One man is called out by out by an unknown force and is shown the truth and light of what seemed distorted. This is similar to Bacon’s knowledge and ideas that with knowing the four idols it will bring up a clear understanding of the human mind and bring light to us all. The idols of the mind create a false image where nothing can be seen in its full potential and truth. The first Idol is Idols of the Cave causing a “false mirror” of outlooks where nothing can be seen to its full potential and truthfulness. People have trouble seeing the beacon of light of tunnel because of having a specific “education, habit, and accident” that allows one not to see the light.(p.882). The second is Idol of the Tribe where one exaggerates ideas and thoughts. The third is the Idol of Marketplace vulgar language clouds the brain and these words become real fantasies in one’s mind. The last Idols of the Theatres accepts the interpretations and mind and creates a play like a scene where nothing is true but the actor itself (p.891). By knowing the Idols through specific research and data the process of exploring the mind and knowing the truth according to Bacon is
One man is called out by out by an unknown force and is shown the truth and light of what seemed distorted. This is similar to Bacon’s knowledge and ideas that with knowing the four idols it will bring up a clear understanding of the human mind and bring light to us all. The idols of the mind create a false image where nothing can be seen in its full potential and truth. The first Idol is Idols of the Cave causing a “false mirror” of outlooks where nothing can be seen to its full potential and truthfulness. People have trouble seeing the beacon of light of tunnel because of having a specific “education, habit, and accident” that allows one not to see the light.(p.882). The second is Idol of the Tribe where one exaggerates ideas and thoughts. The third is the Idol of Marketplace vulgar language clouds the brain and these words become real fantasies in one’s mind. The last Idols of the Theatres accepts the interpretations and mind and creates a play like a scene where nothing is true but the actor itself (p.891). By knowing the Idols through specific research and data the process of exploring the mind and knowing the truth according to Bacon is