19 March 2011
Angels in America: Literary Analysis on the theme of identity
If we were to imagine what destruction is like, how would anyone of us portray it? Would our portrayals be as catastrophic and devastating as the word means? It depends on the person who imagines it. Now, if we were to imagine destruction from a psychological perspective this may be entirely different for each person. Why this would be the case is probably because of the unique personalities that each one of us has. Some of us may not be able to bear the uncertainties that destruction could bring into the world, hence, fearing it. Others may just ignore the details of chaos and live on with their ignorant, static lives. Then, there is the remaining portion of us who know the bigger picture of destruction and are hopeful to change the world from the aftermath of it. In a similar perspective, these comparable portraits of characteristics correlate to one of the unique themes of Tony Kuskner’s play, “Angels in America”: identity. In this theme, the identities of the characters in the play symbolize emotions of ambivalence, the static views of the gay community, and the hope for change in the chaotic era of the 1980s American society. Kushner subtly conveys Harper’s character to represent the ambivalent emotions of the American society in the 1980s. As a character suffering from psychological problems, Harper’s personality is very complex. In one bizarre aspect of the play, she’s having an interesting conversation with one of her hallucinations, Mr. Lies, to discuss her constructive, yet imaginative, plans to live a new life in Antarctica. While in a counter-perceptive view, Harper feels uncertain and fearful to move out off anywhere because of the paranormal threats that she’s worry about. “A man with a knife” that she speaks of is one of those dangers that she is strangely concerned about (Millennium Approaches 24). The sort of ambivalence and fear that Harper’s identity