Chris’ confrontation with Keller on pages 14-16 is the first scene in which the audience begin to notice some of his most important characteristics, despite his entry having occurred a few pages beforehand. The most significant one is his quest for “a regular life”. This relates back to the American Dream, an ideal which thrived greatly in the post-war era, and resulted in many thousands of immigrants from all over the world. However, this “perfect life”, as it is made to look like by American propaganda, is essentially a lie in this play, as Keller has lied about what is effectively murder in order to achieve it. Chris wants everything to be normal and wholesome with Anne, and would even go someplace else in order to fulfill this, seeing as it doesn’t seem to be working out where he is, with the family and its (mostly Keller’s) notoriety forming a burden on his social life. Miller makes it seem as though Chris’ perceptions have altered somewhat, the cause of which is uncertain, although it is probably due to WWII. Chris gives us the impression that he despises the fact that everyone, including his father, is out to make the highest possible profit without any consideration for anyone else. He would like to leave behind this sense of belonging to his family (having
Chris’ confrontation with Keller on pages 14-16 is the first scene in which the audience begin to notice some of his most important characteristics, despite his entry having occurred a few pages beforehand. The most significant one is his quest for “a regular life”. This relates back to the American Dream, an ideal which thrived greatly in the post-war era, and resulted in many thousands of immigrants from all over the world. However, this “perfect life”, as it is made to look like by American propaganda, is essentially a lie in this play, as Keller has lied about what is effectively murder in order to achieve it. Chris wants everything to be normal and wholesome with Anne, and would even go someplace else in order to fulfill this, seeing as it doesn’t seem to be working out where he is, with the family and its (mostly Keller’s) notoriety forming a burden on his social life. Miller makes it seem as though Chris’ perceptions have altered somewhat, the cause of which is uncertain, although it is probably due to WWII. Chris gives us the impression that he despises the fact that everyone, including his father, is out to make the highest possible profit without any consideration for anyone else. He would like to leave behind this sense of belonging to his family (having