In Edgar Allen Poe's tale, the setting of Montresor's catacombs provides Montresor with a place where he can kill Fortunato with almost no evidence on who killed him, helping his attempt at making the perfect crime. The catacombs in "The Cask of Amontillado" are old with spider webs as well as "long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs" (Poe 78). The setting of the catacombs is also dark; Montresor and Fortunato need torches to proceed through it. Such a creepy setting like the burial vaults of one's family provides the perfect place for Montresor commit his crime. Not only is the setting visually disturbing, but the atmosphere is also disturbing; there is the "intense foulness of the air [that] caused our flambeaux rather to glow in the flame" (Poe 78), as well as the dampness. Not many people would be interested in touring the catacombs because of such
In Edgar Allen Poe's tale, the setting of Montresor's catacombs provides Montresor with a place where he can kill Fortunato with almost no evidence on who killed him, helping his attempt at making the perfect crime. The catacombs in "The Cask of Amontillado" are old with spider webs as well as "long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs" (Poe 78). The setting of the catacombs is also dark; Montresor and Fortunato need torches to proceed through it. Such a creepy setting like the burial vaults of one's family provides the perfect place for Montresor commit his crime. Not only is the setting visually disturbing, but the atmosphere is also disturbing; there is the "intense foulness of the air [that] caused our flambeaux rather to glow in the flame" (Poe 78), as well as the dampness. Not many people would be interested in touring the catacombs because of such