“Retail Doesn’t Cross Borders” by Marcel Corstjens and Rajiv Lal discusses the trials and tribulations that grocery retailers face when expanding into global markets. The article first covers how immense pressures for growth drive many grocery retailers into internationalization before they are ready or prepared for such an expansion. Due to this unrelenting pressure‚ many plans to globalize end in failure because of lack of preparation and planning for long run success. In fact‚ an econometric study
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superior to women was prevalent. This concept is centralised in TTS‚ through incorporation of a disputably misogynistic tone and the dominance of men consequently forcing Katherina into marriage and submission. In contrast‚ 10TIH‚ a modern film appropriation of TTS‚ largely challenges the values of Shakespeare’s play. It presents to its audience a high school love story appropriate to modern beliefs and sensibilities‚ emphasising the greater equality between genders and the power of women in the characterisation
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INDIGENOUS TOURISM: THE CULTURAL POLITICS OF APPROPRIATION‚ RE-IDENTIFICATION AND RE-PRESENTATION Tourism is an industry: its structures exist solely because profit can be generated. However‚ it offers a paradox because by offering employment and income by capitalising upon and giving value to arts and crafts previously thought unimportant‚ it then threatens to gain ownership of those designs and the ways of thought of which they are an expression. Ryan‚ C 2005‚ Indigenous tourism: commodification
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This paper will focus upon the copyright infringement case against Richard Prince´s social media representation and his exhibition at the renowned Gagosian Gallery through the discussion of social media‚ appropriation art and copyright law. Richard Prince was born in the Panama Canal Zone in 1949. Currently he lives in New York. (Prince‚ 2016) During the late 1970´s Prince became interested in the notion of photographing images that meant something and position
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On the arid outback of Iraq lived little black Hijab. She was sent by her mother to the go and bring some curry to her ill grandmother. Her mother reminded her to be very quiet and not disturb her dyeing grandmother as she was very unwell from a recent explosion that had removed 3 of her limbs. Before she left she was reminded not to talk to any Sunni’s as it was dangerous to do so. Little black hijab walked along quietly under the hot son‚ taking the occasional break under the shade of a tree
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First pre-publication version submitted to BJET. Download final version from http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8535.2012.01351.x/abstract Facebook as a learning tool? A case study on the appropriation of social network sites from mobile phones in developing countries. Christoph Pimmer‚ Sebastian Linxen‚ Urs Gröhbiel Christoph Pimmeris research associate and has interests in technology-enhanced learning and medical education. Email: christoph.pimmer@fhnw.ch. Sebastian
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Baz Luhrmann’s film‚ Romeo and Juliet‚ is very successful as an appropriation of the original play by Shakespeare. Transforming the pre-16th century play into a contemporary popular culture film was done creatively by keeping the same values and language‚ but changing the context. This is illustrated by the use of anachronisms. For instance‚ daggers and swords are replaced by guns as well as cars stand in for horses. The disputes between members of the two families (the Capulets and the Montagues)
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History Essay‚ Postmodernism “Many Postmodern artists sought to deconstruct truths‚ and dominate ideas and cultural forms. Discuss with reference to at least two artists/designers and specifically the techniques they used to achieve these outcomes.” Synopsis This academic essay explores postmodern artists who form new perspective and controversy through the expression of their art. Research of various artists including Alessandro Mendini‚ Andy Warhol‚ David Ligare and Jenny Holzer were examined
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as “The ideas‚ customs‚ and social behaviour of a particular people or society”. Artworks like ‘Venus of Urbino’‚ ‘Olympia’ and ‘Portrait (Futago)’ are direct products of time and place. The artists who created these works‚ Titian‚ Manet and Yasumasa Morimura were heavily influenced by their society and context. Thus‚ cultural histories are represented and documented through artworks. The Renaissance period involved a revival and rebirth of cultural awareness and learning. It took place during
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The later 20th century saw the manifestation of the Post-Modernism‚ in which the use of appropriation and re-contextualisation was developed to test previous conventional depictions of gender in the visual arts. Artists Yasumasa Morimura‚ Julie Rrap‚ Anne Zahalka and Cindy Sherman have each employed the use of appropriation to question the historical ideologies of gender‚ particularly in relation to women‚ and their role in art and society. They all borrowed past paintings and promoted them with
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