E. Joseph’s heart attack has caused the function of his cells to change. What types of proteins in the cell membrane were involved in the homeostatic imbalances of his heart cells?…
Selena became very popular throughout her career. She was best known as “ The Queen of Tejano.” She had such an amazing, beautiful voice. Selena would always tell her fans to follow their dreams. All their hard work started to pay off. Their first album, “ Selena Y Dinos “ was then recorded in 1984 under freddie records. Throughout the years the group became very popular and recorded many more albums. Their albums included, Ven Conmigo, Entre a Mi Mundo, Amor Prohibido, Dreaming of you and many others. Selena started her own line of clothing in 1994, which was opened in San Antonio and Corpus Christi.…
This is reflected not only by the supply and demand of soda pop, but by the buying and selling of art itself. His choice in materials are intentional, by making high-art out of low-material he challenges the spectator by challenging…
The author suggest that we ask ourselves: “What is the purpose of this work of art (and what is the purpose of art in general)? What does it mean? What is my reaction to the work and why do I feel this way? How do the formal qualities of the work-such as color, its organization, its size and scale-affect my reaction? What do I value in works of art?”…
Andy Warhol founded the art movement called pop art, and his lifestyle and work both mocked and celebrated the world’s obsession with materiality and fame. On one side, his paintings of distorted everyday items and celebrity faces could be seen as a display for what he viewed as a culture consumed with money and being famous. On the other side, his focus on consumer goods and celebrities, and his own fame and fortune, suggest a life in celebration of the aspects of American culture that his work criticized.…
THANK YOU all for being here this brisk March afternoon. I’d like to thank the GRAM for the invitation to speak in conjunction with such a wonderful exhibition, and especially Jean Boot for all of her diligent coordination on my behalf. (There are 3 parts to my presentation. First, a virtual tutorial on the process of screen-printing; secondly, a discussion of the formal and conceptual potential inherent to printmaking, and the way in which Warhol expertly exploited that potential. Finally, I will conclude with an actual demonstration of screen-printing in the Museum’s basement studio.) In coming weeks, you’ll have an opportunity to hear much more about the cultural-historical context for Andy Warhol’s work from two exceptional area scholars, beginning next Friday evening with a lecture by my colleague at GV, Dr. Kirsten Strom, and on _______ Susan Eberle of Kendall College of Art & Design. As Jean indicated in her introduction, I teach drawing and printmaking at GVSU. In other words, I’m approaching Warhol’s work very much as a studio artist. As a printmaker in particular, I’m predisposed to note the large degree (great extent?) to which the innate characteristics of the medium – in this case screen-printing - enable and inform the meaning of Warhol’s work. At the outset of each printmaking course I teach at Grand Valley, I provide students a brief overview of the social history of the print; I divulge its rich heritage in the service of dispensing and preserving our (collected cultural discourse, from…) verbal and pictorial languages, knowledge and history, cultural discourse, from ancient scripture to textile design to political critique. In addition I cite the formal qualities specific to the print – multiplicity, mutability, and its recombinant capabilities. I open with this background as a means of framing the work students will produce in the course. I’d like to provide a similar overview here, as a means of framing the work of Warhol, which is so richly…
Warhol enhanced his artwork through the use of acrylics, which allowed him to layer colors without blending them, in order to create distinguishable facial features.…
In his first essay of Ways of Seeing, John Berger claims that all power, authority, and meaning that was once held by an original work of art has been lost through the mass reproduction of these works that has occurred in recent years. He writes of an entirely bogus religiosity (116-117) that surrounds these art objects and that the meaning of the original work no longer lies in what it uniquely says but in what it uniquely is (117). He claims that because of reproduction, the art of the past no longer exists as it once did (127). Obviously, something created hundreds of years ago is not the same as it once was, but the distribution of art and music to the general public has had a positive effect on society rather than a negative one. Works of art have even more meaning than they had when first created through the interpretations offered them by generations of critics and artists. Fresh new sources have been given the ability to offer their insight and abilities into art, creating entire new genres of art, music, theatre, and the like. It has allowed for a truer search for knowledge than was ever possible before. And ultimately, the search to find the true meaning of art and of the ideas of the artists forms a true sense of religiosity, which gives passion and meaning to the lives of groups stretching far beyond the cultural elite.…
So it is hard to interpret any underlying message. But everything has some sort of underlying meaning. What I saw was an idea of art within art. The artist loves art so much that even his creations love art.…
Jan van Eyck painted a realistic figure of the chancellor. His drape is velvet color with fur decorated in gold designs, symbolizing wealth and his position in the country during the time. In the commission of this painting, Rolin wanted his portrait to be show equal level with the Virgin Mary, rather than below her. This decision gave Rolin many criticisms. Chancellor Rolin’s gaze is what strikes the viewer at first. The expression from his face is concentrated into one thing. It’s strong and piercing face enhances the deep eyebrows of the Chancellor. His nose and cheekbones are sharp, with large ears protruding behind the face. His haircut is almost like a traditional bowl cut which is quite funny compared to the modern ages. However, there is no doubt that the bowl like haircut is the trend in the early Renaissance. There is a purple cushion on top of the prayer stool standing in front of the chancellor. It is most likely that the book on top of the cushion represents the Book of Hours. The book is lying open with brief texts pointing at the Chancellor. The Chancellor seems to be looking elsewhere and not directed at the Virgin Mary and her Child. The same can be said for Mary and Christ, as the three profiles do not submerge their gaze upon each…
While all pieces of art have a purpose that represents the essence of the time period, some hold a larger grasp in the majority of the lives of others. For example, the catastrophic events that unraveled in the 1920’s have…
Some art historians believe that the repetition of skulls in Warhol’s artwork acts as a symbol oh his near death shooting in 1968. His paintings after his recovery were his Guns, Knives, Crosses and Skulls. Some of the most powerful images that Warhol produced were influences by such events covering death in American and his near death experience. In the early sixties, he became extremely interested in death.…
His neutral and obsessive attitude towards popular culture transformed his work into a quintessential reflection of the industrial era. His adaptation of a multilayered process, and obsession with reproduction became the underlying feature that would set him apart from most pop artists. Warhol had a detached crisp style of art making that was centred on commercial imagery found in media outlets such as advertisements, magazine clippings, comics and newspapers. The use of silk screen allowed him to create copious amounts of near identical prints in a short amount of time, however he was not actually interested in the amount he could produce, rather he was more inclined to work with a mechanical process in which silk screen offered, by doing this he was able to replicate and critique the very way popular culture functioned, believing that a mechanistic process would erode the value and meaning of the image, in other words the more exposed you are to an image the more detached you will be towards it, reinforcing the statement that pop artists were generally more critical towards the society they…
Warhol was both an American artist and filmmaker who gained success as a commercial artist. He was one of the artists among many who focused art on ordinary and recognizable subjects that expressed the popular culture of the day during that time (Source 3). He was the first to explore the new art technique of silk screen canvas printing, where an enlarged photographic image was transferred to a silk screen which allowed him to produce a repetitive series of mass-media images with slight contrast (Source 5). Through untraditional techniques, Warhol enforced new ways to create art and helped open up new subjects to explore on. Warhol was a major impact during the Pop Art movement who paved the way for Pop Art to be more renowned to society at the time. However he was widely criticized and unaccepted, especially by traditional artists, during his time. But he never let that change him or how he wished to create art. He freely expressed himself and his homosexuality. As he collaborated with younger artists he exchanged his ideas and his works influenced other pop artists to be more open with their lives and sexual orientation just like he was (Source 5). As one of the most influential pop artists, Warhol captured an authentic American outlook based on packaged products and people (Source…
The rural market in India, constituting 742 million people, is by far the largest potential market in the world. The annual rural household income of Rs 56,630 (as per NCAER, IMDR 2002) coupled with changing rural aspirations in consumption patterns and lifestyles unfold tremendous opportunities for rural marketing. However, some of the issues that seem to be hindering large-scale advent in the rural markets are lack of understanding of rural customer, inadequate data on rural markets, poor infrastructure, low levels of literacy and poor reach of mass media.…