Over the past years Internet music sharing has become a major issue for the music industry. A lot of recording companies have found themselves in an uproar because they realize that the constant sharing and downloading of albums are hurting the artists. The people that are turning to the internet to download and share music are saying the reason they are doing this is because they can’t afford to purchase the music in stores. In order to help solve the problem, some record labels have agreed to charge a small monthly fee which allows numerous downloads per month for those who decide to pay.…
Elaine McArdle said, “The music industry is struggling with a full blown crisis”. What could possibly be pushing the music industry into a crisis one might ask, illegally downloading free music. In the essay, Up on Downloading, three Harvard Law School professors are trying to come up with different solutions to this problem that is occurring. Now that our technology has become so advanced, many people are figuring out ways to cheat the system, and when people are not paying for the music they have downloaded, the artist is not getting paid. Artists are not the only one losing money but everyone involved producing the music is losing money as well. There is also less and less people going out and buying CD’s. I could probably not even remember the last time I purchased a CD. So how are the artists and producers suppose to make money when we are stealing from them? Zittrain, Nesson, and Fisher believe they could possibly have the solution to save the music industry.…
The advent of the Internet is a disruptive technology for music industries like BMG and other major recording companies. The statistic shows the impact of the Internet. Online sales accounted for…
Over the last ten years, the Internet has evolved from just web pages to e-mail, to online gaming, to viewing sport and film previews, and to buying and downloading music online. The Internet has now become one of the music industry's greatest markets, estimated to reach over 25% of sales in five years. This may be true, yet the Internet is also one of the music industries greatest enemies.…
1. What is the relationship between radio airplay and record sales? Beginning in the 1950’s, radio stations play began to affect record sales. Radio stations began to play a variety of songs, including artists such as Elvis Presley and Bill Haley. When people heard songs they enjoyed on the radio, they tuned in to hope to hear the song again at some point.…
For most, it seems like a pretty bad time to be part of the music industry. Something that the music industry can do to find a way to increase profits would be to find a new way to develop new artists. Everyone is scared that when everyone is getting all these songs for free, it is the beginning of the end of the music industry and that the sky is falling. People from the music industry say they are losing money, but what really is happening is that when you download songs for free, you don’t take money away from labels and artists, you just don’t give them any. If a major label has invested in an artist/album, it’s generally a whole package including concerts, merchandise, etc. If, in the long run, total revenue doesn’t match projected profit, obviously you need to change your business model. Musicians compete in a monopolistic competition. There are a fairly large number of big artists, but not a whole lot actually make it. Each artist has no feeling of interdependence and some are more successful at different times then others. As more musicians make an economic profit, more musicians are encouraged to enter, eventually eliminated economic profit. As stated in the movie, musicians are forced to create albums at certain to meet quarterly profit deadlines for their music labels. Music labels compete in an oligopoly. Five major labels controlled over 75 percent of the world market for recorded music. Now it's four. These firms are mutually interdependent. Significant events that influence the markets of both these groups include people illegally downloading music from the internet, new technology being able to sell music in different ways, and more. When music was put on the itunes store, profits started to rise for the music companies, but they were still losing a lot of money to people who share their music illegally. They even started to track down these people and arrested them. They sued and shut down various peer to…
One of the most important influences that internet piracy has had on the music industry is the sale of retail CDs. Until the past few years, CD sales were one of the key things that music industry insiders used in order to find out which musicians and albums were the most popular with the public. As the world’s technology has been growing, it made the digital music and internet piracy growing too, sales of retail CDs dropped amongst younger consumers to such an extent that the best selling CDs on the market began to bear very little resemblance to the music that was actually popular with the young listeners that form the backbone of the music industry. For example, Bob Dylan’s album Modern Times quickly became the number one best seller when it was released in 2006, despite the fact that none of his tracks were highly requested on mainstream radio programs or popular with younger listeners.…
a technology issue. The music industry has so many more resources now then it has…
The introduction of the Internet into the music industry is the most influential driving force of change. The number of people using the Internet to access music is continually growing for a variety of reasons. Some of the main reasons are consumers are using the Internet because they can acquire free or cheaper music and may also use the Internet to get music that is not available to them on the radio or in retail stores. Before music became available via the Internet, the only way consumers could access music was through purchasing CDs at retail stores or listening to music on the radio, on television, or at concerts. Many consumers felt that buying overpriced CDs often for…
With the development of the internet and the influence that technology has on musical artists, it has become a convergence that now run hand in hand. Before the internet, artists were recording their music in studios and producers were selling their CD’s to customers in person. Ten years ago, the biggest record labels were worried about online piracy. Watching the decline of CD sales made record labels decide to license their records to new online services. Consumers illegally used programs like Napster and Limewire to pirate music, waiting to download tracks when they were made available.…
Significant, rapid revolutions have occurred in the music business industry; a basic artwork has taken to the digital world, and the range of the ‘Art’ is forming more variety with depths with digital technologies. Music streaming has become the primary engine behind increased revenues; the music has entered a new era that both the music industry and its consumers must accept. According to researcher SoundScan, some 164 billion songs were streamed in just the United States during 2014 via audio and video platforms. While the music industry looks radically different today, the perceptions of the record businesses and consumers have extremely changed during the past few years. The record businesses started to think about the connection between ‘making profits’ and ‘producing music’. The idea of making profits and producing music leads consumers to think about the ethics in the music industry and raises a question: “Is the ethics or the commerce the priority of the record music industry”?…
In contrast, article “IFPI music report dispels the myths surrounding piracy” cautions struggling days ahead for the music industry stating “Despite digital revenues growing by 1,000% in seven years, the value of the entire recorded music industry has dropped 31%” (Lindvall, 2011, para.1). It argues that increased revenues from live concerts can be attributed to a steep increase in ticket prices and not to the increase in volume of tickets sold (Lindvall, 2011, para.2). Revenue from brand merchandising is limited to renowned artists and cannot be considered for all artists alike (Lindvall, 2011, para.5). Music piracy is detrimental to the growth of new artists as declining sales shrink record companies’ budgets to invest in new artists. iTunes negatively affect the industry by allowing handpicking of tracks and this alone cannot stop piracy as it depends on the perceived social acceptability of piracy…
This particular topic is of interest to us as we have seen the transformation of the music tape, to cd’s and now mp3. Even back when tapes were popular people were still getting music for free. It was so easy to record songs off the radio onto tape. Perhaps as humans it was inevitable that we would always find a way of getting products for free. It seems like the music industry is constantly changing and remains a very large part of our digital culture.…
“The traditional business model in the music industry includes the mass production and distribution of physical goods” (Hughes & Lang, 2003). In this model, for the better part of a hundred years the recorded music business had an impressive track record of staying on top of the freshest technology, “up until 1980, recorded music was an ecosystem totally run by the major record labels” (Bobby, 2014). Record labels are selecting artists and signing with them, manufacturing the products, such as CDs, and distribute through music stores and artist will sell it at concerts as well (Valerie & Deborah, 2004). The main revenue comes from the sales of the products,…
One of the absolute biggest problems artists struggle with today is creating profitable musical recordings. The reason being primarily that as soon as an artist releases a new song, it is almost instantaneously uploaded to a piracy website where anyone with access to a computer and the Internet can download it. According to the Yahoo article, A Comprehensive Look at A&M Records vs. Napster, Its Components and Consequences, “Literally thousands of songs were available, and all of them were free. The innovation lay in the fact that anything was available. What distributors promoted was not always what the consumers wanted. The users could download the latest Madonna songs, but they could also access Sesame Street's "Rubby Ducky" song in German.” Another huge problem is that when consumers don’t like a released single, they can almost always find a different version online that they like better, for free (illegally). According to that same article, CD’s had become a $40 billion dollar industry in the mid 1990’s but downloading can be held responsible for…