In the commencement of the play, Blanche is quickly described as a damsel in distress. She is portrayed as a wealthy woman “in a white suit with a fluffy bodice, necklace and earing of pearl, white gloves and hat…” (5). She resembles an embellished white moth. The fact that she is forced to live with her younger sister Stella and her domineering husband truly shows that Blanche is in a truly desperate situation. Her overall character is depicted as a traumatized woman that is in complete desolation. Experiences such as witnessing her family on a “...Long parade to the graveyard” (21). Being forced to live with your family until their tragic demise would emotionally and mentally torment anyone. She lives inside of her own world in which she…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Throughout the play, Blanche is living a lie and existing in a fantasy. Blanche DuBois, who is lost and confused, lies to herself through the entire play. At the beginning, Blanche lies to her sister, Stella, about taking a break from her school teaching job, when in reality, she has…
Blanche grow up on a large estate along with her sister, although unlike Stella, Blanche believes that her background and statues, which she no longer has, will gain her the control she so desperately seeks. But, the character Stanley gains control over her because of his has financial income which…
The last element of literature that holds so much tragedy is the characters themselves. Blanche is a tragic, fading beauty. She has many tragic things happen to her in the play. Blanche before coming to New Orleans had an afair with one of her students.She ends up losing her mind and being commited to a mental instituition by the end of the play. Stella is abused by her husband both physically and mentally. She loves her husband even though he does that and will not leave him. Stanley is a inferior male that beats his wife. He treat his wife like she is good for only sex.…
Arthur Miller, prolific American playwright and essayist, talks about the common man being just as capable of tragedy as a King. Blanche Dubois exemplifies Arthur Miller's ideas of tragic figures who suffer from terror and fear of self delusion. Blanche suffers from trying to deceive herself and others about her lifestyle and appearance.…
This play reflected a part of society that was frowned upon on a social level in the mid 20th centuary. Today a play like this is concidered normal, or average as far as the contrivisrail espects are concerned, but in the 40s a character like Blanche Dubois was something that challegned the moral of the ideal american family. This play is about Blanche DuBois, a schoolteacher from Laurel, Mississippi. She arrives in New Orleans to live with her sister, Stella Kowalski. Blanche told her sister that she lost their their ancestral home Belle Reve, following the death of all their remaining relatives and husband. She mentions that she has been given a leave of absence from her teaching position because of her bad nervous breakdowns.…
When the play begins, Blanche is already a fallen woman in society’s eyes. Her family fortune and estate are gone, she lost her young husband to suicide years earlier, and she is a social pariah due to her indiscrete sexual behavior. She also has a bad drinking problem, which she covers up poorly. Behind her veneer of social snobbery and sexual propriety, Blanche is an insecure, dislocated individual. She is an aging Southern belle who lives in a state of perpetual panic about her fading beauty. Her manner is dainty and frail, and she sports a wardrobe of showy but cheap evening clothes. Stanley quickly sees through Blanche’s act and seeks out information about her past. The notion of death is apparent through Blanches maiden name, Grey, which suggests bleakness and unhappiness. Indeed we are introduced to the fact that behind…
Blanche dwells in illusion; fantasy is her primary means of self-defense, both against outside threats and against her own demons. But her deceits carry no trace of malice, but rather they come from her weakness and inability to confront the truth head-on. She is a quixotic figure, seeing the world not as it is but as it ought to be. Fantasy has a liberating magic that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's steadfast realism, and in the end it is Stanley and his worldview that win. To survive, Stella must also resort to a kind of illusion, forcing herself to believe that Blanche's accusations against Stanley are false so that she can continue living with her husband.…
She has lost her young husband to suicide in earlier years, lost her family fortune and estate, and become a heavy drinker, despite the fact that she attempts to cover that up. It is evident that Blanche is very insecure about her looks, as well as a fragile individual. It is often that Blanche hides herself from an uncovered bulb, in order to hide particular features she is not fond of. Blanche relies on male sexual admiration for a sense of self esteem. When she meets Mitch, Blanche sees an opportunity to escape poverty and her bad reputation. She constructs a new identity for herself, to become more appealing to Mitch. Unfortunately, Mitch is not her prince charming, and Stanley once again, ruins a relationship in Blanches life. He sees through her lies, and makes sure that his mate does not get caught up in them. When Stanley rapes Blanche, she becomes very lost within herself, which the other characters in the play, are unaware…
Blanche, waiting in the bedroom to be taken away, has succumbed in mind and body to Stanley’s brutality” (Brooks 179). Blanche and Stanley are constantly trying to receive approval and affection from Stella. It is confirmed in the final poker scene that Stella betrays Blanche. Once Stella realizes that Blanche is accusing Stanley of rape, “I couldn’t believe her story and go on living with Stanley” (Williams 165). Stella is forced to choose between her sister or husband. Blanche’s lifestyle and behavior does not compete between the traditional gender roles establish during this time period. Therefore, Blanche is taken away and Mitch and Stella betray Blanche in her time of what she believes was going to be a time to rebuild her life and reputation. Blanche is taken away while Stanley continues to play poker, “This game is seven-card stud” (Williams 179) symbolizing that life goes on and Stanley is still…
In summary, Blanche forecasts a dainty but highbrow disposition throughout the story. She reveals partial truths in regards to the family fortune, her employment status and her love life. These partial truths are exactly what make her character so intriguing, not to mention the closing of scene three’s discussion with Mitch and the discovery that they both have lost a loved one. This is the second time Blanche addresses her widow status, however, at this point, fails to provide the details of this tragedy, leaving the audience with an unresolved yearning to discover what is going on with…
Stanley raped her. After the horrific event, never could Blanche hear “the Varsouviana rise [so] audibly” (Williams 133). Making matters worse, Stella chose to turn a blind eye to the truth, simply because she “could not believe [Blanche’s] story and go on living with Stanley” (Williams 133). Her resolution was committing Blanche to a mental institution. The causation of guilt lead her to be entirely engulfed by her imagination. She was convinced that she was preparing for a vacation to meet Shep Huntleigh, and she descriptively envisioned the way she will die at sea. As the polka played faintly again, Blanche was lucid for a brief moment. “She looked fearfully” with doubt of who “they were calling” for (Williams 137). “The Varsouviana played distantly and [became] filtered into a weird distortion, accompanied by the cries and noises of the jungle” as the matron and doctor try to seize her (Williams 139). This was the last straw for Blanche’s mentality. Her “nervous breakdown was complete” (Gpane). She was broken.…
Williams also reinforces his implied themes with many motifs and symbols, such as music, drunkenness, and bathing. Towards the end of scene three, Blanche turns on the radio and “waltzes to the music with romantic gestures [while Mitch imitates] like a dancing bear” (57). Because Blanche is accustomed to her insanity, which is represented by the Varsouviana Polka, she is able to move along with the music fine while Mitch, who is accustomed to reality (and has primitive traits), is unable to gracefully match Blanche’s movements and grace. Not only does the Polka music represent Blanche’s descent into insanity, but also tends to appear at moments when she is in a state of panic. Secondly, drunkenness is a major symbol throughout the play. Stanley states that “[one thing that] belongs on a poker table [is] whiskey” while Blanche lies and says “[she isn’t] accustomed to having more than one drink” (54).…
Just as things had started to calm down they went downhill very quickly the night that Stella goes into labor. “Stanley ultimately betrays Stella's trust by raping her sister while Stella is in labor at the hospital, Stella passively accepts Stanley's denial of Blanche's report and even acquiesces to his demand that her sister be institutionalized for her delusions” (Hovis) Not only is Blanche used and abused, but she is punished for it. Everything is turned against her, because Stella “couldn't believe her story and go on living with Stanley” (Williams 133). It would complicate everything to face the truth so they do not even give her a chance to show she is being truthful. She was betrayed by everyone and then sent off and forgotten about as if nothing had ever happened. After the decision is made to send her to an institution Blanche she reveals a quote to the doctor “I have always depended on the kindness of strangers” (Williams 178). The irony here is that she really does, and it is the sad truth. She is constantly depending on the approval and compliments of others. She was taken advantage of by strangers in her old town and it's what is happening now. The truth for blanche is very twisted and depressing. After the falling out of Blanche and her young lover, she was almost destined for a misfortunate…