Alistair Macleod The Boat Analysis

The Boat
Alistair MacLeod
There are times even now, when I awake at four o'clock in the morning with the terrible fear that I have overslept; when I imagine that my father is waiting for me in the room below the darkened stairs or that the shorebound men are tossing pebbles against my window while blowing their hands and stomping their feet impatiently on the frozen steadfast earth. There are times when I am half out of bed and fumbling for socks and mumbling for words before I realize that I am foolishly alone, that no one waits at the base of the stairs and no boat rides restlessly the waters of the pier.
At such times only the grey corpses on the overflowing ashtray beside my bed bear witness to the extinction of the latest spark and silently
My earliest recollection of my mother is of being alone with her in the mornings while my father was away in the boat. She seemed to be always repairing clothes that were "torn in the boat," preparing food "to be eaten in the boat" or looking for "the boat" through our kitchen window which faced upon the sea. When my father returned about noon, she would ask, "Well, how did things go in the boat today?" It was the first question I remember asking: "Well, how did things go in the boat today?" "Well, how did things go in the boat today?"
The boat in our lives was registered at Port Hawkesbury. She was what Nova Scotians called a Cape Island boat and was designed for the small inshore fishermen who sought the lobsters of the spring and the mackerel of summer and later the cod and haddock and hake. She was thirty-two feet long and nine wide, and was powered by an engine from a Chevrolet truck. She had a marine clutch and a high-speed reverse gear and was painted light green with the name Jenny Lynn stencilled in black letters on her how and painted on an oblong plate across her stern. Jenny Lynn had been my mother's maiden name and the boat was called after her as another link in the chain of
The south wall was dominated by a window which faced the sea and on the north there was a five-foot board which bore a variety of clothes hooks and the burdens of each. Beneath the board there was a jumble of odd footwear, mostly of rubber. There was also, on this wall, a barometer, a map of the marine area and a shelf which held a tiny radio. The kitchen was shared by all of us and was a buffer zone between the immaculate order of ten other rooms and the disruptive chaos of the single room that was my father's.
My mother ran her house as her brothers ran their boats. Everything was clean and spotless and in order. She was tall and dark and powerfully energetic. In later years she reminded me of the women of Thomas Hardy, particularly Eustacia Vye, in a physical way. She fed and clothed a family of seven children, making all of the meals and most of the clothes. She grew miraculous gardens and magnificent flowers and raised broods of hens and ducks. She would walk miles on berry-picking expeditions and hoist her skirts to dig for clams when the tide was low. She was fourteen years younger than my father, whom she had married when she was twenty-six and had been a local beauty for a period of ten years. My mother was of the sea, as were all of her people, and her horizons were the very literal ones she scanned with her dark and fearless