Top-Rated Free Essay
Preview

Art History Exam Notes

Good Essays
1381 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Art History Exam Notes
Art History

Islamic Art and the Art of the Ottomans (Divine Decoration)

Islam: “Submission to God’s Will” Muhammed: “Messenger of God” Qur’an: “Recitations” Muslims: “Those who have submitted to God”

The Dome of the Rock (691) Jerusalem, Recognized by Jews and Christians Jews: Temple of Solomon, site where Adam was created Christians: Jesus chased out the money-lenders Built in shape of Martyrium Holy place, that of martyrdom Inside is all geometric patterns, clerestory windows Blue color represents sky, heavens Some sections of wall have motifs, others windows Holy script goes around circumference (Islamic) Aniconic: Shunning or avoidance of divine imagery Used in reference to Islamic art Double-timbered Dome

The Great Mosque (836-875) Kairouan, Tunisia Massive atrium where people gather, Colonnades surrounding atrium 9 entrances (main gate entrance for non-muslims)

The Great Mosque of Samarra (848-852) Samarra, Iraq Largest mosque in world in its day 52 meters tall, 32 meters wide example of loss of historical artifacts because of warfare floral and geometric patterning
Walls have motifs, blue glass adorns interior

Mezquita (961-965) “Cathedral of Cordoba” Cordoba, Spain Built where Roman temple was originally located Built as a mosque by muslims Converted to Catholic Church during crusades (under King Ferdinand) Jasper, onyx, marble and granite building materials Double archways within mosque are of a horseshoe variety Atrium area, entered mosque through this area Built in a cruciform style Mihrab faces to East, sun rises from east “Prayer Hall of the Mezquita” light filters down through windows walls are paneled with mosaics and blue glass in sections Rows of arches “East Gate” exotic archways above doorway and windows

Prayer Rugs Aniconism (avoidance of figural imagery) Oriental rugs are hand woven, 400knots per square inch Rugs are positioned pointing towards Mecca

Koran Page Kufic script Gold leaf, floral pattern decorate the pages (made to represent glory of God) Koran: 114 chapters

The Ottomans (1218-1918) Turks – members of the ethno-linguistic group of peoples from central Asia (Tartars, Turkmen, and Mamluks were other groups) Ottoman Empire: Early (1288-1453) High (1453-1699) Late (1699-1918) decline of empire

Alhambra (1333-1353) Fountains throughout, trenches feed water throughout Lace-like walls adorn the interior

Medieval Period

Sutton Hoo Ship (625) Suffolk, England Mounds were excavated to reveal burial pits with ancient artifacts Norseman (Vikings) were buried in ships, body had decayed (Helmet: iron, brass copper) The long ships are relatively flat and exceptionally long Lightweight, easily maneuverable Elaborate zoomorphic designs present “Purse Cover” (625) made of metal and stone With garnet and lapis 37 gold coins found purse buckle found – zoomorphic designs, celtic knots Book of Durrow (660-680) British Isles One of most famous examples of illuminated manuscripts Carpet page: simple illustration of human figure Very elaborate page décor: celtic knots, zoomorphic images

Carolingian Art 732-900 AD Charlemagne began the Carolingian Renaissance Desired to spread Christianity, knowledge Move toward more naturalistic imagery

Palatine Chapel of Charlemagne (792-805) Aachen 16 sided ambulatory Altar is square not round Honored to Virgin Mary Originally flanked by 2 basilicas (destroyed) Reminiscent of the San Vitale in Italy Dome is reflective of late roman architecture Extensive use of mosaics, gold Architect: Odo of Metz Inscription in Dome credits design to him Various architectural styles present bc of renovations over time

Animal-Head Post (825) Oseberg, Norway Found on Oseberg ship (built 825) Elaborate carvings throughout Very sleek design, fast travel Oseberg style: zoomorphic imagery, celtic knots Best preserved of all Viking ships Celtic knot imagery dominated periphery of ship Carved out of wood This burial site contained 2 female skeletons (burial site from 834)

Lindisfarne Gospels (8th Century)
Gospels of Mathew, Mark, Luke and john Work of Edfirth – Bishop of Lindisfarne Produced in honor of St. Cuthbert Extremely elaborate décor on pages Pigment samplings reveal foreign substances Insular script Instituted in Latin Cover originally made of leather, adorned with gold and silver jewelry Pages contain cairos with floral imagery throughout “Chi-Rho-Iota (XPI) Page” (790-810) Book of Kells – 4 separate parts Scotland Most famous script imagery example Zoomorphic imagery with celtic knots Figures are angels with wings coming out from either side Inks and colors imported, ink is made from iron gaul

Bishop Bernward’s Door of St. Michaels at Hildesheim (1015) Hildesheim, Germany Portrays Adam and Eve being expelled from Heaven Sticklike in appearance, not very detailed God was portrayed as very judgmental in art during the time period Made from cast bronze

Doomsday Book (1086) Commissioned by William the Conquer (“the Bastard”) Contained records of settlements in English countryside near Scottish Border Wanted info to levy taxes accordingly based on amount of property Owned

Monasticsim: fully devote life to Christian religion Give up worldly/material possessions

Origin of the First Crusade (March-November 1095) Created Kingdom of Jerusalem

Feudalism: characterized by Lords, Vassals and Feefs Chivalry: moral, religious, and social code held by knights

Pilgrimage Route: leads to coast of Spain (Santiago di Compostela)

Romanesque Architecture: Harmonious proportions Stone barrel vault or groin vault Thick and heavy walls/columns Small windows Rounded arches Decoration inside and outside Nave with side aisles A Transept: makes church into cross shape

Saint-Sernin (1070-1120) France Mostly brick Vaulted ceilings Cruciform shape Radiating chapels present Contained holy relics Ambulatory Designed in the Pilgrimage Plan Bell Tower Directly above crossing square of the church Apse (Chevet): first section to be constructed North and South entrance ways

Portal of St. Pierre (1115-1135) France Known for its cloisters (enclosure) and portal sculptures Cloister: known for its historiated columns (tell history of the church) “Tympanum of St. Pierre” Depicts Christ standing above seated people Making offerings, playing music Not highly detailed sculptures of the men Either side of Portal has medium relief carvings depicting numerous stories From the Bible Depict “Avarice” and “Lust”

St. Lazare (1120-1135) France, “Autun Cathedral” Hold relics of Lazarus (brother of mary magdelene) Cathedral initiated in Romanesque but finished during Gothic time period “Tympanum” - is known for portrayal of last judgment Christ positioned in a mandorla, outstretched to either side (choice is Yours) Small figures below Christ are playing instruments, or depicted with Arms crossed over chest Right side depicts figures who are trying to be saved (St. Michael vs. Devil) All saints are facing Christ except for St. Peter Tympanum is signed by artist (first signature on sculpture since
Anicient times). (Gislebertis) Above Tympanum is a circular vine, above that are astrological signs with Images of what takes place during agricultural season relating to Particular astrological signs in the sky

“Windows”: referred to as a buildings “Fenestration”

Canterbury Cathedral Important pilgrimage site Contained remains of Sir Thomas Beckett

[Absent 11/22]

Romanesque Art, Pt. 2 (11th-12th Centuries)

Bronze Doors, Augsburg Cathedral (1065) Depicts a serpent with Aaron (Moses’ brother), New Testament

Pisa Cathedral Complex (1063-1174) Main center of medieval art in the world Parts: Cathedral 3 door entrances (known for cast bronze doors) WEST end Apse: few windows, horizontal bands to tell church levels EAST end 16,000 tons of marble Duomo: Rounded archways, Campanile: “bell tower” Campo Santo: “burial grounds” Roman sarcophagi below ground Baptistery Roofline had ceramic tile covering originally Octagonal structure Dante, de Medici family baptized here Galileo used leaning tower to discover theory of isochronisms Heavy walls, small window openings, rounded tops (all Romanesque traits) “Leaning Tower of Pisa” 183ft on low side, 186 on high side (sunken approx. 5ft) 296 steps, 7 stories tall colonnade that goes around periphery bell tower at the top from 5.5 to 3.9 degrees of lean Baptistry of San Giovanni (1059) Florence, Italy Octagonal design Interior is filled with mosaics Dome: Christ positioned as giving blessing Golden tiles depict other biblical scenes

“Green Man”: male figure sculpture on exterior of church, bring good fortune

“Bayeux Tapestry” (1170-1180) Bayeux Cathedral, France depicts events leading up to Battle of Hastings, Latin commentary on each scene 202 horses, 2000 Latin words, limited palette of color, 623 humans NOT a tapestry BUT Embroidery 240ft long Originally hung at Notre Dame Cathedral?

Gothic Architecture (1140-1453) Ribbed vaults Pointed arches Stained-glass windows Flying buttresses Representative examples Laon Cathedral (98ft) Notre Dame Cathedral (112ft) Chartres Cathedral (122ft) Reims Cathedral (125ft) Amiens Cathedral (144ft) “144” number associated with hea

You May Also Find These Documents Helpful

  • Satisfactory Essays

    CHAPTER 13 – Test Bank Multiple-Choice Questions 1. Which best describes Renaissance humanism? a. study of human nature b. human-based culture c. revival of Classical texts d. a Christian bias Answer: c 2. Leonardo Bruni was a. a humanist.…

    • 1261 Words
    • 9 Pages
    Satisfactory Essays
  • Powerful Essays

    art 101 midterm notes

    • 2064 Words
    • 9 Pages

    site specific-sculpture that is designed for a specific place. becomes part of experience of the artwork. keith kids plating of children's hospital…

    • 2064 Words
    • 9 Pages
    Powerful Essays
  • Satisfactory Essays

    Working in Spain from 1577 onward, this painter’s style was greatly affected by Byzantine influences.…

    • 696 Words
    • 6 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Art History Paper #1

    • 1085 Words
    • 5 Pages

    The purpose of this assignment is to compare and contrast Giuliano Bugiardini’s Madonna and Child with St. John the Baptist, and the Master of Frankfurt’s Holy Kinship. Both are examples of Renaissance paintings, however, Bugiardini’s piece is an example of southern Renaissance, where the Master of Frankfurt’s is one of northern Renaissance.…

    • 1085 Words
    • 5 Pages
    Satisfactory Essays
  • Better Essays

    Why Is Pantheon Important

    • 1081 Words
    • 5 Pages

    Ancient World Civilizations – Ancient and Modern Architecture Assignment: The Pantheon Porch in Rome and the Wentworth Hall Entrance…

    • 1081 Words
    • 5 Pages
    Better Essays
  • Better Essays

    Art History Paper 2

    • 933 Words
    • 4 Pages

    The “Sarcophagus Depicting a Battle between Soldiers and Amazons” is a Roman sarcophagus dedicated for an important Roman soldier. It was made sometime between 140 A.D. to 170 A.D. and was made out of marble. The lid of coffin was designed to appear like that of a roof Greek temple due to it triangular shape. There are five rows of vertical tiles along the side of the lid and at the end of each row is a lion head. Along the side of the sarcophagus is a high relief, the subjects appear almost free standing and not appear to be attach to the stone that it was carve from, depicts a battle scene. All these features on the sarcophagus is intended to glorify the soldier intern within and to demonstrate his achievement in life.…

    • 933 Words
    • 4 Pages
    Better Essays
  • Good Essays

    After visiting the Virginia Museum of Fine Arts, I will write about four art works. The first one is called Salome Receiving the Head of St. John the Baptist by Andrea Solario. The work is very colorful, and it shows chiaroscuro with the dark background and light on the faces of Salome and John the Baptist. The focal point is on John’s head. This is one of Solario’s most notable works, and the figure style is influenced by Leonardo Da Vinci. The story behind the painting is that Herodias had a quarrel with John the Baptist, and would have killed him herself. Instead, her daughter, Salome, danced for Herod and he was so pleased that he said he would give her anything she asked for. She asked for John the Baptist’s head on a platter at her mother’s urging. I believe I was interested in this work because I already knew about the subject matter, but I don’t think you have to know a lot about the art before entering the museum to be interested in it.…

    • 652 Words
    • 3 Pages
    Good Essays
  • Good Essays

    study guide

    • 1295 Words
    • 6 Pages

    Why is Beowulf considered an English poem even through its events take place in Scandinavia?…

    • 1295 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Chartes Cathedral

    • 436 Words
    • 2 Pages

    Upon finishing the circuitous walk, we continue to the apse. Since the cathedral is laid out in a cruciform shape, we pass by the two transepts (right and left rectangular shapes of a cross). Pillars line the aisle stretching a magnificant18 m to the ceiling. Once in the nave, we can observe the vaulted ceiling, which is 36 m high, and stained glass windows on either side. Prior to entering the Cathedral, we had noticed the unusual flying buttresses (the supporting arches over the windows) on the outside walls of the nave, created to support the extra tall vaulted ceiling. The extraordinary stained glass windows are dark, but still light enough to allow us to view “biblical stories, legends of the saints, the lives of heroes like Roland and Charlemagne, and scenes of everyday medieval life”.…

    • 436 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    French Gothic Cathedrals

    • 1741 Words
    • 7 Pages

    One of the most notable differences is their preference on verticality versus horizontality, which can be considered to be opposition to each other in style features. They used architectural features such as vertical vault shafts to highlight the height and width of cathedrals. It is also found that although both of them used buttresses, they used in different ways. French gothic cathedrals intend to accentuate the vertical lines of the cathedrals by using the flying buttresses in the exterior, while English gothic cathedrals usually build buttresses in the interior of the cathedrals. Moreover, both of them differ from the facade and east ends of the cathedrals. There were also similarities between them, such as the use of ribbed vaulting and pointed arches. When it comes to the functions and meanings of French and English gothic cathedrals, they have distinctive values. The cathedrals in France are symbol of heaven, but in English it is the symbolic connotation of processions. Through comparing French and English gothic cathedrals, artistic styles, historical influence and functional values help us lay a solid foundation to have a better understanding of the complicated art at that historical…

    • 1741 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Art History 27

    • 1063 Words
    • 5 Pages

    1. formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist paintings. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 commandments. You can clearly see the anger that is dipicted through the facial expression on moses. Michaelangelo wonderfully portrays the psychological states in moses, through the iconographic characteristics of his puffed lower lip, arched toes and the bulging of his veins. the formal characteristics are seen through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing show his inner turmoil. In the venetian painting of the virgin of the rocks by Leonardo Da Vinci, the artist magnificantly uses the chiaroscuro method of light and dark to model the expression and emotional states of the figures being portrayed. The lines, soft and subtle give the painting a more intimate feeling. The figures are all shown interacting with one another, praying, pointing, and blessing. He also presents the figures in a pyramidal group and sharing the same environment. The figures emerge through the use of light and shading from the half-light of the cavernous visionary landscape. For mannerism, formal characteristics are clearly seen in Parmigianino's Madonna with the long neck. Although nothing is shown in proportion the painting still apears soft and smooth, through the lines and colors used. The madonnas long neck, the delicacy of her hands and swaying elongation of her frames are all signs of mannerism. On the left stands the angelic creatures melting with emotions as soft and smooth as their limbs. on the right the artist includes a line of columns without capitals and an enigmatic figure with a scroll whose distance from the foreground is immeasureable and imbiguous.…

    • 1063 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Art History Analysis Paper

    • 1667 Words
    • 7 Pages

    This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their child united on one high relief. There is a fourth character that is a part of the relief but she appears to be incomplete. The high relief contributes to the overall size of this sculpture by expanding the shape and proportions of all the characters. The right side is compact consisting of three of the four characters while the left is loose with just a head present.…

    • 1667 Words
    • 7 Pages
    Good Essays
  • Satisfactory Essays

    Art History

    • 2398 Words
    • 10 Pages

    Teel records losses that result from applying the lower-of-cost-or-market rule. At December 31, 2007, the loss that Teel should recognize is…

    • 2398 Words
    • 10 Pages
    Satisfactory Essays
  • Good Essays

    Spanish style was influenced not only by the characters of Spain’s component regions, but by relationships with foreign countries and their customs, geography and climate and religion. The most dramatic and most lasting influence from abroad came from the Moors, Islamic people from North Africa who conquered most of Iberia in A.D. 711 and who maintained a degree of control there until 1492. Two f the world’s great religions, Islam and Christianity, have dominated the history of Spain, and much Spanish history is the record of their violent struggles against each other. Spanish art combines both influences. It all began with work done by the Moors, mostly in southern Spain, after their arrival from North Africa in 711. Moorish design in Spain shared many of the characteristics we saw in Islamic design, but it was naturally influenced by its Spanish setting. Some of the elements of this architecture are at relevant terms and then at specific examples of the style. The chief focus of Moorish buildings was invariably on the interior, exterior surfaces in the other hand were blank, plain, and…

    • 729 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In this essay you will be comparing and contrasting two different types of paintings. The same subject matter but different ideas of the same subject. I will be writing about The Last Supper, which was painted by Giampietrino, after Leonardo da Vinci. He used oil on canvas while painting the piece of art. The year that Giampietrino painted this picture was in 1520. Another work of art that I will be writing about will be The Last supper by Francesco Fontebasso. He painted this picture in 1762 using oil on canvas. As you can see from both types of arts, that they were both painted on oil on canvas and both have the same subject matter which is the last supper that Jesus Christ had. To both of these painting’s in person, you can go to the Royal academy of Arts in London to see the Giampietrino piece and Fontebasso’s piece is found in Museum Fund of the State Hermitage in St Petersburg.…

    • 1006 Words
    • 5 Pages
    Good Essays

Related Topics