The desolation and isolation of setting, deeply black and existentialist dialogue and non-progressive plot within Waiting for Godot provokes the audience to use the comic action of the characters as a relief. The amusement of the audience can be the result of a feeling of superiority to Vladimir and Estragon as their action portrays them as depressed, lonely and bored, ‘Let’s hang ourselves immediately! ’The incongruous hellish landscape, accents and bowler hats are also the source of much entertainment for an audience who are usually at the higher end of the hierarchy of social classes. The demolishment of individualism within the characters allows Beckett to represent them as the exemplification of modern man and humanity as a whole, ‘Let’s contradict each other’. This intention of Beckett’s itself engages the audience as they deduce what Beckett notions are regarding society.
Beckett’s compelling play lies firmly within the genre of the irrational and illogical Absurdist theatre, or ‘theatre stripped bare’, through his lack of pre-destined role, lack of conflict and unorthodox action. This blackly humorous lack of substance within Beckett’s Absurdist drama evokes thought in the audience regarding their own situation and allows them to make comparisons between their lives and the lives of