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An Analysis Of Flannery O Connor's Grotesque Writing Style

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An Analysis Of Flannery O Connor's Grotesque Writing Style
Banan Oraif
Prof. Caruso
ENWR 1102
Essay 2, Final

Who are the real sinners? Flannery O’Connor’s grotesque writing style captures her audience’s attention. Her writing is grotesque because it has a dark unexpected humor. The dark humor keeps her fiction from becoming stale and predictable. No matter how dark her stories are, she infuses it with grim humor and fierce belief in possible redemption, even with her most torture characters. The grotesqueness in O’Connor’s writing style gave her a means for realistic perspective that lies at a distance. She believed that all authors should face the truth down to the worst of it. It’s O’Connor’s way of keeping her readers alert and forcing them to think. O’Connor’s theological worldview alone is
…show more content…
Flannery O'Connor (Carbondale and Edwardsville: Southern Illinois
University Press, 1974), pp. 100–102. Quoted as "O'Connor's Book Everything That Rises Must Converge" in Harold Bloom, ed. Flannery O'Connor, Bloom's Major Short Story Writers. Philadelphia: Chelsea House Publishing, 1998. (Updated 2007.) Bloom's Literary Reference Online. Facts On File, Inc. Web. 6 Mar. 2015. http://www.fofweb.com
Keil, Katherine. "O'Connor's 'A Good Man Is Hard to Find.'." Explicator 65.1 (Fall 2006): 44-
47. Rpt. in Short Story Criticism. Vol. 111. Detroit: Gale, 2008. Literature Resource
Center. Web. 1 Apr. 2015.
Kirszner, Laurie G., and Stephen R. Mandell. Literature: Reading, Reacting, Writing. 7th ed.
Boston, MA: Wadsworth Cengage Learning, 2011. Print.
Malin, Irving. " Flannery O'Connor and the Grotesque." The Added Dimension: The Art and
Mind of Flannery O'Connor, eds. Melvin J. Friedman and Lewis A. Lawson (New York:
Fordham University Press, 1966), pp. 113–114. Quoted as "O'Connor and the Grotesque" in Harold Bloom, ed. Flannery O'Connor, Bloom's Major Short Story Writers. Philadelphia: Chelsea House Publishing, 1998. Bloom's Literary Reference Online. Facts On File, Inc. Web. 6 Mar. 2015.

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    Cited: Feeley, Katleen. Flannery O’Connor: Voice of the Peacock. New Brunswick, NJ: Rutgers University Press, 1972. Print. Fitzgerald, Sally, ed. Collected Works: O’Connor. New York: Viking Press, 1988. Print. Gordon, Mary. “Flannery’s Kiss”. Michigan Quarterly Review 43.3, (2004). Print. Kelly, Joseph, ed. “The Seagull Reader” 2nd Ed. New York: W.W. Norton, 2007. Print. Kessler, Edward. Flannery O’Connor and the Language of the Apocalypse. Princeton, NJ: Princeton University Press, 1986. Print. Kilcourse, George. Flannery O’Connor’s Religious Imagination: A World With Everything Off Balance. New York: Paulist Press, 2011. Print. O’Connor, Flannery. “A Good Man is Hard to Find” The Seagull Reader 2nd ed. Ed. Joseph Kelly. New York: W.W. Norton, 2007. 373-388. Print. ---. "A Reasonable Use of the Unreasonable," Perrine’s Story and Structure, 12th ed. Ed. Thomas Arp, Greg Johnson. Boston: Wadsworth Cenage, 2009. 425-427. Print. ---. “Everything That Rises Must Converge” Collected Works: O’Connor Ed. Sally Fitzgerald. New York: Viking Press, 1988. 485-500. Print. Paulson, Suzanne Morrow. Flannery O’Connor A Study of the Short Fiction. Boston: Twayne Publishing, 1988. Print.…

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