Yayoi Kusama FOR EACH ARTIST CASE STUDY use these headings Artmaking practice Artist information DOB/DOD Country or origin (cultural background) Key points about the artists life and background AS THEY RELATE TO THEIR ARTMAKING. Practice includes both IDEAS (CONCEPTUAL PRACTICE) and ACTIONS (MATERIAL PRACTICE) eg. artforms‚ subject matter‚ ideas and issues explored‚ intentions‚ research‚ planning‚ materials‚ techniques‚ style‚ development of personal symbols or recognisable style‚ influences
Free Art Yayoi Kusama
Yayoi Kusama is 82 years old. But when she is wheeled in‚ on her blue polka-dotted wheelchair‚ she looks more like a baby‚ the sort you might see played by an adult in a British pantomime. Her face is large for a Japanese woman and at odds with her smallish frame. Apart from her intense‚ saucer-shaped eyes and the arc of deep red lipstick across her mouth‚ there is something masculine about her features. She wears a lurid red wig and a dress covered in engorged polka dots. Coiled around her neck
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looks within the depths of their subconscious‚ one witnesses the similarities between the two. Jackson Pollock and Yayoi Kusama are two such artists. Pollock was known as an abstract impressionist
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Sayre in his book “A World of Art” define those roles as: 1) Artist help us to see the world in new or innovative ways: In this role the artist will produce a piece that generate a new sensation‚ or a new way of thinking‚ as an example the artist Yayoi kusama in her work‚ “You Are Getting Obliterated in The Dancing Swarm of Fireflies”‚2005‚ she create a room who’s walls‚ ceiling‚ and floor is covered by mirrors‚ inside the room is and assortment of led lights hanging from tiny wires above the ceiling
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1. Painting portrait: An experiment Instruction: The main idea of this experiment is to find the different expression from friends and strangers which have similar backgrounds and under the same communication context – which formed a “tradition” in our society. To paint “me and the feeling you caught up from me” as the theme‚ which the whole process will be recorded as the test result. Methodology: On the day that the experiment was performed‚ four friends were invited. Two of them were familiar
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operation. Thus the interaction with viewers and the participation of the audience become increasingly necessary and important. This chapter aims to explore the development in Yayoi Kusama’s work from her early times to present works and define participatory art in her artwork. It also gives a small brief about Yayoi Kusama and a brief explanation about the particular materials she used in her work. It focuses on how she communicates with viewers in her works‚ how viewers take part in her work and
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and place; 3) they make functional objects and structures more pleasurable by imbuing them with beauty and meaning; and 4) they give form to immaterial ideas and feelings. 5. After viewing the video of Yayoi Kusama’s installation‚ how would you describe your experience? In my opinion Yayoi Kusama’s installation seems to portrait how enormous our universe is. It makes me feel and see how infinite the universe really is‚ as if there is no beginning and no end. 6. What do John Ahearn and Rigoberto
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Kumasi Market The Kumasi Market painting is made by John Biggers American 1924-2001.The Kumasi Market was made in 1962. It’s made out of oil and acrylic on panel. It is a collection of William O. Perkins‚ III. It’s 863 x 1524 mm ; 34x60 inches and the cost is $100‚000 to $150‚000. “This painting was and owned by the celebrated and beloved writer Maya Angelou‚ a close friend of the artist who lived many years in Winston-Salem and was a frequent visitor to Charlotte for fundraising luncheons for
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‘Pumpkin’ was created by Yayoi Kusama in 2000. It reveals us an inner world of human being by Kusama’s hallucinatory style. Kusama‚ who was born into a traditional upper-class Japanese family in 1929‚ has seemingly been misunderstood since birth. Plagued by crippling hallucinations and neuroses since childhood‚ she found refuge and solace in art . It is worthwhile to explore her pained mental story. We can see circles and triangles cram a rectangle‚ which makes a strong contrast between orange and
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herself with her parents and society‚ her art was her stability. She made art to create a new world for herself. Kusama lived by self-obliteration -- to lose herself in the work‚ or to the work‚ to save herself (Swanson). She wrote in her autobiography‚ “I fight pain‚ anxiety‚ and fear every day‚ and the only method I have found that relieves my illness is to keep creating art”. Kusama calls her work “‘art medicine’ for both herself and the rest of the world. She shows the world how important art
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