Contents: Introduction 5 I. WESTERN GENRE ANALYSIS 7 1. Possible Pathways 7 2. Guns‚ Horses and Cactuses – Defining the Genre 10 3. White Cowboys and Other Key Features 15 4. The Milestones in Hollywood Western’s History – A Short Genealogy of the Western 17 5. The Structure of Western films – Plot Variations 20 6. Stereotypes 23 6.1. The Hero 24 6.2. The Anti-hero 25 6.3. The Villain 26 6.4. The Woman 27 II. Cowboys Enter
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Module 7 Film/television genres Objectives: In completing this module‚ you will be able to: - understand and apply different approaches for analyzing genre: formalist‚ audience analysis‚ and ideological. - understand the history and evolution of advertising and the forces shaping that history - devise different genre analysis activities for use in the classroom - understand and analysis characteristics of different types of genres for the genres described in this module - present specific
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ENGLISH NOTES 2012-2013 Advising and Preregistration ONLY declared English majors (who have formally declared their major by Monday‚ April 30th) may preregister for English classes via the web on Monday‚ May 7th during their registration appointment times according to the following schedule: The last day to add a class for Fall Quarter is Friday‚ September 7th. The last day to drop a class for Fall Quarter is yet to be determined. PLEASE NOTE: The Registrar has indicated that students may preregister
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University of Glasgow Department of Film and Television Studies Beyond “Brutality”: Understanding the Italian Filone’s Violent Excesses by Robert J. Edmonstone Matriculation #: 9703623 Supervisors: Dr. Ian Garwood / Dr. Karen Boyle 2 Contents Abstract Acknowledgements Introduction 1. Introducing the Filone: Industry‚ Cycles and Censorship 2. Investigating Violence and Spectacle in the Filone 3. Theorising Excess and Violence in the Filone 4. Narrative versus Excess in the Filone
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