When the character, Arnold Friend, was introduced I did not expect that he would play the role of the enemy in the story, “Where Are You Going, Where Have You Been.” When he arrives at Connie’s home, I began to question my hypothesis. Similarly, Connie’s view of the mysterious man is reformed as Arnold’s true nature is revealed. The realization begins when he discloses all the information he knows about Connie and the whereabouts of her family. This is when I, the reader, and the character begin to suspect that Arnold is not a respectable guy. She then notices his eerily pale skin, aged appearance, unsettling remarks, and seemingly stuffed shoes. These suspicions were confirmed once he spoke of his intentions.…
One story from the short story unit that depicts impossibilities is “Where Are You Going, Where Have You Been.” Connie’s vanity is not abnormal; many teenagers who are her age and attractive act the same way. The impossibility of the story appears in the form of Arnold Friend. Whether he is Satan, a serial killer, Jesus, Bob Dylan, or none of the above, his presence seems odd. Arnold Friend seems to know too much about Connie’s life to simply be a stalker. He know that the rest of Connie’s family is at her aunt’s house. Arnold says while “squinting as if he were staring all the way to town and over to Aunt Tillie’s backyard,” that her family is sitting around and “right now they’re -- uh -- they’re drinking” (Oates 413). He also claims to be…
One person in the town of Paul's Valley has only one purpose in his life and that is to cause anarchy and mayhem. While only three-foot tall and at a young age as well as being physically as imposing as a two-year old he manges to bully and order other just fine. He uses a variety of vehicles in different shapes, sizes, and colors to help him with this and to maintain peace in his own way. For half his reign he had uncontrolled hair as a sign of his infancy in his role but now has short trimmed hair to show his newfound maturity. Some would call him a sort of police to enforce his rules he has put into place to maintain the peace.…
In the story One Flew Over The Cuckoo’s Nest by Ken Kesey, the protagonist Randall Patrick McMurphy faked his insanity so he could go to a mental hospital instead of facing the crimes he committed. He goes in with his mind set on his goal without a care for anyone else, at least, that’s how it was in the beginning.…
Arnold presents himself to be in Connie’s age group, but as the story progresses, there is evidence to support that he is not. When Arnold is introduced to Connie, she notices odd things that someone her age wouldn’t do. He, for instance, runs through many sayings as if he learned them but doesn’t know which one to use. Oates says, “Don't hem in on me, don't hog, don't crush, don't bird dog, don't trail me," he said in a rapid, meaningless voice, as if he were running through all the expressions he'd learned but was no longer sure which of them was in style, then rushing on to new ones, making them up with his eyes closed”…
Arnold’s threats escalate into hurting her family if she doesn't do what he wants. He has manipulated and put her down so much that now she feels trapped with no one else to turn to, which causes her to leave with him. Even though the abuse isn’t physical, this story is similar to feeling trapped in a relationship with someone you thought you could trust. Connie’s fragile emotional state was enough for Arnold to take advantage of her, and now the ending of her story in…
This is obvious in Connie's situation through her actions. She endangers her own life to spare her family from the wrath of Arnold Friend, "You don't want them to get hurt,' Arnold Friend went on, Now get up, honey. Get up all by yourself.' She stood." (p. 510). If she had refused to go, her family would have been put in danger, yet, through the story Connie appears to be very unattached from her family. There is a large amount of tension between her and her mother, "her mother, who noticed everything and knew everything and who hadn't much reason any longer to look at her own face, always scolded Connie about it," (p. 499). Connie's father is uninvolved in her life, "their father was away at work most of the time and when he came home he wanted supper and he read the newspaper at supper and after supper he went to bed. He didn't bother talking much to them " (p. 499) and Connie shows no appreciation for her sister, "she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother's sisters," (p. 499). She is leading a typical rebellious teenage life where she avoids parental guidance but still has a deep appreciation for them and would risk her own life to spare…
The final quote, “I ain’t made plans for coming in that house where I don’t belong” (Oates 318). Suggests Arnold knows he is an outsider, and does not quite blend in like a human. He is a narcissist and believes Connie supposed to cater to his needs. He thinks his presence is too good and the house does not deserve it, hinting why bother to think about stepping in that house where I do not belong. While asking himself, why do I have to in and get you? When there is no need for him to lift a finger because it is Connie, who has to come out to him. “but just for you to come out to me, the way you should” (Oates 318). It indicates, the minute Connie was born her destiny was sealed, she now belonged to Arnold. She might not know it now, but in…
Arnold Friend, is a middle-aged man that uses himself as bait to fool and befriend young Connie. His choice of appearance for himself to project as if he is the same age as Connie is, “light faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pull-over shirt that was a little soiled and showed the hard small muscles of his arms and shoulders.” With this appearance that Arnold Friend presents to Connie…
In the novel Of Mice and Men by John Steinbeck, George and Lennie have a very close relationship and their companionship is quite deep. During the 1930s, which was during The Great Depression, George and Lennie escape from Weed because they get into trouble. George has to look after Lennie because Lennie’s Aunt, Clara, is dead and no one takes care of Lennie. Then, they go to the Salinas Valley where they are going to work on a ranch. In the novel, George is morally right to kill Lennie because George wants to protect Lennie from the painful death and save other people from Lennie’s uncontrolled strength.…
Connie also does not have a good relationship with her family. She seems disconnect from them and she lives in her own world. Since Connie does not have an open relationship with her family, they do not know what is going on with her life. She is a rebellious teenager. She wants to be older than she really is. She is caught between her roles as daughter, friend, sister, and an object of sexual desire. “Everything about her had two sides to it, on for home and one for anywhere that was not home” (“Where Are You Going, Where Have You Been” 422). When she is introduced to Arnold, she cannot pretend anymore. She is introduced into adulthood. Just like Sissie, Connie’s family is responsible in how she chose to live her life because her family was not involved in her life. Even though her family was not that involved in her life that much “her attempt has succeeded is shown when she sacrifices herself by going out, at the end of the story to meet her fate, thereby sparing her family a violent and deadly encounter” (Slimp…
Connie asks Arnold and his friend to leave. Arnold refused to leave without her. Connie noticed he was wearing a wig. Arnold begins to describe Connie’s family at the Barbeque. He gives Connie details about what her sister was wearing. He also stated that Connie’s mother was shucking corn. Finally, Arnold refers to himself as Connie’s lover and shows his sexual intentions, upsetting…
Her self-importance also leads her to exclude herself from her own family. When her family goes to a barbeque that day she was kidnapped, she decides not to go with them. “She wasn’t interested, rolling her eyes to let her mother know what she thought of it.” This self-importance eventually gave Arnold friend an easy path into her life because Connie tried so hard to be someone she really wasn’t that she forgot she had a family. This behavior that…
Her confidence is only shaken when a man tries to oppress her in a sexual way. It is then when Connie realizes that she was not as strong as she thought she was. Due to the panic, Connie started to confuse reality from fantasy. Arnold Friend, takes advantage of Connie’s naïve personality, and tries to control her by threatening her. Joyce Oats describes oppression here as a form of sexual oppression, where woman are constantly being sexually assaulted because society has portrayed and symbolized women as sexual…
Connie kept looking at him because she thought he looked familiar like she’s seen him .or talked to him before. As she was examining him she liked the way he dressed. He was wearing tight scuffed jeans, scuffed up boots; a tight white shirt to show off how muscular he was even his neck was really muscular as a result of doing hard labor or lifting. Connie was comparing him to the perfect guys she would hear about in the songs she listened to on her radio and because she was still young she had the temptation to have this guy. As Connie is one of those girls who is always looking in the mirror and making sure she looks alright her temptation to having a guy like the ones on the radio couldn’t let this one get away. “ I took a special interest in you, such a pretty girl, and found out all about you-like I know your parents and sister are gone somewhere and I know were and how long they will be gone, and I know who you were with last night, and your best friends name is Betty right? He spoke in a simple lilting voice, exactly as if he were reciting the words to a song. His smile assured her that everything was fine” (Oates 6). Arnold saw Connie the night before at the…