Betty Who Research Paper

When you started early in realizing that you want to be a huge music name someday, then it's quite apparent that you'd also be able to reach it with ease. Like learning how to be a kind-hearted person inside the comforts of their home, rising star in the persona of Betty Who never wasted time and inclined herself to the world of music as early as when she's a four-year old. She accustomed herself to be in tune, learning a wide variety of instruments and soon honed herself to become a full-pledged musician on her way to adolescence. It all made sense to Betty Who what she really wanted since she was a kid, and now that she's of proper age, there's just no way that she will be swayed from her dreams, and it's very fortunate of us to see her bloom at her own pace and own will.
Originally, Betty Who, or more formally named as Jessica Anne Newham, grew up in the arms of Sydney in Australia, where she got addicted to playing the cello straight after toddler. When her family flew in to live in the United States, she had taken this opportunity to expand what she knew and enrolled to the Interlochen Center for the Arts in Michigan. The formal education she received from this school had exposed her to the different
She had been an active performer since 2010 and the experiences she had harnessed along the way made her solidify her identity all the more as time passed by. As for the genres, Betty Who is very versatile and can play using synthpop, power pop, electronic, electrohouse, nu-disco and indie pop marvelously. Betty Who is a prolific artist when it comes to crafting extended plays and she did so by offering two on the plate, entitled The Movement (released in April 2013) and Slow Dancing (released in April 2014). Both extended plays received quite fair reviews and reception from the listening public, which further fast-tracked her career as a pop