In the “Crush the Can” lab, we took an aluminum can, heated up some water in it, and turned it upside down into a tub of ice-cold water, crushing it with pressure. The movement of gas particles was a crucial component of this experiment. After the can was placed onto the hot plate, as the water heated up, the gas particles inside of the can started to move faster due to the relationship between temperature and the average kinetic energy, or average motion energy, of the gas particles. As the temperature increased, so did the speed of the particles inside of the can. Particles of water obtained sufficient energy to turn into water vapor, and the particles of water vapor displaced the original air inside of the can. As the number of elastic collisions…
This is reflected not only by the supply and demand of soda pop, but by the buying and selling of art itself. His choice in materials are intentional, by making high-art out of low-material he challenges the spectator by challenging…
He used such a common place image matched with his unique technique of collage layered with encaustic paint, to show that at first glance, many overlooked images in everyday life also have more layers and thus are worthy of deeper inspection. His 1945 piece entitled Flag, is…
In the 1960s an art movement known as Pop Art had begun. Pop art was meant to be simple to aid the audience in creating their own interpretations of the pieces. Two of the leading artists were Andy Warhol and Roy Lichtenstein. Warhol was a fan of women, unlike Warhol, Lichtenstein was inspired by culture; their paintings are both pieces of Pop Art but they are different because Warhol’s paintings are mostly of women and Lichtenstein’s are of famous cartoon characters. The artists used different techniques to catch their viewers attention. Both pieces of art displayed different messages to the viewer. Although both artists used Pop art, they had several differences in their artwork such as one being a real public figure while the other is a…
Andy Warhol founded the art movement called pop art, and his lifestyle and work both mocked and celebrated the world’s obsession with materiality and fame. On one side, his paintings of distorted everyday items and celebrity faces could be seen as a display for what he viewed as a culture consumed with money and being famous. On the other side, his focus on consumer goods and celebrities, and his own fame and fortune, suggest a life in celebration of the aspects of American culture that his work criticized.…
THANK YOU all for being here this brisk March afternoon. I’d like to thank the GRAM for the invitation to speak in conjunction with such a wonderful exhibition, and especially Jean Boot for all of her diligent coordination on my behalf. (There are 3 parts to my presentation. First, a virtual tutorial on the process of screen-printing; secondly, a discussion of the formal and conceptual potential inherent to printmaking, and the way in which Warhol expertly exploited that potential. Finally, I will conclude with an actual demonstration of screen-printing in the Museum’s basement studio.) In coming weeks, you’ll have an opportunity to hear much more about the cultural-historical context for Andy Warhol’s work from two exceptional area scholars, beginning next Friday evening with a lecture by my colleague at GV, Dr. Kirsten Strom, and on _______ Susan Eberle of Kendall College of Art & Design. As Jean indicated in her introduction, I teach drawing and printmaking at GVSU. In other words, I’m approaching Warhol’s work very much as a studio artist. As a printmaker in particular, I’m predisposed to note the large degree (great extent?) to which the innate characteristics of the medium – in this case screen-printing - enable and inform the meaning of Warhol’s work. At the outset of each printmaking course I teach at Grand Valley, I provide students a brief overview of the social history of the print; I divulge its rich heritage in the service of dispensing and preserving our (collected cultural discourse, from…) verbal and pictorial languages, knowledge and history, cultural discourse, from ancient scripture to textile design to political critique. In addition I cite the formal qualities specific to the print – multiplicity, mutability, and its recombinant capabilities. I open with this background as a means of framing the work students will produce in the course. I’d like to provide a similar overview here, as a means of framing the work of Warhol, which is so richly…
Without doing any research and background checks on the artist and going off with my previous knowledge I know that the painter, Andy Warhol, gave birth to the pop-art style. I haven't ever seen this painting, Rebel Without a Cause, but I do know many other works from him from my previous art classes. His best-known painting includes a bunch of Campbell's soup cans, but with an Andy Warhol twist. The painting also oozes of bright colors like this one and repeats the same image in multiple places. The picture has a similar style because the model has his outline repeated twice side by side in the painting.…
In this paper, I will discuss the form, content, and subject matter of three different paintings. Each of the paintings represents the following: representational painting, abstract painting, and a portrait. The paintings I have chosen are: Edward Hopper’s Nighthawks 1942, Wassily Kodinsky’s Colour Studies: Squares and Concentrentic Circles 1913, and Pablo Picasso’s Self-Portrait 1907.…
What is the meaning behind the decision? Inspired by his surroundings and his life experiences, Warhol created an art piece that challenged an audience to view an everyday item in an entirely new way. In doing so, Warhol introduced a completely new viewpoint and created a completely new approach to art that pushed the boundaries and definition of art. This paper will try to understand and analyze why Andy Warhol chose Campbell’s Soup Cans and painted 32 cans with…
Artwork is laid out all around us whether it is seen across city buildings or in galleries around the world. In this advertisement, they incorporated the artwork of a man named Cheeming Böey, who created a different kind of art form by using Sharpie pens and paper cups. Although it may sound bizarre that this artist used paper cups as his canvas and sharpie pens as his drawing materials, his artwork is truly commendable. However, the graphic designers of this advertisement choose his artwork for a completely different reason. In hopes that they could relate Sharpie pens to the people by showing the people that there are unknown possibilities in using their product. However, this message is not the only tool that the graphic designer used for instance: the way that they manipulated space and light as well as adding an asymmetrical balance and emphasis on the advertisement. The purpose of any advertisement is to…
6.13”Heinz 57 Tomato Ketchup, and Del Monte Freestone Peach halves” Andy Warhol, 1964, silk screen on wood, look like mass-produced cardboard packing boxes for common grocery items, created during the Pop Art Movement.…
Discoveries deepen our understandings of ourselves and the world and have a transformative effect on those who discover. In William Shakespeare’s play The Tempest, and Gwen Harwood’s poem ‘The Glass Jar’, the authors use the characterisation of main characters in their texts to explore the ways in which discovery affects people and how it changes their perspectives, leading to deeper and broader understandings of themselves and their worlds. The characters of the boy in ‘The Glass Jar’ and Miranda in The Tempest are important in the exploration of the effects of discovery and how it enables people to change in relation to their environments and understandings of self. Together, the texts create a picture of the way in which discovery can affect…
One of Basquiat’s greatest assets that set him apart from his contemporaries was his visual specificity through colorful details during a time in which this was uncommon. The art world had been captivated by the movements of minimalism and conceptualism. Conceptualism placed a greater importance on the ideas behind a piece than the actual execution and minimalist art preferred to abstain from overly detailed pieces of work. While they derived independently during an era in which art was (as Saggese has described it) “prepackaged for consumption”, they were both parts of the postmodern art movement and placed very little significance on aesthetic and execution (68). One of Basquiat’s well-esteemed peers, Andy Warhol, even discussed how while creating one of his most famous pieces of work, 210 Coca-Cola Bottles, he simply made the initial design and reproduced it again and again, almost like a machine.…
In the following picture, there are various artistic elements and formats. In the background and foreground of the image, it is a neutral color scheme, consisting of whites and browns. In the center of the picture, you will see three basketballs floating in a straight line in an underwater tank. This sculpture really gives the image an architectonic feel. First off the table that is holding the tank is made up of linear lines and the tank is also made up of linear lines which makes the geometric shape of a rectangle. The bold lines around the tank are the contour lines. Inside the tank, it gives the viewer an attectonic feel due to the basketballs inside. The basketballs are made up of curvilinear lines and each ball has a type of writing on, which I will talk about later. The middle basketball brings out the complementary colors, which are orange and blue. The tank is a three-dimensional figure. All in all, this image brings something to the art world.…
It is made up of thirty-two single canvases, that all illustrate a single soup can from the company Campbell. The measurements of each canvas are 20 inches in height and 16 inches in width. The piece is completely hand painted with synthetic polymer paint. It was first exhibited in the Ferus Gallery of Los Angeles in 1962. The piece was originally exhibited on shelves, to create the notion or impression of products in a supermarket. The ‘’Campbell’s Soup Cans’’ clearly reflect Warhol’s former work as a commercial illustrator, which is said to be the source of inspiration for his pop art pieces. Warhol’s intention was to simulate the consistency of advertisements by serially repeating the same object. He played with the notion of changing an objects meaning by serially repeating it over and over again, until the meaning is completely vanished. The discussions about the ‘’Campbell's Soup Cans’’ had a significant impact on the rise of the pop art movement, because it’s style and subject were fuel for discussion and an insult for the movement of abstract expressionism in the United States. Today, the piece is owned and exhibited by the Museum of Modern Art in New…