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In his 1891 essay The Critic as Artist, Oscar Wilde debates that the criticism of art is an important and often underrated art form, and indeed, he contends to say that art-critics
Clement Greenberg (1909-1994) was possibly the most prominent and influential art critic of the twenty-first century. Greenberg’s intensely influential focus was on the notion of “formal purity” and how that affected the work itself in a painting just being a painting and “orientating itself to flatness” as modernist paintings had. Additionally, Clement Greenberg found interest in Abstract Expressionism and how Greenberg’s strictly outlined theories on art would inspire artists of the Minimalist and Pop Art movements to respond in kind with their own art as a rebuttal.…
The author suggest that we ask ourselves: “What is the purpose of this work of art (and what is the purpose of art in general)? What does it mean? What is my reaction to the work and why do I feel this way? How do the formal qualities of the work-such as color, its organization, its size and scale-affect my reaction? What do I value in works of art?”…
In the year of 1980, Oscar Wilde published his only novel, The Picture of Dorian Gray, before he reached his height of fame. The first edition of his book appeared in the summer edition of Lippincott’s Monthly Magazine. Although, many criticized the novel as being scandalous and immoral. Wilde, being disappointed with its outcome, revised the novel in 1891, adding a preface and six new chapters. One of the main themes throughout this book would be the purpose of art, Wilde believed art did not serve any other purpose than being beautiful. He adopted this attitude from old Victorian England, where the most popular belief stated that art was not only a figure of morality but also had the means of enforcing it. In addition, two other contributing…
People often toss around the notion that “art is subjective.” We have heard the phrase “beauty is in the eye of the beholder” one too many times growing up. We all understand that everyone holds different perspectives, but maybe we have become numb to the actual meanings behind these words. We are the ones who succumb to the aesthetics of art without truly understanding the contexts in which it arises from. We seem to think we know all about a culture once we possess or even create a certain “stereotypical” work of art. We get so caught up in the beauty of it all, but we need to question what exactly aesthetic values do in creating a false sense of reality. Writers like Teju Cole understand this urge and give us a wake-up call that we are living…
Even though his last years were horrible for him, being sent to prison and criticized by lots of people because of one of his own novels, one can’t deny that Oscar Wilde lived a really interesting life. His wittiness -shown in his numerous epigrams, like «The only thing worse than being talked about is not being talked about»-, sense of humor, vividness and way of thinking made him one of the most interesting people of his time, and also in the history of the literature. His only novel, The Picture of Dorian Gray, received terrible reviews from critics and from the society in the moment it was first published, mostly due to its homosexual content (during the trials where he was judged, the book was used as an evidence to prove his homosexuality). It is considered a Gothic novel and one where religion is a prominent theme, with some characters wondering about it and comparing Anglicanism with Catholicism.…
Johnson, Ellen H. Modern Art and the Object. New York: Harper & Row Publishers. 1976.…
Oscar Wilde’s conversion to Catholicism was a slow—if not incomplete—change of heart. Indeed, it seemed to be the “form, rather than the content” (Ellman 34) that began the author’s dalliance with the religion, as he seemed instinctively drawn to the maryr-happy, scarlet-toned atmosphere of piety due to its artistic implications. It was Catholicism’s deviancy from the normative values of Victorian Anglicanism, not the specificities of its dogma, which attracted Wilde, as its contrast with religious traditionalism paired harmoniously with the mantra of “l’art pour l’art.” Both the texts “De Profundis” and “The Soul of Man under Socialism” present Jesus Christ as the ultimate aesthetic prophet, with Wilde not only rendering the Aesthetic movement…
A critic seeks answers for what is seen in the artwork, how it is designed, what it means, and if it’s a successful work of art.…
The homosexual suggestions of The Picture incite criticisms, mostly of righteous anger and criticism. Throughout the Victorian Era movements for strong moral values dominated opposed to greed, exploitation and cynicism. Wilde’s the novel developed during this time. The 1890 date of publishing of The Picture implies that any kind of homoerotic relationships were very much forbidden. Therefore, the only novel of Oscar Wilde caused a public outcry in a pious Victorian England. The typical idealistic image of behavior and modesty inherent to old-time Victorian England was discredited in the novel. The radical ideas the novel contained evoked a conflict between moral rules of the Victorian society and new controversial concepts raised in the book.…
The first principle of aestheticism, the philosophy of art by which Oscar Wilde lived, is that art serves no other purpose than to offer beauty. Throughout The Picture of Dorian Gray, beauty reigns. It is a means to revitalize the wearied…
Oscar Wilde (1854-1900) was a writer whose homoerotic texts pushed the social boundaries of the Victorian era. Born to a family of unabashed Irish agnostics, the self-proclaimed "dandy" valued art, fashion, and all things physically beautiful. After receiving a comprehensive education from Oxford, Wilde made a name for himself in London first as a novelist, penning the now famous The Picture of Dorian Gray.…
At first glance, Oscar Wilde’s works The Picture of Dorian Gray, Lady Windermere’s Fan, and The Importance of Being Earnest seem quite disparate. The first is horror, while the latter two are comedies; the first is a novel, while the latter two are plays; the list of the differences between the works could continue. The striking thing about these works however, is their unified theme. Wilde uses the symbolism in each work—images of self in The Picture of Dorian Gray, the fan in Lady Windermere’s Fan, and the use of names in The Importance of Being Earnest—to criticize Victorian society.…
Marilyn Stokstad: “Art in the second half of the nineteenth century.” Art History: Eighteenth to Twenty-First Century art. New Jersey: Pearson Education Inc. 2009. Pp. 1033…
"The Conflict Between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray » Writing Program » Boston University." Boston University. N.p., n.d. Web. 18 Jan. 2013. .…
Jackson, Holbrook. The Eighteen Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century. New York : A.A. Knopf, 1923…