚ “Everyone Sang” protecting war. While Brooke‚ who did not see the trenches‚ wrote‚ “The
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later years led Romantic writers to write of the Emperor of France’s cruelty‚ escaping to nature to flee the real world and its problems. William Wordsworth became one of the most influential poets of the Romantic period displaying throughout his poetry his love of nature which he discovered at a young age. Wordsworth’s poems often present an instant when nature speaks to him and he responds by speaking for nature. “Tintern Abbey” explores the ways in which observing natural beauty can deepen human
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Irving L. Janis’ Victims of Groupthink Author(s): Paul’t Hart Source: Political Psychology‚ Vol. 12‚ No. 2 (Jun.‚ 1991)‚ pp. 247-278 Published by: International Society of Political Psychology Stable URL: http://www.jstor.org/stable/3791464 Accessed: 11/01/2010 13:57 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚ available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR’s Terms and Conditions of Use provides‚ in part‚ that unless
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References: O’Day‚ R.‚ Hardy‚ W.‚ Padley‚ Marsh‚ G.‚ Padley‚ S. and Perryman‚ L.A (eds) (2011) – Making Sense of the Arts Open University p. 81 “Poetry Slams”: The Open University Module Y180 (Online Chapter 7 accessed 01.10.11.) “Barbaric Splendour”: The Open University Module Y180 Resource Booklet 2 P.39 (Source: Klein‚ J. (2009) Grayson Perry‚ London‚ Thames and Hudson‚ p 42).
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