The current conflict between the recording industry and a portion of its customers who are involved in illicit copying of music files arose from innovations involving the compression and electronic distribution of files over the internet. Some of the ethical challenges associated with responses that threaten further innovation, ultimately reduce the chances of finding solutions that hold appeal for all parties. Today’s world of the online web has provided new opportunities for both the creators and the consumers of media such as music. The digital aspect of the web allows for wonderful innovations such as MP3 players but ethical personal use must…
Advancements in today's technology have allowed users to access and use computer programs, movies, music and other multimedia for which they have not purchased. Technological advancements are coming along at such a quick pace that the enforcement of copyright laws cannot keep pace. Music piracy exploded in the late 1990's and caused groups such as the Recording Industry Association of America (RIAA) to crack down on companies such as Napster that provided that provided free music downloads. The number of lawsuits against individuals who illegally download music has escalated to the point that people are now switching to legal internet sites that sell music downloads. The ethicality of this issue has touched many people throughout the world…
In the short time that computers and internet have existed in the modern era, the world has seen a complete 360 degree turn and in the various forms of electronic entertainment that people all over the world are now using. In the days before CD’s, DVD’s and the internet, not much was said if a vinyl album (remember these?), VHS cassette (or these?) or an audio cassette was loaned to a friend for their listening / viewing pleasure, but today with the availability of sending an email with three or four megabytes (mb) of information, one can enjoy a borrowed song but is assumed that it is piracy or stealing. Is this a fair assumption? This Author will not give his opinion but rather discuss both sides of the Peer to Peer (P2P) downloading and sharing issues and let the reader form their own opinions.…
The music recording industry is in trouble. For several years now, sales of new and popular music have steadily declined and show no sign of changing. The record companies are quick to blame the growing popularity of the Internet; music is being traded in a digital form online, often anonymously, with the use of file-sharing programs such as Morpheus, KaZaA, and Imesh, to name a few. The RIAA (Recording Industry Association of America) succeeded in disbanding the pioneer Internet file-sharing program, Napster, but is facing confrontation with similar programs that are escaping American copyright laws. While there is an obvious connection between declining popular music sales and increasing file sharing, there is more going on than the RIAA wants to admit. I will show that the recording companies are overpricing their products, and not sufficiently using the Internet as an opportunity to market and sell their products. I shall begin by describing in greater detail the problem that the recording companies are facing, as well as the growing epidemic of online music trading. From there, I will show the correlation between the two and describe the other factors affecting record sales, and how these trends could be turned around to help the industry.…
Elaine McArdle said, “The music industry is struggling with a full blown crisis”. What could possibly be pushing the music industry into a crisis one might ask, illegally downloading free music. In the essay, Up on Downloading, three Harvard Law School professors are trying to come up with different solutions to this problem that is occurring. Now that our technology has become so advanced, many people are figuring out ways to cheat the system, and when people are not paying for the music they have downloaded, the artist is not getting paid. Artists are not the only one losing money but everyone involved producing the music is losing money as well. There is also less and less people going out and buying CD’s. I could probably not even remember the last time I purchased a CD. So how are the artists and producers suppose to make money when we are stealing from them? Zittrain, Nesson, and Fisher believe they could possibly have the solution to save the music industry.…
In “ In Defense of Piracy(Well, Some Piracy)”, Matthew Ruben states that it is alright to download mp3 in certain circumstances. He reasons firstly that the current marketing strategies of music are making people paying for albums they would not enjoy. He also reasons that between a dilemma of paying unreasonable price for a single and downloading, there is nothing ethically wrong to download than buying a whole CD just for a track. Thus, he reckons that pirating mp3 single can be a form of protest to the music industry on resisting hype. Though these reasons seem attractive, especially to the general public, Ruben has not taken into account of the devastating effects of piracy has on to the music industry and that piracy is flat, adulterated theft (Gary Locke, 2010).…
Our world is changing at an exponential pace with new technology. The pop music industry of today has had to adjust to the shift from CDs to digital music files. Of all media, music is the most easily pirated and record companies have had to find ways to entice people to buy music legally again to support the artists and producers who make these songs.…
The ever-changing landscape of music distribution, due to constant advancements in technology, is sometimes hard to keep up with for artist, producer, and consumer alike. New editions of textbooks in Music Business classes are issued each year, and changes are made in the industry before the semester is even over. Because of this, it is vital for the industry to not only not only be aware of what is currently going happening, but also be able to foresee the direction that the music business is heading in. In this aspect, it seems that we are at a turning point where consumers and artists are taking advantage of new technologies to reshape the industry, and developers are being left behind. Record companies are struggling to maintain their stranglehold on the music industry, most notably through utilizing age-old copyright policies. This paper explores the different avenues bands are taking to make a profit, the effects of digital music distribution on the industry, and proposes the question of whether record companies will win the war against file-sharing, use it to their advantage, or be left in the dust.…
Hip-hop as a genre has not lost its audience just the paying customers. The genre has 4 of the current top 10 and 10 of the top 20 on Billboard.com’s current top 100. Therefore, it is easy to determine its drop in sales is predominantly caused by the current trend of online downloading. The sad truth is that it doesn’t seem to be stopping any time soon either. According to The International Federation of the Phonographic Industry (IFPI) report on digital music, “95% of music downloads continue to be illegal.” Therefore, with most of its listeners being part of the tech-savvy youth, hip-hop as industry is weighed down by its loss of potential income. Now, even though the future forecast for hip-hop looks dismal, international efforts are being made to stop this trend. In Europe the EU and France in particular is even considering a three strike rule (Michael Santo). Perhaps this isn’t the answer either. Still some believe that with lower prices of the material, this downloading trend would reverse and result in consumers buying the better quality product (CDs) rather than download an illegal pirated version.…
Green Day’s success continued excel in the late nineties and the early two thousands. Some other successful albums/hits were “Nimrod” (1997), “American Idiot” (2004), and “Boulevard of Broken Dreams”…
A song is not all for the consumer to listen to but, also for the artist to get a living off of. The smallest push of sales can either put an artist at the top or bottom of the spectrum. With that extra push small upcoming artist could make it, but that chance has been completely shattered from piracy. Nelson writes on the topic, “the less documented damage extends far beyond the ‘red carpet’, to emerging artists, especially those who are on the verge of making it”. The negative effects of copyright not only affects artists and the music industry; it paves the way to new crimes on a much larger scale. With copyright laws being broken every day with illegal downloads, theft is becoming all too common place. As long as someone can hide behind a computer screen you can download not only illegal music, but can similarly steal someone’s identity. This has lead to a ripple affect of crimes such as Catfishing, hacking, and stalking. With the advent of new technology greater security is necessary for internet theft, even as simply discontinuing illegal download…
111.1 million files of music are pirated per day worldwide. People need to realize that online piracy is illegal. The artists get taken advantage of when people commit this crime. There are many risks that piracy entails. Many people would say online piracy is not a big deal because everyone participates in it, but they would be wrong. For these reasons, people should be prosecuted for online piracy.…
One of the most important influences that internet piracy has had on the music industry is the sale of retail CDs. Until the past few years, CD sales were one of the key things that music industry insiders used in order to find out which musicians and albums were the most popular with the public. As the world’s technology has been growing, it made the digital music and internet piracy growing too, sales of retail CDs dropped amongst younger consumers to such an extent that the best selling CDs on the market began to bear very little resemblance to the music that was actually popular with the young listeners that form the backbone of the music industry. For example, Bob Dylan’s album Modern Times quickly became the number one best seller when it was released in 2006, despite the fact that none of his tracks were highly requested on mainstream radio programs or popular with younger listeners.…
In recent years the Internet has become the major source for acquiring music. No more sitting in front of the radio with a cassette recorder waiting for a favorite song to come and capture it on tape to enjoy at leisure. No more high speed dubbing on dual cassette boom boxes to make a copy of the new Metallica album for friends. With the creation of digital format media and high-speed Internet connections, along with peer to peer (P2P) network sites like Napster and Kazaa, it is easier than ever to get songs, movies, and even software. Now all one needs to do is log onto a P2P network and with a couple clicks of the mouse, find, and download almost any music wanted. Though it is illegal to download media from these types of sites (since they are free), it has not stopped people from using them. They actually flocked to them. While the Internet has made sharing music easier and more prevalent, sharing music is nothing new. People have been trading and sharing music long before the Internet was created. With more than 2.6 billion illegal downloads a month (Music United 1) the record industry would have the public believe that file sharing is the main cause of their finical woes. Evidence exists though that suggests file sharing can actually be a benefit to them.…
Everyone knows that shoplifting a CD is illegal and morally wrong. However, not all people agree that downloading music or copying a CD is theft. Most people are aware of the copyright laws, but some people are confused about the ethics of downloading music. I am one of those people who is confused. I download music on occasion. I have never felt I was participating in an unethical activity. However, I do understand that downloading music is cheating the artists from earning the money they deserve. How can I decide for myself whether downloading music is ethical or unethical?…