Shelley's "modern Prometheus" bears similarities not only to the character Prometheus, but also to Pandora, the first woman according to Greek mythology. For Shelley, Frankenstein's "titanic overreaching" is a character flaw rather than a purposeful attempt to emulate God. Like Pandora, who could not suppress her natural curiosity and unleashed evil upon the world, Frankenstein cannot suppress his desire to overcome death and mortality. In his quest to animate dead matter, Frankenstein unleashes a monster upon society. However, the creation of this monster is not instantly condemned, it is Frankenstein's neglect of the creature which causes it to become evil. Shelley's Frankenstein is a character who continuously errs in the name of humankind. His goal is to remove suffering and death from the world and his creation is a misguided attempt to achieve this. Goethe's Faust however, is a completely different character. Faust is a man
Shelley's "modern Prometheus" bears similarities not only to the character Prometheus, but also to Pandora, the first woman according to Greek mythology. For Shelley, Frankenstein's "titanic overreaching" is a character flaw rather than a purposeful attempt to emulate God. Like Pandora, who could not suppress her natural curiosity and unleashed evil upon the world, Frankenstein cannot suppress his desire to overcome death and mortality. In his quest to animate dead matter, Frankenstein unleashes a monster upon society. However, the creation of this monster is not instantly condemned, it is Frankenstein's neglect of the creature which causes it to become evil. Shelley's Frankenstein is a character who continuously errs in the name of humankind. His goal is to remove suffering and death from the world and his creation is a misguided attempt to achieve this. Goethe's Faust however, is a completely different character. Faust is a man