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A Clockwork Orange And The Human Condition Analysis

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A Clockwork Orange And The Human Condition Analysis
The human condition is full of contradictions, a state of mystery which involves the joyous aspects of life, as well as the sorrowful. The play 'A Streetcar Named Desire,' written by Tennessee Williams, represents this paradox that is capable of inspiring us or swiftly casting us down into the depths of depression. Stanley Kubrik's film 'A Clockwork Orange' contrastingly examines the concept of free-will and the effects of its intervention, while Marko Bok's 'Woman on Bondi Beach' celebrates life's beauty, criticizing society's attitudes of discrimination and broadening our understanding of the human condition.
A Streetcar Named Desire, employs its protagonist Blanche to signify, the sorrow individuals can feel when confronted by harsh reality, resorting to elements of fantasy to overcome this distress. In an attempt to conquer the potential of the human psyche to bring us down, Blanche portrays her life as a fantasy, as she self- explains, 'I don't want realism. I want magic! Yes, yes, magic. I try to give that to people. I do misrepresent things. I don't tell truths. I tell what ought to be truth.' Williams employs the
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Whereas Blanche derides passion in her derogatory tone, 'What you are talking about is brutal desire - just - Desire!,' Stella metaphorically values that Streetcar. The connection lust enables is seen in the description of Stella's 'narcotized glow' after lovemaking. Williams however, shows the complexity of human behaviour as he links passion with violence and sorrow, 'Oh so you want rough-house? All right lets have some rough-house.' Violence and sorrow in this play is fraught with sexual passion, depicted by Stanley's occasional brutality and Steve's relationship with Eunice. Sorrow is a tool that many exercise to deal with the pressures of the human condition, as shown in Kubrik's Clockwork

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