Operations: salaried stuff consists of the six people necessary to run the center (the number of people remains the same)…
War Without Mercy opens with the section titled Enemies. It functions as an introduction to the themes and materials that John Dower will use throughout the book. It begins by describing the different racial opinions on each side and how it played a major role in the progression of the war, expressed in page eleven, “prejudice and racial stereotypes frequently distorted both Japanese and…
In the novel Slaughterhouse Five, by Kurt Vonnegut, Billy Pilgrim experiences time differently from any other person. Instead of experiencing time in a linear fashion, Billy jumps randomly throughout all of the events in his life. It is this random experience of time that allows Vonnegut to enforce the themes of senseless violence and the illusion of choice.…
The film gives an ironic sense of violence. It has its share of gun slinging but it is portrayed to be necessary in the makings of a hero. For example, the use of violence that Charlie displays is viewed as positive when used against evil forces that are threatening the community. Charlie’s professional background in the field of violence suggest that he is a cold blooded killer but his use of violence and skills elevate him to hero status. In addition to the unlikely “heroes,” the film gives the characters un-Western characteristics. Classic Westerns rarely have characters that profess their love when they are up against a force where the outcome is uncertain. The “hero” needs to be alone; he cannot risk love getting in the way of a man’s duty. However, Charlie confesses to Sue that he has feelings for her.…
As Junior expresses his awareness of his new classmate’s perception of him, it becomes clear that those perceptions overshadows Junior’s reality. These boys’ relationship with Junior is simultaneously aggressive and hesitant. They are comfortable verbally abusing him, though they draw a line at physical violence out of their fear of him, or rather what they think he is and what they think he could be. Their perception fuels their apprehension and overrides how they can see with their own eyes that Junior is not threatening or harmful by convincing them that due to the fact that he is Indian he is unpredictable and could become violent. In reality however, both Junior and all who know him are aware of how defenseless and weak he actually is…
Murder, a rightfully known act of immorality is proven to be justifiable in Andre Dubus’s “Killings”. The alluring temptations of vengeance, too strong for Matt Fowler to push aside, were eventually accepted. Fowler commits the exact same crime as his son’s killer, both murders seek out revenge, however for different reasons. Fowler kills for the sake of his wife, he grieves seeing her in agony and he himself is in anguish knowing his son’s killer is free. Richard Strout acted out upon jealousy and anger, which ultimately ended in his demise, a suffering much worse than living with guilt. The distinction in these two killers morality is what determines the difference in their suffering.…
In her article, Laurier states that the film treats its characters with too much detachment and over emphasizes the brutality which causes no sympathy for the victims in the film, when in reality the complete opposite is true (Laurier, Joanne). Throughout…
In The American Scholar: Survival Skills at a School in L.A., kids are exposed to violence, and death. These kids are becoming numb to such acts of violence and know no different. When most people think of Los Angeles, they think of Hollywood, the glitz and glamour of celebrities, not the violence that surrounds the area and threatens the kids and young adults, creating an upsetting situation because kids experience death as a part of their lives. Los Angeles appears as make-believe land to many people, where all act as positive and happy all the time; however that is not the case. Furthermore death creates numb kids and has the potential to make them violent criminals as well. Anne Beatty’s effective ethos brings attention to the violence…
In 1994 a film was released that sent religious groups, politicians and the sensationalist media into a fever; Natural Born Killers was “a bold new film that takes a look at a country seduced by fame, obsessed by crime and consumed by the media.” through the tale of two young murderers. In the years that followed the film was blamed for scores of tragedies in America, including but not limited to the case of a boy who decapitated a schoolmate, an 18 year old man who strangled his girlfriend whilst watching the movie and several high school shootings (including the now-infamous Columbine massacre). The Daily Mail was quick to import US-fear mongering and announced “If ever a film deserved to be banned, this is it.”[1], causing a level of hysteria around a film not seen since Kubrick’s controversial classic A Clockwork Orange was released in 1971. This essay will examine the theory that Natural Born Killers inspired ‘copycat’ violence by looking in more detail at some of the cases in which it has been accused, and consider whether calls to ban it are reasonable.…
“Power and violence are opposites; where the one rules absolutely, the other is absent. Violence appears where power is in jeopardy, but left to its own course it ends in power 's disappearance -Hannah Arendt.” After reading the story Ace by Joyce Carol Oates it is very clear to seek out the message behind the story. What Oates writes is a story of a violent act that is unnecessary, and gives and inside look into how the victim feels going through each step. News today lacks the type of emotion truly needed to understand what is happening. The way the violence is described in Ace is heartfelt and emotional. This paper will compare how news today has…
A Cool Million is a political novel, in the sense that it targets a political establishment which is corrupt and racist, bullying and philistine, but its strangeness left the political movement largely nonplussed. It is a novel of the end of the American dream. It is Candide recast for twentieth-century America, the destruction of an innocent by a system he simply cannot comprehend. Lem Pitkin is a simple, if not simple-minded, boy who is torn apart – literally so, he is systematically divested of body parts – teeth, eye, thumb, scalp, leg – with painful regularity as he seeks to make his fortune and lay claim to that mythical, tarnished dream of American wealth and happiness. In doing this, West explains, his intention was to ‘rewrit[e] the Horatio Alger myth – from barge boy to president of from shirt-sleeves to shirt-sleeves in one generation.’…
This can be clearly portrayed by the man’s outburst of violence towards anyone who threatens his son’s life, most obviously in the scene where he shot the road rat who held a knife to the boy’s throat. “I will kill anyone who touches you. Do you understand?” said the man. The man however, does not kill out of malice or for food. His wariness towards others seems primarily for the protection of his son. The man’s ferocity can again be linked back to his love for his son as it is parental instinct to protect one’s children. This is proven as the man’s wife points out before her suicide that “the boy was all that stood between him and death”. In other words, the man’s unquenched thirst for survival is fuelled by the love for his…
“This story from 1953 frighteningly tells the male frustration that has been exposed increasingly during the last decade in the US and Western Europe”. Being an outsider has always lead to violent behaviours, but not to the great extent that Western societies are experiencing at the moment. Today the media tells of a large amount of awful murders, and whether the motif we are informed of, in the slaughters we witness in the TV news, is revenge, money or some psychotic kick, we are left with the same question; why did it ever come this far? It is a rising problem in the western world, in the matter of people left out of society, and feeling themselves as misfits. This trouble has often led to these violent behaviours, regarding the misfits causing of harm to themselves or others. This is also the case in the text at hand.…
The primary sociological behavior displayed in this movie is deviance, which is defined as an individual going against the norms of society. Norms are a standard to a particular society or group as displayed here with race. The father in this movie, Dennis Vineyard, was a firefighter who worked for his community and while putting out a fire was killed by African American drug dealers. While raising his children, he instilled his thoughts, beliefs and opinions of different races, holding a certain perspective about a group of people that he described as a parasite. He believed that a type of society driven rule that is to allow for a fair balance to a societies imperfections known as Affirmative Action, causes a deviant yet nonviolent view of black society. A conversation at the dinner table that leads to an outcome of disgust, anger and even fear due to the nature of an open minded being. The lack of life’s experiences can sometimes form a mind to accept many interpretations and can lead to a sense of brainwashing. Then the turning point in where you have a young man, Derek Vinyard, is stricken a blow in life by the loss of his father, mentor and care giver. The story unfolds from there where you have a deviant behavior of feeling, a disgust for another race, to implementing and acting out violent acts of those thoughts. This all begins with Derek’s angry interview to the local news station about his fathers death. The thought process of why such a tragedy has happened causes Derek to put blame on what he refers to as a…
Violence 101 by Denis Wright, is about a fourteen year old Hamish, Hamish Graham, who doesn’t simply do terrible and violent things, he is committed to the belief that violence is the solution to the obstacles in life. But Hamish is also extremely smart, self –aware, has curiosity beyond the imagination, looks up to great leaders like Alexander the Great, Charles Upham and Te Rauparaha-all men of action and considers everyone around him as institutionalized.…