In the original Beowulf, Grendel’s mother is described as “that swamp-thing from hell,” (Lawall 1213). Dean Traylor states in her article, “Beowulf: The Movie versus the Poem - The Changing Face of Heroism,” “Unlike the poetic version, Grendal 's mother in the movie (played by Angelia Jolie) is a sultry temptress whose beauty and sex appeal are more powerful and dangerous than her demonic traits,” (Traylor 2). In changing the appearance of the swamp hag, again the fear that the poem placed in the reader is lost. In her article titled, “Beowulf: Tenuous Relationship between Movie and Poem,” on World Socialist Web Site, Margaret Rees states, “Gone is the titanic struggle against Grendel’s mother—the “monstrous hell-bride,” “the tarn-hag in all her monstrous strength”. Instead, the filmmakers have created a beautiful siren; her only monstrous feature a whip-like tail,” (Rees). The swamp hag created by Zemeckis scarcely resembles the
In the original Beowulf, Grendel’s mother is described as “that swamp-thing from hell,” (Lawall 1213). Dean Traylor states in her article, “Beowulf: The Movie versus the Poem - The Changing Face of Heroism,” “Unlike the poetic version, Grendal 's mother in the movie (played by Angelia Jolie) is a sultry temptress whose beauty and sex appeal are more powerful and dangerous than her demonic traits,” (Traylor 2). In changing the appearance of the swamp hag, again the fear that the poem placed in the reader is lost. In her article titled, “Beowulf: Tenuous Relationship between Movie and Poem,” on World Socialist Web Site, Margaret Rees states, “Gone is the titanic struggle against Grendel’s mother—the “monstrous hell-bride,” “the tarn-hag in all her monstrous strength”. Instead, the filmmakers have created a beautiful siren; her only monstrous feature a whip-like tail,” (Rees). The swamp hag created by Zemeckis scarcely resembles the