In following the tradition of the Romantic and Transcendental artists who had come before him, Whitman’s depiction of nature greatly differed from previous depictionsRather than focusing on nature’s influence on man’s emotions, his poetry describes the reciprocal relationship shared between humanity and nature, as well as the euphoric feeling experienced while being in nature. Through his interactions with Nature, Whitman’s speaker is not simply inspired by Nature, but is in an eternal relationship with Nature. He recognizes the properties of nature and is able to separate them from the artificial, as seen in Section 2 of “Song of Myself” when he says “The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, / It is for my mouth forever, I am in love with it, / I will go to the bank by the wood and become undisguised and naked,/ I am mad for it to be in contact with me” (17-20). Rather than being swayed by an artificial, “perfumed” version of nature, Whitman’s speaker finds his satisfaction by being in the presence of nature in its rawest forms. In the same way, the speaker is consequently encouraged to present his truest self as
In following the tradition of the Romantic and Transcendental artists who had come before him, Whitman’s depiction of nature greatly differed from previous depictionsRather than focusing on nature’s influence on man’s emotions, his poetry describes the reciprocal relationship shared between humanity and nature, as well as the euphoric feeling experienced while being in nature. Through his interactions with Nature, Whitman’s speaker is not simply inspired by Nature, but is in an eternal relationship with Nature. He recognizes the properties of nature and is able to separate them from the artificial, as seen in Section 2 of “Song of Myself” when he says “The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, / It is for my mouth forever, I am in love with it, / I will go to the bank by the wood and become undisguised and naked,/ I am mad for it to be in contact with me” (17-20). Rather than being swayed by an artificial, “perfumed” version of nature, Whitman’s speaker finds his satisfaction by being in the presence of nature in its rawest forms. In the same way, the speaker is consequently encouraged to present his truest self as