About Daniel Libeskind
James E.Young. (2000).Daniel Libeskind’s Jewish Museum in Berlin: The Uncanny Arts of Memorial Architecture. Jewish Social Studies, 6(2), pp. 1-23. Retrieved June, 6 2013 from http://www.jstor.org
Summary about the Daniel Libeskind’s Jewish Museum in Berlin: The Uncanny Arts of Memorial Architecture, we can know the history of the architect and the museum and the idea. In the introduction, it had stated is the “house” the memory of a people and importance and far-reaching effect of Jewish culture on the city’s history. The museum generate its own sense of a disquieting return, the sudden revelation of a previously buried past. Then will be talking about history of the museum and the background of the architect. For this museum he had written a book named: “Between the lines: Extension to the Berlin Museum with the Jewish Museum”. Why he called in that way because it’s a project about two lines of thinking, organization, and relationship. In his design for this museum, he highlights the spaces between walls as the primary element. The entrance is made of untempered zinc plating is startling bright in its metallic sheen. The interior spaces are spacious but irregular in shapes, cut through by enclosed voids and concrete trusses, which never gain a sense of continuous passage. He introduced the idea of the void as a physical interference with chronology. It’s the one element of the continuity throughout the complex form of the building. Besides, narrative flow and suggest instead architectural, spatial, and thematic gaps in the presentation of Jewish history in
Summary about the Daniel Libeskind’s Jewish Museum in Berlin: The Uncanny Arts of Memorial Architecture, we can know the history of the architect and the museum and the idea. In the introduction, it had stated is the “house” the memory of a people and importance and far-reaching effect of Jewish culture on the city’s history. The museum generate its own sense of a disquieting return, the sudden revelation of a previously buried past. Then will be talking about history of the museum and the background of the architect. For this museum he had written a book named: “Between the lines: Extension to the Berlin Museum with the Jewish Museum”. Why he called in that way because it’s a project about two lines of thinking, organization, and relationship. In his design for this museum, he highlights the spaces between walls as the primary element. The entrance is made of untempered zinc plating is startling bright in its metallic sheen. The interior spaces are spacious but irregular in shapes, cut through by enclosed voids and concrete trusses, which never gain a sense of continuous passage. He introduced the idea of the void as a physical interference with chronology. It’s the one element of the continuity throughout the complex form of the building. Besides, narrative flow and suggest instead architectural, spatial, and thematic gaps in the presentation of Jewish history in