art world that humans don’t always have to be aesthetically pleasing (women in particular). Lastly‚ Duchamp (b.1887-1968) started the phase of ‘ready made’ art proving that you don’t need to make something in order for it to be classified as art. Modernism encompassed the most intensive period of change in art history‚ the industrial revolution (1880’s). It did this by focusing on the transformation of atmosphere in regards to machinery (humans becoming redundant)‚ agricultural processes and the manufacturing
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Modernism in Earnest Hemingway’s Literature “The Old Man and the Sea” Introduction: 1. The definition of Modernism 2. The definition of Realism 3. The definition of terms 4. The significance of the study Chapter one: 1. The theory of Modernism 2.1. Stream of consciousness 2.2. Internal monologue 2. Realism as a literary technique 3.3. Internal realism Chapter two: 1. the implication of American modernism through the main characters
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The Roots of Modernism the word ‘modern’ is used to refer to contemporan object or subject matters.In the history of art‚ however‚ the term ‘modern’ is used to refer to a period dating from roughly the 1860s through the 1970s and describes the style and ideology of art produced during that era.The term ‘modernism’ is also used to refer to the art of the modern period. More specifically‚ ‘modernism’ can be thought of as referring to the philosophy of modern art. The roots of modernism lie much deeper
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When wondering whether England was “[his] prison or [his] palace‚” he could not come to a consensus because his life was defined by moments whose worth was dictated by stories and peers. However‚ the author does not blatantly condemn youthful romanticism‚ describing that perhaps “the thirst for adventure and excitement” so characteristic of young men and woman “ought to be in all at twenty-one.” Through a rhetorical question he displays both the selfishness and drive of inspired young people — “why
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Morton Professor Hall English 379 November 6‚ 2014 Modernism: Sexual Identity Realism‚ naturalism‚ and modernism were all literary techniques used between the 1940’s and 1960’s. McDowell and Spillers define these three techniques as‚ “realism is taken to refer broadly to a faithful representation of material “reality”; naturalism‚ to a franker‚ harsher treatment of the power of the social environment cum jungle on indivisual psychology; and modernism‚ to a break with the familiar functions of language
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be a sign of modernity. Traditions‚ quite often‚ keep us United‚ but modernity‚ usually‚ takes us apart from each other. A tradition implies belief or custom‚ passed on to us by our ancestors. Much of what we do today has its roots in the past. Modernism is in total contras with the ideas or methods of the traditional ones. Old‚ it is said‚ is gold and should be preserved carefully. But it is also an unavoidable fact that old is to be given up for good to enter the New Era. There is a lot in our
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English Romanticism 1798-1832 Historical Background Industrial Revolution 1776 American Revolution 1789 - 1815 Revolutionary and Napoleonic Period in France 1789 storming of the Bastille 1793 King Louis XVI executed Political unrest in Britain‚ harsh repressive measures against radicals Edmund Burke‚ Reflections on the Revolution of France 1790 Tom Paine‚ Rights of Man 1791 Mary Wollstonecraft‚ A Vindication of the Rights of Woman 1792 1793 Britain at war with France
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and postmodern art‚ literature‚ and music; film; time and memory; space‚ the city‚ and landscape; the sublime; and the relation between aesthetics and politics. -Jean-Francois Lyotard is a French philosopher best known for his ideas about post-modernism. In this essay‚ lyotard strongly doubts the idea of Habermas about the incomplete project of modernity. He disagrees with habermas in his attempt to bridge the gap between cognitive‚ ethical‚ and political discourse and opening a way to a unity of
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Modernism The Modern Novel As T.S. Eliot once said‚ “Every age gets the art it deserves and every age must accept the art it gets. A complex age like the 20th century‚ upset by two World Wars and marked by unrest and ferments‚ couldn’t as result produce anything but complex art‚ mainly resulting‚ more than in any previous age‚ from experimentation. The search for new forms of expression‚ which affected all branches of literature‚ was carried on first of all in fiction and novel. So far novelists
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Heart of Darkness: Modernism and Its Historians Author(s): Robert Wohl Reviewed work(s): Source: The Journal of Modern History‚ Vol. 74‚ No. 3 (September 2002)‚ pp. 573-621 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/345112 . Accessed: 30/09/2012 11:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service
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