In the autobiography, Narrative of the Life of Frederick Douglas, an American Slave, Douglas reinforces the universal human condition of freedom through syntax, figurative language, and selection of detail. This is demonstrated in the third paragraph, which makes it stand out.…
Margaret Walker’s novel Jubilee focuses on the life of a slave girl by the name of Vyry who gains her freedom at the end of the Civil War and sets out with her children, Minna and Jim, and husband, Innis Brown, to make a new life for their family in the Reconstruction Period. Walker’s awareness of the southern plantation tradition is made clear throughout Jubilee in the way that she debunks the negative tropes placed on the shoulders of African Americans by the nostalgic white writers of the South; Walker also incorporates her knowledge of black oral tradition by way of small snippets of text on every page which marks the start of a new chapter in the text.…
How does Valerie Martin influence the reader's attitude towards slavery through the way she writes about events in the novel? You should focus in detail on one or two episodes.…
The Narrative of the Life of Frederick Douglass and Incidents in the Life of a Slave Girl are two of the most influential autobiographies of slavery. Douglass’s experiences are similar to Harriet Jacobs’s, but they have their differences. Jacobs said “O, you happy free women, contrast your New Year’s day with that of a poor bondwoman! With you it is a pleasant season, and the light of day is blessed.” Douglass said “The white children could tell their ages. I could not tell why I ought to be deprived of the same privilege.”…
The Plantation Mistress by Catherine Clinton is a historical non-fiction book which details the lives and the daily struggles of the white women of the planter class as it existed during the antebellum era in the southern United States. Through the use of historical records and diary entries of the women themselves, Ms. Clinton clearly documents that the lives of the Plantation Mistresses were remarkably different and significantly more difficult than what is that of Scarlett O’Hara and her family. Furthermore, the expectations of the white females of the time were not that of the pampered southern bell who was indulged and spoiled by her husband and whose every need was tended to by slaves. In fact, the women of the time were in only a…
Anne Bradstreet and Phillis Wheatley were two of America’s early poets, who are known for their trailblazing work in American Women’s literature. These women not only published poetry (a rare enough thing in America during the 17th and 18th centuries) but overcame gender and racial difficulties in the process. As a woman writing in 17th century Puritan New England, Bradstreet was the pioneer of women’s American literature, sailing the hostile waters of the 17th century literary world, dominated by men. One century later, Wheatley also faced many obstacles; as an African slave, the racial prejudices which she faced were compounded with the gender discrimination that Bradstreet had battled a century before. Both women made remarkable social progress and advancement despite the challenge of writing from the position of the ‘Other,’ or minority positions, in which they found themselves. Bradstreet and Wheatley represent the outcasts of early American society, and so their literary achievements take on even more significance as they strive for gender and racial acceptance during America’s youth.…
Moreover, Sarah Howard believes that her grandfather silence is due his feel of shame from the fact that he was an illegitimate child (Brown was a son to … Ridgely, by one of his slave). Richard Follett in the book The Problem of Freedom in the Age of Emancipation discussed what he call the “inheritance ideology”, which is his opinion restricted the freedom of many emancipated African American in the nineteenth century (Follett, 50). And even though freedpeople tries to maintain an individual, whole identity as citizens, usually the white master holds the position of superiority towards those whom once were their slaves. In the case of Charles Hall Brown, according to his granddaughter he was bounded to the Ridgelys in so many ways. First, though Charles Brown tried to leave Baltimore, he had to turn back, and ask for legal papers for his manumission, as he was afraid to as an escapee, then never left again. Secondly, Charles Brown worked in Baltimore Club as a doorman after his manumission, where hi frequently encountered many members of the Ridgely family (Oral). Whilst, Sarah Howard did not, or could not talk about her grandfather feelings towards his life as a slave, Ivan Schulman in the introduction he wrote for Autobiography of a Slave by Juan Francisco Manzano, a freed man…
This paper presents the life experience of two African-Americans as slaves during the nineteenth century. Henry Bibb was the author of his own narrative, which he published in 1849 with the assistance of Lucius Matlack. The second source was the narrative of W. L. Bost, a slave from North Carolina. He was interviewed as many other enslaved African-Americans by the members of the Federal Writer’s Project around the 1930s. The purpose of these narratives was to describe to the public what it meant to be slave at that period of time. Both authors recalled the difficult and cruel conditions they faced during their journey as slaves. First, they were sold as merchandises on the market. Bost depicted that both men and women were chained and inappropriately…
For my final project I chose to do a review of the book “A Slave No More” written by David W. Blight. In his book, Blight tells the story about two men, John M. Washington and Wallace Turnage and their escape from slavery during The Civil War. Blight provides us with copies of the narratives of both men. In my review I will break down Blights book regarding the stories of John M. Washington and Wallace Turnage. In my paper I will share a critique of the book and give my opinion of this book. This is an incredible story of the first person narratives of two men who escaped to freedom.…
Years after the horrific Susan Smith case, Cornelius Eady, a poet, wrote a novel of poems that incorporates the fictitious black man, that Susan Smith created to cover her immoral action of killing her two sons. Eady’s novel Brutal Imagination gives life to “The Black Man” and gives an interesting version of the Susan Smith case through his eyes. Susan Smith’s created character “The Black Man” comes to life and provides his view on Susan Smith, and her inhumane actions.…
Cited: Baym, Nina. The Norton Anthology of American Literature.: Package 2 : 1865 to the Present. London: W W Norton &, 2007. Print.…
Just shy of her forty-first birthday Gabrielle Union has accomplished so much in such a small time of her career. Gabrielle Union is mostly known for her role as a cheerleader named Isis in Bring It On. She also played along with, actor, Will Smith in Bad Boys II. Since then Gabrielle made several appearances in many magazines and movies, over the course of this year.…
In an era overflowing with segregation and racism, a bright, young woman by the name of Gwendolyn Elizabeth Brooks emerged into the world, with not only her philosophical writing, but also her intelligent, yet gifted mindset. No one could provide such vivid, complex detail quite like she did, for it seemed to be unimaginable. Gwendolyn was one of the most skilled African-American writers to ever live in the twentieth century, being the first African-American to win a Pulitzer Prize for her popular second publication “Annie Allen”. And while that book was believed to be one of her most beloved works, “The Mother” is certainly her most calamitous. Written in such a solemn manner, “The Mother” takes a look through the psyche of a…
…[T]he genre of the psychiatric memoir or fictionalized account of madness by women authors bifurcates along lines of race. As I will show by using Toni Morrison's Beloved (1987), Nettie Jones's Fish Tales (1983), and Carolivia Herron's Thereafter Johnnie (1991), the dynamics of the slave narrative influence African-American women's writings about madness. (A similar kind of historical genre influence can be seen in the way slave narrators made use of the conventions of the Christian conversion narrative, the colonial American captivity narrative, and the sentimental romance.) Here, I am interested in the way the narrative voice is able or willing to articulate the speaking subject's relationship to madness, and the influence of the slave narrative in shaping that relationship. Rather than beginning from a state of wellness, descending into behavior and ideation which are abnormal, and then returning to a state of wellness, the narrative voice in these three texts blurs the lines between the mental-emotional states of wellness and madness.…
Harvard ‘Brooks, Gwendolyn (Elizabeth)’ 2009, in Encyclopedia of African-American Writing, Grey House Publishing, Amenia, NY, USA, viewed 16 April 2013,…