Creon’s pride and Antigone’s stubbornness create Antigone’s central conflict and create devastating consequences. Antigone loses her life, prompting Creon’s son and wife to commit suicide. Creon is forced to live with the guilt of the deaths of those dearest to him knowing that they were a result of his selfish actions. These events could not have turned out any differently due to how deeply engrained Creon and Antigone’s flaws are. Antigone is so determined to bury her brother that a potential death sentence and words from her sister do not deter her. The motivation of doing what the gods want, honoring Polyneices, and her stubbornness cause her to be unafraid of punishment. This is illustrated when Antigone says, “This death of mine/Is of…
Even though Antigone feels sorry for herself, she still thinks she did nothing wrong. As Antigone is being led to toward the vault, she is talking to the Chorus about her death. She complains that she will die “‘Unwept, friendless, with no marriage hymn, unfortunate, I am taken down the prepared road”’ (4.882-884). She keeps complaining throughout the whole walk with the Chorus. Antigone feels that she will die unlamented, but the Chorus thinks she will be remembered for her bravery. The Chorus thinks that her anger is what led her to her own demise, but thinks she did the right thing. When they approach Creon, he still doesn’t change his mind, but Antigone doesn’t care because Polyneices was the only family left, so she had to bury him. The…
Throughout history, there have been countless kings and rulers that have shaped government systems and history as a whole. The bad kings and rulers are often remembered as tyrants and unfair dictators. It is a fair assumption that throughout the play Antigone, Creon ruled with an “iron fist,” but undoubtedly over-exercised his powers when dealing with his punishment for Antigone for burying Polyneices’ body. He continually insisted that his law was in accordance with what the gods wanted. His stubbornness kept him from listening to Haemon, even though his son tried to persuade Creon from executing Antigone. Sophocles intentionally has Creon lose everything towards the end of the play to show the consequences of confusing his own law with what the gods would want. In his play Antigone, Sophocles shows the danger in being too stubborn and self-reliant a ruler, as well as mixing human law with divine law by presenting a proud, overbearing ruler in Creon.…
Creon's human flaws and emotions such as pride and arrogance lead to his ultimate downfall. Creon's ego prevents him from listening to any advice given to him. He states "My voice is the one voice giving orders in this city". Creon is not willing to listen to anybody, because he believes that going back on a decision will somehow destroy his pride. He says his voice is the only one giving orders stating that he will listen to know one but himself showing the characteristic of being ignorant or stubborn and only doing what he believes is the right thing. When the Choragus, who represents the people, speaks for them and says "If that is your will, Creon son of Menoikus, you have the right to enforce it: we are yours". They are basically stating that if that is creons word they shall obey showing you creons power he has and no matter what the people think is right it’s up to Creon and his decisions because Creon only does what he wants not what others think which an important role in his downfall.…
Next, Antigone says to Creon, “All those here would confirm this please them if their lips weren’t sealed by fear - being king, which offers all sorts of various benefits, means you can talk and act just as you wish.” and Creon responds with “In all of Thebes, you’re the only one who looks at things that way.” (572-577). This quote shows how arrogant Creon is and how he doesn’t realize what she is saying true but no one would say anything because they are scared of him. This shows how people fear Creon because of the power he has and that he could and would do anything to them if they were to speak up. Also, Creon and his son Haemon start arguing. “You’re the worst there is - you set your judgement up against your father.” “No, not when I see you making a mistake and being unjust.” (845-848). This quote is showing how Creon’s son Haemon sees that what he is doing isn’t right and that his power is driving him to do dumb things. It also shows that the power Creon has from being king is going to his head and He is doing things he shouldn't be doing. As you can see this shows how Creon is being is driven by…
The conflicts underlying Antigone is the conflict between human law which makes sense at the moment, and divine law, which is true for all time. Antigone acted upon the moment, a moment when her actions were just. Her defiance of the state sets in motion a series of events that test the bonds of filial piety and what it means to live under divine law. Haemon loved Antigone and wanted to marry her. When his father condemned her to death and would not see the error, he committed suicide. Upon learning about her son’s death, Creon’s wife commits suicide. Creon was not loyal to his family and disobeyed divine law. Creon betrayed every facet of the foundation of Greek beliefs. The only facet he held loyal to was under-valuing the power of a woman. His inability to get past Antigone being a woman long enough to hear out his son, or the Gods, ultimately led to the state losing everything.…
“I did not think anything which you proclaimed strong enough to let a mortal override the gods and their unwritten and unchanging laws,” (lines 510-513) proclaims Antigone, once again asserting her opinion on whose laws she is justified to follow. Antigone’s persona contrasts with Creon’s character ultimately due to their conflicting motivations about which laws should be followed: the word of the gods, or the laws of man.These conflicting motivations the characteristics of unreasonableness, anger, and disrespect to be highlighted within Creon’s character. In the end, these conflicting motivations develop Creon as a tragic hero by ensuing his stubbornness, and damaging his pride.…
After discussing the planned death of Antigone with his leader of the citizens of Thebes, Creon and Haemon have an argument about Creon’s action of following the laws of the state, rather than the laws of the gods. As they dispute back and forth, Haemon announces that he sees his father, “offending justice”, and even as Creon responds by saying it’s to, “protect his royal rights”, Haemon once again replies, “Protect your rights? When you trample down the honor of the gods?” (98). Creon’s view on what he is doing is that as the ruler of Thebes, he must follow its laws above all others to show his loyalty to the government. He also commits to his actions because he feels that as the leader of his family, he must assert authority and set an example of a well ruling father and mayor. Creon accepts his doom filled fate by dishonoring the gods as he puts human laws over divine laws. As a result of his choices, Creon then undergoes many tragic events like this suicides of his wife and son as a result of his actions. Also, relating to the evidence given about Antigone’s actions, Sophocles again shows the reader the negative consequences of not staying faithful to the…
In every person’s life there are laws that they follow, whether they are set by the authority in the country or their belief in a higher deity the laws one follows while leading their life can sometimes be in conflict. In Antigone divine and state law are incompatible forcing the characters to make difficult decisions. Antigone’s personal obligation to following religious rites and traditions puts her at odds with Creon’s insistence on enforcing his will as the king. Sophocles examines the conflict between rules and order to illustrate how adherence to the law of the state can be mislead. Through the conflicts between characters in the play, Sophocles exemplifies that in his best world divine or religious law is obeyed over the law of men or states.…
When U2’s Bono sings “women of the future hold the big revelations” (Bono “Get On Your Boots”), he is referencing the rise of women’s roles in Africa in the twenty-first century. Yet, this phrase can also apply to women in other time periods such as in ancient Greece seen in the Sophocles’ play entitled Antigone. In Antigone, the protagonist, Antigone, is a daughter of the house of Lauis, which is a noble, ruling family that has been through much affliction from deaths in the family. When a law forbids Antigone to honor her traitorous (to the state) brother in a proper burial, Antigone disobeys it to honor the gods’ instructions. This act eventually leads to the deaths of Antigone and other main characters. For the twenty-first century reader, it is important to understand how gender roles and relationships vary from time period to time period in order to fully appreciate the equal status of women in today’s society. The authors of the feminist play, Antigone, portrays the society’s perspective of women as vindictive people, the limitations of women, and the growing strong-willed quality of some women that start to rise in the respective time period.…
Creon claims that his rule as king must be obeyed, even if it is wrong, in order to avoid anarchy and chaos, but the play does not side with him. Creon's first rule as king is that no one "shall entomb [Polyneices] or mourn, but leave unwept, unsepulchred, a welcome store for the birds, as they espy him, to feast on at will." He also states that if anyone is to bury him they shall be put to death. When he is told that Antigone has buried her brother Creon is faced with questions of loyalty. He can not go against his law or he will look weak and it will look as though his laws do not apply to his family. He can not kill his niece or he will look evil. Antigone feels what she did and is prepaired to do is just with the Gods, but what Creon did was not his choice to make, that he played the Gods role. As the play unravels Creon's struggle with divine morality versus religious morality is highlighted by how fate plays out. While Antigone is taken away the town of Thebes urges Creon to free her. Creon loses support of his family and his people. Chaos quite literally breaks out in his own backyard. Creon's steady decline suggest not only that his rulings were wrong, but also that they should not have been obeyed. Towards the end of the play Teiresias warns Creon by saying "Then know thou...that thou shalt not live through many more courses of the sun's swift chariot, ere one begotten of thine own loins shall have been given by thee, a corpse for corpses; because thou hast thrust children of the sunlight to the shades, and ruthlessly lodged a living soul in the grave; but keepest in this world one who belongs to the gods infernal". Creon hurries to correct his…
The feminism movement is a moderately new advance, which has grown increasingly popular over the past two hundred years. Even though the venture of women gaining equality with men is relatively fresh, women who have stood alone as feminists have been around for a surprisingly long amount of time. Antigone is only one example of a classic role model to contemporary feminists. Antigone is comparable to modern-day feminists for three reasons: she confronts an authoritative institution run by men, attempts to defend her state from an intrusive supremacy, and she refuses to conform to her culturally uniform role as a woman.…
If she had been pliant and had conformed to the laws of Creon she would not have died. Antigone had a separate opinion on the matter and “she has never learned to yield” (II, 86). She was completely shameless in burying her brother and denied nothing. Actually, when her sister Ismene offered to keep Antigone’s actions a secret, Antigone thundered, “Oh tell it! Tell everyone” (Pro 76)! She “dared” to defy Creon, and did not fear the consequences of her actions (II, 65). She even put her pride above Creon as she said, “Creon is not strong enough to stand in my way” (Pro,…
Antigone, written by Sophocles, is the story of Antigone and her struggle between obeying man's laws versus obeying the god's laws. Antigone hears word that her brother Eteocles will be given a proper burial, while her other brother Polyneices will be left to rot. Antigone, furious with Creon and his declaration, decides she will bury her brother and obey god’s laws. She asks her sister Ismene to do what is right and help bury their brother, regardless of the consequences. Ismene, scared of what will happen if they are caught, chooses to follow man’s laws and rejects the invitation. When the messenger delivers the news to Creon that Eteocles has been mysteriously buried, he grows full of rage. It is not until the body is uncovered once again…
The well-known play, Antigone, is a representation of classic tragedy written by Sophocles. The story’s protagonist, Antigone, is portrayed as a tragic hero whose efforts to keep her family close quickly backfire on her. When Antigone’s brother dies, she wants to face the consequences and do the right thing in order to respect her brother and properly bury him. Antigone’s sister, Ismene, also displays the heroic qualities that Antigone does when she attempts to save her sister for being prosecuted. The classic qualities of a tragedy are displayed in the story, and these can also be found in many other tragedies later in literature. The important qualities that a tragedy always has can help analyze other novels and stories later are the heroism of the protagonist and the emotional connection the audience will sympathize for the protagonist.…