In this poem, Kinnell demonstrates a profound metaphoric relationship between the tangible objects of blackberries, and the intangible objects of words. He feels an attraction to blackberries such as with taste, touch, and appearance. That notion is supported throughout the poem. For example, line 7 states the following: "Lifting the stalks to my mouth, the ripest berries," illustrating his love for the taste of delectable fruits.…
The similes used also created a mysterious image of death. It referred death as a delicate bird, gardener and nurse that is the opposite of what people sees it. This is rather elusive and slippery which highlighted the relationship of human with death, which we all know what death is but no one could ever get a close look at it.…
By using imagery such as "heavy rain and sun," "glossy purple clot," "red, green, hard as a knot," "stains upon the tongue," "red ones inked up," "thorn pricks," "rat-grey fungus, glutting on our cache," "canfuls smelt of rot," and "sweet flesh would turn sour," the speaker describes a chronological order of a harvesting event to allow readers to visualize. This helps the readers to understand a literal description of blackberry-picking in late Autumn.…
The second part of the poem ‘Nightfall’ continues the story of the child forty years from ‘Barn owl’, where she had lost her innocence by shooting an owl and this had resulted in a heavy hearted guilt which was caused by her unknowing and stubborn actions. The poem represents death closing in on the father, and the limitations of time on their relationship that was never experienced before in her younger years. The father, who in the first poem is depicted as an “old no-sayer”, is now held in high esteem, he is admired and respected as an “old king”. The extended metaphor “Since there is no more to taste ripeness is plainly all. Father we pick our last fruits of the temporal.” Appeals to our senses and is now an aural metaphor, it illustrates the father’s life becoming fulfilled or ripe, it has come near to its end and the father and child will now spend or pick the last moments of the father’s life together. Over time her appreciation of her father has changed, this is shown through “Who can be what you were?” and “Old King, your marvellous journey’s done.” She has realised the valuable life her father has led and the great loss that will be felt after he is gone. The child, now a grown woman learns another lesson about death, it can be quiet and peaceful, and “Your night and day…
They also associate winter with death and portray nature as a harsh mistress. The rhetorical questions in ‘Lore’ are challenges to the reader, and this adds the feel of defiance. The image of “bearded” not only leads us to think of old age and old men but also shows the extent of Jobs immersion in nature. Thomas uses the images of “porridge” and “tea” which are both traditional hearty foods which help to add to the image of the old farmer. Colloquialisms make the character of Job seem more realistic. Also the image of dawn shows that age can be the start of something new and not something that should be looked down…
They lived in a sorrowful looking house that was isolated from everything else. The trees are themselves identified as "emblems of sterility," which is symbolic of the kind of life Tom and his wife enjoy, and even the house is said to be "forlorn" and to have "an air of starvation." Note how hyperbole is employed in the description of the horse, whose "ribs were as articulate as the bars of a gridiron." The simile here conveys just how little it is fed. Clearly any man who would keep their horse in such a condition is incredibly cruel because the horse is obviously starving and very poorly treated by Tom. These images therefore reinforce Tom's central character flaw, which is greed.…
‘Blackberry Picking’ by Heaney, is a chronological and descriptive poem in which the poet uses a nostalgic tone to recall his childhood world of ‘Blackberry Picking’. The poet begins with a pathetic fallacy “Late August” which directly reflects the attitude portrayed in the poem by creating a happy atmosphere even though it is the end of summer as blackberries ripen in late summers in which children gather and collect enough blackberries to fill a whole bath but cannot eat them all. The action of Blackberry picking illustrates the loss of innocence as one enters the stage of puberty and discovers new feelings which can be portrayed through the quote “Blackberries would ripen” in which the maturity of a youth which its pleasures are experienced by the tasting of the blackberries is highlighted. A semantic field of religion also adds to the concept of loss of innocence, with lexical choices such as “thickened wine” and “summer’s blood” which is a clear reference to Jesus Christ’s flesh and blood in which he sacrificed his life for us as well as the children’s sacrifice on giving up their childhood to a…
The crumbling leaves swayed, as the winter air crashed against his home. Walking towards his farm, William became uncomfortably aware of his surroundings. He grew up in this town, spending his days working and adventuring in every niche of the area. For an eighteen year old, his journey of life was monotonous. He endeavoured to peregrinate and advance his life- but his next journey was one that caused a nauseous, yet prideful feeling in the pit of his stomach.…
In the Day of a life experienced by the author as a seller of blackberries when he was a…
The speaker in this poem uses carpe diem as its theme proposes that since death is unavoidable and time is passing, the listener, often a reluctant virgin, should take advantage of the sensual pleasures the speaker reveals to her. The speaker in the first three stanzas suggests to his listeners to "use your time" wisely by enjoying sexual love. He also communicates the poignant sadness of the pursuit of pleasures as "old Time is still a-flying." Herrick uses the image of the rose in the first stanza in two traditional ways: as the symbol of beauty and of the transitory nature of life. Like the rosebuds, the virgins to whom the speaker in Herrick's poem addresses his words have not yet flowered. With this analogy, he suggests that if they give up their virginity, they will blossom into lovely roses. When he notes that the flowers "tomorrow will be dying," he reinforces his argument to his listeners that they must "make much of time" by experiencing pleasure before the opportunity passes. Whereas the unavoidability of death is revealed in an almost…
In the poem “Digging”, Seamus Heaney explores the differences between generations of men in his family through retracing the past. It is a poem of love and respect for the achievements of his father and grandfather as a digger, but at the same time comparing the traditional occupation to his own way of “digging” as a writer. Heaney expresses a sense of isolation and resemblance he feels toward his family by using significant symbols throughout the poem.…
Seamus Heaney bring the reader then to the past, we travel with him to his childhood, “Till his straining rump among the flowerbeds, bends low, comes up twenty years away...Stooping ... Where he was digging.” Here the poet writes about his father’s working on potato’s farming, we can notice that his father was a very hard worker as he certainly fed his entire family with his own produce, “He rooted out tall tops buried...to scatter new potatoes that we picked, loving their cool hardness in our hands.”…
In the first ten lines of the poem Heaney uses vivid imagery to describe the setting and its sights, smell and sounds. The phrase 'flax-dam festered' in the opening line combines assonance and alliteration, and begins to create the atmosphere of decay. 'Heavy headed' at the end of the second line again uses assonance and alliteration in one phrase to describe the flax that had rotted. The heaviness is emphasised further in the third line, where the flax is 'weighted down by huge sods'. The idea that hot weather has caused the decay is expressed in line four: 'Daily it sweltered in the punishing sun', a personification of the oppressiveness of the sun. A gentler image focusing on sound is created in 'Bubbles gargled delicately' in line five. The movement of flies is described with a metaphor: 'bluebottles / wove a strong gauze of sound around the smell', a fascinating image combining different senses. Line seven hints at the beauty of the scene with its 'dragonflies, spotted butterflies'.…
‘The Barn’ by Seamus Heaney and ‘Like Dolmens Round my Childhood’ by John Montague are two poems that explore the theme of fear in childhood. The fears of each poet are very different in that Heaney’s fear of the barn is triggered by his vivid imagination whereas Montague’s fear of becoming like ‘the old people’ is a much more complex and emotional issue that relates to real life experiences. The theme of fear is apparent right from the start of ‘The Barn’ and Heaney progresses this fear throughout the poem. It is only at the end of ‘Like Dolmens Round my Childhood’ that the reader becomes aware that Montague’s fear was ending up like the elderly people he knew as a child.…
Within the poem "Death of a Naturalist," Seamus Heaney explores the development of a young child and their coming to terms with the gruesome realities of nature and the world around them. Heanney relates this death of innocence with a vivid description of a childhood experience of exploring a flax-dam and the transitional stages of frogspawn.…