Ansel Adams Research Paper
Photography Essay: Artist Comparison.
Three of the most influential artists of the century, known even to those outside the art world have made a huge impact on how we see our world. Two of these artists work together and one alone.
Ansel Adams was a visionary figure in nature photography and wilderness preservation. He is seen as an environmental folk hero and a symbol of the American West, especially of Yosemite National Park. Adams' dedication to wilderness preservation, his commitment to the Sierra Club, and of course, his signature black-and-white photographs inspire an appreciation for natural beauty and a strong conservation ethic.
Adams was born in San Francisco, California in an upper-class family to Charles and Olive Adams. When he was four years old, he was tossed face-first into a garden wall in an aftershock from the 1906 San Francisco earthquake, breaking his nose. His broken nose was …show more content…
never corrected and appeared crooked for his entire life.
Adams' father decided to pull Ansel out of school in 1915, at the age of 12.
He was to be educated by private tutors and, with this, his father also arranged for him to take piano lessons and to learn Greek. From years of music his original passion was to become a concert pianist, but Adams became interested in photography after seeing Paul Strand's negatives.
At age 17, Adams joined the Sierra Club. He remained a member throughout his lifetime and served as a director, as did his wife, Virginia. It was at Half Dome in 1927 that he first found that he could make photographs that were, in his own words, "...an austere and blazing poetry of the real". Adams became an environmentalist, and his photographs are a record of what many of these national parks were like before human intervention and travel. His work promoted many of the goals of the Sierra Club and brought environmental issues to light.
Adams’ style is simple and powerful. Almost all of his photographs are in black and white, the lack of colour causing one to focus on the beauty of the
subject.
The other two artists are the Starn brothers who work together in making stunning and fresh art. Since age 13, the Starn brothers have collaborated on innovative projects, intentionally cutting, creasing and tinting photographs and then reassembling the prints, often taping or pinning directly onto the wall.
Their unconventional techniques turned flat photographs into dimensional, sculptural objects that have, over the years, mystified critics and audiences alike and challenged the very idea of what a photograph should be. At age 26, the Starn brothers received critical acclaim at the Whitney Biennial. A year later they were featured in solo exhibits at Leo Castelli and Pace/MacGill Galleries in New York.
Today, over 30 years later, their work is represented in more than 30 public permanent collections, including the Metropolitan Museum of Art and the Museum of Modern Art, and their exhibitions have toured in Japan, Europe and Australia as well as locations across the United States.
The contrast between Ansel Adams and the Starn brothers’ works is huge, Adams would never allow a photograph to even become dirty while the Starn brothers bend and crease their work, leaving negatives to fade and pinning their work to the wall. But the core of the matter remains the same, both artists’ work cuts to the core of humanity by illustrating the beauty of nature and people by presenting their work in ways that are totally different from each other.
Three of the most influential artists of the century, known even to those outside the art world have made a huge impact on how we see our world. Two of these artists work together and one alone.
Ansel Adams was a visionary figure in nature photography and wilderness preservation. He is seen as an environmental folk hero and a symbol of the American West, especially of Yosemite National Park. Adams' dedication to wilderness preservation, his commitment to the Sierra Club, and of course, his signature black-and-white photographs inspire an appreciation for natural beauty and a strong conservation ethic.
Adams was born in San Francisco, California in an upper-class family to Charles and Olive Adams. When he was four years old, he was tossed face-first into a garden wall in an aftershock from the 1906 San Francisco earthquake, breaking his nose. His broken nose was …show more content…
never corrected and appeared crooked for his entire life.
Adams' father decided to pull Ansel out of school in 1915, at the age of 12.
He was to be educated by private tutors and, with this, his father also arranged for him to take piano lessons and to learn Greek. From years of music his original passion was to become a concert pianist, but Adams became interested in photography after seeing Paul Strand's negatives.
At age 17, Adams joined the Sierra Club. He remained a member throughout his lifetime and served as a director, as did his wife, Virginia. It was at Half Dome in 1927 that he first found that he could make photographs that were, in his own words, "...an austere and blazing poetry of the real". Adams became an environmentalist, and his photographs are a record of what many of these national parks were like before human intervention and travel. His work promoted many of the goals of the Sierra Club and brought environmental issues to light.
Adams’ style is simple and powerful. Almost all of his photographs are in black and white, the lack of colour causing one to focus on the beauty of the
subject.
The other two artists are the Starn brothers who work together in making stunning and fresh art. Since age 13, the Starn brothers have collaborated on innovative projects, intentionally cutting, creasing and tinting photographs and then reassembling the prints, often taping or pinning directly onto the wall.
Their unconventional techniques turned flat photographs into dimensional, sculptural objects that have, over the years, mystified critics and audiences alike and challenged the very idea of what a photograph should be. At age 26, the Starn brothers received critical acclaim at the Whitney Biennial. A year later they were featured in solo exhibits at Leo Castelli and Pace/MacGill Galleries in New York.
Today, over 30 years later, their work is represented in more than 30 public permanent collections, including the Metropolitan Museum of Art and the Museum of Modern Art, and their exhibitions have toured in Japan, Europe and Australia as well as locations across the United States.
The contrast between Ansel Adams and the Starn brothers’ works is huge, Adams would never allow a photograph to even become dirty while the Starn brothers bend and crease their work, leaving negatives to fade and pinning their work to the wall. But the core of the matter remains the same, both artists’ work cuts to the core of humanity by illustrating the beauty of nature and people by presenting their work in ways that are totally different from each other.