Public interest in the books--from the time they were published more than a century ago--has almost been matched by curiosity about their author. Many readers are surprised to learn that the Mad Hatter, the Cheshire Cat and a host of other absurd and captivating creatures sprung from the mind of Charles Lutwidge Dodgson, a shy, stammering Oxford mathematics professor.
Dodgson was a deacon in his church, an inventor, and a noted children's photographer. Wonderland, and thus the seeds of his unanticipated success as a writer, appeared quite casually one day as he spun an impromptu tale to amuse the daughters of a colleague during a picnic. One of these girls was Alice Liddell, who insisted that he write the story down for her, and who served as the model for the heroine.
Dodgson eventually sought to publish the first book on the advice of friends who had read and loved the little handwritten manuscript he had given to Alice Liddell. He expanded the story considerably and engaged the services of John Tenniel, one of the best known artists in England, to provide illustrations. Alice's Adventures in Wonderland and its sequel Through The Looking Glass were enthusiastically received in their own time, and have since become landmarks in children’s' literature.
What makes these nonsense tales so durable? Aside from the immediate appeal of the characters, their colourful language, and the sometimes hilarious verse ("Twas brillig, and the slithy toves/did gyre and gimble in the wabe:") the narrative works on many levels. There is logical structure, in the relationship of Alice's journey to a game of