The author 's appreciation of nature is very evident throughout this story. In the midst of even the darkest of situations, Lerangis is always able to pay attention to the environment which surrounds the characters. In the last scene of the book, and perhaps one of the more terrifying, the characters are shown "landing on the soft Earth"(Lerangis 141). This "soft[ness]" connotes a very positive tone about the Earth, saying that even in the darkest and deadliest of times, the Earth still provides a comfortable and gentle reservoir of hope. The tree which houses the headless horseman is known as "the tree of the dead"(Lerangis 75). Although this tree is physically dead, it is inhabiting a wealth of life. The tree of the dead is a symbol, not only for evil, but for the destruction of nature. Katrina observes that "the tree bleeds"(Lerangis 74). In doing so, the reader is shown that the destruction of natural beauty has led to the spawning of evil; all of which is embodied by this tree. In conjunction with the particular, attentive presence of nature, is the condemnation of city life. Ichabod represents the hero in this story, and he is the one who makes the transition from city life to the more
The author 's appreciation of nature is very evident throughout this story. In the midst of even the darkest of situations, Lerangis is always able to pay attention to the environment which surrounds the characters. In the last scene of the book, and perhaps one of the more terrifying, the characters are shown "landing on the soft Earth"(Lerangis 141). This "soft[ness]" connotes a very positive tone about the Earth, saying that even in the darkest and deadliest of times, the Earth still provides a comfortable and gentle reservoir of hope. The tree which houses the headless horseman is known as "the tree of the dead"(Lerangis 75). Although this tree is physically dead, it is inhabiting a wealth of life. The tree of the dead is a symbol, not only for evil, but for the destruction of nature. Katrina observes that "the tree bleeds"(Lerangis 74). In doing so, the reader is shown that the destruction of natural beauty has led to the spawning of evil; all of which is embodied by this tree. In conjunction with the particular, attentive presence of nature, is the condemnation of city life. Ichabod represents the hero in this story, and he is the one who makes the transition from city life to the more