Harwood’s ‘Triste Triste’ forms an intimate acknowledgement of the transient quality of human existence. As suggested by the notable Harwood scholar Alison Hoddinott, ‘the poet is aware of the hunger of the self for a permanence that will defy mortality and the limitations of the self’. The poem may thus be regarded as a commentary on the eternal pull between that which is physical, instinctive and corporeal, as encapsulated by the ‘heart’, and that which is metaphysical, spiritual and celestial, as proposed by the ‘soul’. Depictive of a fleeting separation of heart and soul – the heart confined to the ‘tomb’ of the body and the soul ascending in exploration, ‘Triste Triste’ intimates that an earthly permanence is paradoxical. An attempt to approach the ‘unbearable light’ of the afterlife is therefore futile and made possible only through death; the ultimate separator of heart and soul. In recognising the inextricable nature of this relationship, mortal
Harwood’s ‘Triste Triste’ forms an intimate acknowledgement of the transient quality of human existence. As suggested by the notable Harwood scholar Alison Hoddinott, ‘the poet is aware of the hunger of the self for a permanence that will defy mortality and the limitations of the self’. The poem may thus be regarded as a commentary on the eternal pull between that which is physical, instinctive and corporeal, as encapsulated by the ‘heart’, and that which is metaphysical, spiritual and celestial, as proposed by the ‘soul’. Depictive of a fleeting separation of heart and soul – the heart confined to the ‘tomb’ of the body and the soul ascending in exploration, ‘Triste Triste’ intimates that an earthly permanence is paradoxical. An attempt to approach the ‘unbearable light’ of the afterlife is therefore futile and made possible only through death; the ultimate separator of heart and soul. In recognising the inextricable nature of this relationship, mortal