Preview

Batik and Malaysia

Powerful Essays
Open Document
Open Document
4111 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Batik and Malaysia
Source: wikipedia

Background:
Batik (Javanese pronunciation: [ˈbateʔ]; Indonesian pronunciation: [ˈbaːtik]; English: /ˈbætɪk/ or /bəˈtiːk/) is cloth which uses the hand written wax-resist dyeing technique. Due to modern advances in the textile industry the term has also been used for fabrics which incorporates the traditional batik patterns although not necessarily produced using the wax-resist dyeing techniques. Silk batik is especially popular.[citation needed]
Javanese traditional batik, especially from Yogyakarta and Surakarta, has special meanings rooted to the Javanese conceptualization of the universe. Traditional colours include indigo, dark brown, and white which represent the three major Hindu Gods (Brahmā, Visnu, and Śiva). This is related to the fact that natural dyes are only available in indigo and brown. Certain patterns can only be worn by nobility; traditionally, wider stripes or wavy lines of greater width indicated higher rank. Consequently, during Javanese ceremonies, one could determine the royal lineage of a person by the cloth he or she was wearing.
Other regions of Indonesia have their own unique patterns which normally take themes from everyday lives, incorporating patterns such as flowers, nature, animals, folklore or people. The colors of pesisir batik, from the coastal cities of northern Java, is especially vibrant, and it absorbs influence from the Javanese, Chinese and Dutch culture. In the colonial times pesisir batik was a favorite of the Peranakan Chinese, Dutch and Eurasians.
Batik or fabrics with the traditional batik patterns are also found in several countries such as Malaysia, Thailand, India, Burma, Sri Lanka, Eygpt, Iran and Singapore. Malaysian batik normally displays plants and flowers due to the Islamic culture in the country.

Etymology:

Although the word's origin is Javanese, its etymology may be either from the Javanese amba ('to write') and titik ('dot' or 'point'), or constructed from a hypothetical

You May Also Find These Documents Helpful

  • Satisfactory Essays

    The Batek of Malaysia

    • 623 Words
    • 3 Pages

    The Meanings of Trees: Forest and Identity for the Batek of Pahang, Malaysia.Full Text Available By: Tuck-Po, Lye. Asia Pacific Journal of Anthropology, Dec2005, Vol. 6 Issue 3, p249-261, 13p; DOI: 10.1080/14442210500342417…

    • 623 Words
    • 3 Pages
    Satisfactory Essays
  • Better Essays

    Batek of Malaysia

    • 852 Words
    • 4 Pages

    The Batek of Malaysia are one or several aboriginal people, called Orang Asli, living in an unassimilated life in Malaysia. They live in groups and rely a lot on each other. Division of labor is divided among the men and women. Many other roles are also taken place within their society. As a foraging community, their primary way of subsistence greatly impacts their gender relations, belief and values, and social organization. Each of these categories defines who they are and distinguish them from others.…

    • 852 Words
    • 4 Pages
    Better Essays
  • Good Essays

    The dress the figure is wearing resembles a long-forgotten Victorian era made from a particular vibrant fabric that shows up in most of Yinka Shonibare's work. Shonibare mentioned that he was inspired by the batiks (created by the local colonies in East Indies that currently known as Indonesia) that manufactured this fabric in Europe in order to sell to West African markets. This…

    • 1026 Words
    • 5 Pages
    Good Essays
  • Better Essays

    The Batek of Malaysia

    • 2219 Words
    • 9 Pages

    The Batek people of Malaysia are a part of the last Orang Asli, Malay for original people, existing on peninsular Malaysia. They are peaceful people, with little to no conflict engagement. They are encountering encroachment from the outside world, through deforestation, but have not allowed that to change their ways of life…Yet. These people have lived, loved, foraged, transitioned, sustained, and withstood through generations, holding to their cultural ideals. The Batek are a nomadic people that rely on the earth to sustain them. Their culture is entirely egalitarian. Their leaders are not chosen, but ascend. They do not fight the environment, but bend to its whims. Gender, social and kinship equality are the threadwork of their culture.…

    • 2219 Words
    • 9 Pages
    Better Essays
  • Good Essays

    Essay On Hmong Culture

    • 1012 Words
    • 5 Pages

    Hmong’s traditional spirituality and social structure are represented in the textile language. One of best known of Hmong needle art is Paj Ntaub meaning story cloth or flower cloth (Craig, 2010). Hmong began to draw traditional stories so that they would be remembered. Each selection of pattern, colors, and fabric for the custom has an important meanings and functions (Craig, 2010). Each design and geometric pattern of clothes represents different cultural beliefs, symbols, meanings and functions (Craig, 2010). They often use black fabric with bright colored threads, and one of common patterns seen is elephant’s foot that stands for family (Craig, 2010). The patterns are described and named by nature things like ram’s head, snail house, mountains, and dragon’s tail (Craig, 2010). Their traditional designs serve as a visual art and ritual functions. According to McCall (1999), the costumes were to identify themselves as Hmong, to express the wealth, and to prepare one’s sprit to after death. The textile customs, Paj Ntaub, are carried from one generation to next for their festivals, ceremonies, and celebrations, such as Hmong New Year in December (Yang,…

    • 1012 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Traditionally mehndi can be accomplished in one of four styles. A style that is applied in the Middle East mainly includes floral motifs that remind Arabian embroidery and painting, and, as a rule, does not have a particular scheme of application. The style used by the North African artists includes geometric shapes with floral motifs and strictly conforms to the shape of the hands or feet. Indian and Pakistani drawings cover not only the hands and feet, but have a continuation, which creates the illusion of gloves or stockings. The patterns consist mainly of lines, ornaments and drop-shaped drawings. In Indonesia and South Asia, there are mixed styles. They have something from the Middle East and Indian patterns…

    • 611 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Outline on Tattoos

    • 743 Words
    • 3 Pages

    I. The name Tattoo, originated from the word tatau, which means to tap the mark into the body.…

    • 743 Words
    • 3 Pages
    Better Essays
  • Good Essays

    Psychology of a Tattoo

    • 2298 Words
    • 10 Pages

    The word Tattoo is said to have two major derivations from the Polynesian word ‘Ta’ which means ‘striking something’ and the Tahitian word ‘Tatau’ which means ‘to mark something’. The history of tattoo began over 5000 years ago and it changes and diversifies as…

    • 2298 Words
    • 10 Pages
    Good Essays
  • Better Essays

    Basic Origami Folds

    • 917 Words
    • 4 Pages

    Origami ,from ori meaning "folding", and kami meaning "paper"; is the traditional Japanese art of paper folding, which started in the 17th century AD at the latest and was popularized outside Japan in the mid-1900s. It has since then evolved into a modern art form. The goal of this art is to transform a flat sheet of material into a finished sculpture through folding and sculpting techniques, and as such the use of cuts or glue are not considered to be origami.…

    • 917 Words
    • 4 Pages
    Better Essays
  • Powerful Essays

    Henna and Old Lady

    • 1490 Words
    • 6 Pages

    Henna can be seen in countries all around the globe despite its roots being firmly planted in the Middle East existing in India, Egypt, Pakistan, and Morocco among just a few. The typical style in the originating country is that of large floral patterns painted all over the body, but as the design spreads it changes to meet the needs…

    • 1490 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    There is know primitive style, but many styles ranging from simple patterns, to portrait sculptures, and masks that would be seen as beautiful art pieces everywhere.…

    • 516 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Water pollution from batik industry is a serious problem owing to the toxicity effect of wax, resin, sodium silicate and various types of dyes. Economical and efficient treatments are necessary for batik wastewater before it is discharged out. While treatment of dyes and chemicals are already available such as adsorption and membrane, it is observed that the presence of wax and resin can hinder the efficiency of dye removal using conventional technique. A study was initiated for the recovery of wax and resin using a baffle tank, a reboiling technique, then further by adding up of hydrochloric acid (HCL) and acetic acid after first boiling of wastewater. The efficiency of removal was studied using single and combined dyes. Studies on the effect of temperature, pH, cooling time, and acid added were done to determine the optimum efficiency on wax removal of both baffle tank and reboiling technique. From the study, it was found that treatment of batik wastewater using reboiling technique, after the 4th boil, give highest amount of wax and resin removal compared to the baffle tank and reboiling technique added with acid. However, the time needed for the wax to cool off in the baffle tank is shorter than of the reboiling technique. As short period of time was taken to treat the wastewater, it is timesaving as well as economical for the batik industry. Addition of acid to the reboiling technique, besides showing least efficiency, is costly for the batik wastewater treatment. As a conclusion, it can be said that the removal of wax using baffle tank technique proves to be the most efficient method of wax removal due to the time saving virtue. However, because of the cost needed to fund a baffle tank, the stated method comes with certain reservations.…

    • 326 Words
    • 2 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Why I Love Malaysia

    • 695 Words
    • 3 Pages

    Malaysia&Malaysia&Malaysia&it is a name that I always keep in my mind. It's the place that I start my heartbeat from birth, then I grow stronger and stronger until I am now. Without doubt, I love my own country, Malaysia. I think Malaysia is an ancient wonder of nature and full of aboriginal culture.…

    • 695 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Malaysia Truly Asia

    • 848 Words
    • 4 Pages

    Malaysia has long been one of the world’s best kept tourism secrets. It is an ideal tourism destination in so many different aspects as it offers a wide range of diverse attraction to suit all tastes and most importantly, at relatively affordable prices. In addition, the country also offers a fascinating cultural mix with colourful festivals, unique arts and crafts, architecture, food and a rich array of dance forms. Malaysia has a tropical climate throughout the year, enjoying warm days and mild evenings in all seasons. Ethnicity remains the most potent force in Malaysia as it is a multicultural country with a very diverse population.…

    • 848 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    In Saudi Arabia, the men have a special traditional dress. It consists of four pieces. First and main piece called thawb. It is a loose, long-sleeved, and ankle-length fabric that is similar to a robe. In the summer, men usually wear white cotton thawb, but they do wear it darker in color and made out of wool in the winter, depending on the temperature. Another piece of the traditional men dress is the ghutar. It is a headdress made of a square of cloth. It has many styles that depends on how it folded and wrapped around the head. Also, it provides protection from direct sunlight and protects the mouth and eyes from blown sand. The third piece of traditional men dress is agal. It is an accessory for headdress used to hold the ghutar made of black cord. The last piece of the traditional men dress is pusht. It is the outer cloak made of wool and worn over the thawb. It is usually brown, black, beige, grey or cream in color. Unlike the thawb, it is only worn on special events such as weddings or festivals. Therefore, traditional dress in Saudi Arabia has four pieces.…

    • 454 Words
    • 2 Pages
    Satisfactory Essays

Related Topics