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    Where Are You Going‚ Where Have You Been? Innocent‚ young‚ naïve; this is how Connie was at her age of fifteen. She liked the attention boys gave her and how it made her feel. A man named Arnold Friend‚ whose much older than her‚ has stalked Connie and wants to convince her to go for a ride in his car. Connie doesn’t notice the man’s older features and this causes her young mind to contemplate going with Arnold in his car. Connie is more conflicted with herself‚ she battles to make the right choices

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    In Where Are You Going‚ Where Have You Been Joyce Carol Oates uses compelling themes to convey real life issues to the readers. She also exploits many references to well know fairytales through symbols and motifs. This short story shares the theme of good versus evil to the fairytales Cinderella‚ Rapunzel and Snow White. The theme of evil is first expressed through Connie’s and Cinderella’s afflictions with their sisters that shape the essence of sibling rivalry. Like Cinderella‚ Connie’s sister

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    The story “Where Are You Going‚ Where Have You Been?” by Joyce Carol Oates shows the reader the self-created illusion that the main character Connie has created in order to better understand herself. Connie’s reality is altered as she has this dream that has manifested due to her desire for attention from others. Throughout the story there are many occurrences that support the idea that the entire story is a dream that was made up by Connie’s subconscious. Throughout the story‚ Arnold mentions many

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    Southern literature paper In the short story “Where are you going and Where Have You Been?” by Joyce Carol Oates one of the main things that readers find is the suspicion surrounding the character Arnold Friend. Supporting this is Friend’s words which are so impactful on Connie‚ and why she didn’t just pick up the phone and call nine-one-one to end the whole conflict in the first place. Much of the research I found was based off this question pointing out how a person would react to this scenario

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    Maddie Kramber 8 April 2016 Dual Credit English Per. 3B “Where Are You Going‚ Where Have You Been?”: The Search For Self Still to this day in our lives‚ we struggle to figure out who we are‚ and what we are put here on Earth to do. In our society today‚ we have trouble with searching with who we are. In the short story‚ “Where Are You Going‚ Where Have You Been?‚” by Joyce Carol Oates‚ the author’s background as well as her usage of characterization and internal conflict‚ develop the theme of identity

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    hadn’t grown up and realized he needed to give it his all in order to survive considering he would never have made it out alive otherwise. Finny struggles to accept how things are considering he lives in his own perfect world. Connie put herself in an adult and more mature world when her mentality was still in a young and innocent state. In Night by Elie Wiesel ‚ Where Are You Going‚ Where Have You Been by Joyce Carol Oates‚ and A Separate

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    The decline of the societal and cultural values during 1960s can be seen through Joyce Carol Oates’‚ “Where are you going‚ Where have you been?” The story‚ which narrates the fatal destiny of fifteen year old Connie‚ shows the rise of a pop-culture/music guided society‚ it also shows the rise of the sexual revolution and the disregard for women‚ and the negligence of parents at the time. In the story the devil is represented by ARNOLD FRIEND‚ who at the end of the story seduces Connie into her own

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    Parent-Child relationship in Where Are You Going‚ Where Have You Been‚ written by Joyce Carol Oates and in In the Gloaming‚ written by Alice Elliott Dark are two different demonstrations of relationships that parents and children have with one another. In Where Are You Going‚ Where Have You Been the Parent-Child Relationship was strained and distant in In the Gloaming‚ the Parent-Child Relationship was close and open. In Where Have You Been‚ Where Are You Going? Connie and her mother were always

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    18. Curtis Toy Manufacturing Company is evaluating the extension of credit to a new group of customers. Although these customers will provide $240‚000 in additional credit sales‚ 12 percent are likely to be uncollectible. The company will also incur $21‚000 in additional collection expense. Production and marketing costs represent 72 percent of sales. The company is in a 30 percent tax bracket and has a receivables turnover of six times. No other asset buildup will be required to service the new

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    COMPARISON OF INDIRECT COST MULTIPLIERS FOR VEHICLE MANUFACTURING Technical Memorandum in support of Electric and Hybrid Electric Vehicle Cost Estimation Studies by Anant Vyas‚ Dan Santini‚ and Roy Cuenca Center for Transportation Research Energy Systems Division Argonne National Laboratory 9700 South Cass Avenue Argonne‚ Illinois 60439 April 2000 Work Sponsored by United States Department of Energy Assistant Secretary for Energy Efficiency and Renewable Energy Office of Transportation

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