Comparative Literature: The comparison between the book Dracula to the movie is that in the movie starts with legend of Vlad the impaler which is not in the book. In the movie Dracula has a shadow that operates separately from his body movements. Character of Dracula is less threatening initially in the book than in the movie. In the movie, Dracula appears as a wolf rather than the wolf escaping from the zoo being controlled by him which is not in the book. Lucy does not seem very ill compared to the description in the book. Dracula only appears as a bat briefly at the end of the movie in the abbey scene, not at the windows of the house.…
Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
Bram Stoker’s Dracula was written just before the turn of the 19th century; the beginning of this new era threatened a conservative, unchanging culture, and had people of all classes and religions in England on edge. Social fears such as the fall of the British Empire, the beginning of a new movement that would become what we now know as feminism, and changes in gender roles, gripped the nation. It is interesting the note that this not too dissimilar to the fear that gripped the world of the ‘millennium bug’ in 1999. Written and published in 1897, Dracula contains many of the fears that were in the minds of the Victorian public in this dawning age of social change. The British Empire was threatened by unrest and calls for independence in its…
“The monster is not outside but within…,” said John Paul Riquelme. Riquelme’s quote gives the impression that there are always two sides to every coin. Each individual is more than their outer appearance. Humans are an imperfect mixture of both good and bad. According to Jean Baudrillard, simulacrum or simulacra is essentially the representation of something or even a certain person. In Bram Stoker’s Dracula, Dracula himself can be seen as a simulacra for humanity because he represents the bad side of humanity while the human’s simulacra is a representation of both good and evil. This idea of what good and evil exactly…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
I read Dracula as a criticism of an individualistic search for power. Take away the supernatural elements and the story is of a man who gains power by ruining the lives of others. Bram Stoker’s motivation for writing Dracula was likely not one-dimensional. While there is the obvious attempt to play on the fear of foreigners, I think it is incredibly important to remember that Dracula is not the typical foreigner. Even when you disregard the fact that he is a vampire, he is still a count. There is quite plainly an element of class warfare. The story is interesting because it paints Dracula as evil and makes sure to leave out any elements of his past. He is pure evil with no redeeming factors. He doesn’t have the innocent start of Frankenstein, the upstanding alter ego of Dr. Jekyll, or some…
The frequently used concepts in Dracula to objectify women as sexual objects, gives the reader an insight into Stoker’s ways on implementing the Victorian male imagination and society’s extremely rigid expectations for a female. In the Victorian era, the women had only two scarce choices to choose from, either be a virgin – which basically consisted of being a role model of purity and innocence – or a respected wife and mother. If women did not met these socially acceptable standards they were either seen as a harlot who had no self-respect or did not deserved any respect whatsoever. Men commonly in the Victorian era, as Bram Stoker regularly refers to, strongly believed to have a higher stand that any other women, Limiting women was very common…
In Bram Stoker's novel, Dracula is depicted as the definition of evil. Throughout the novel, there is no doubt about his nefarious intentions and murderous pastimes as he proclaims, “My revenge has just begun! I spread it over centuries and time is on my side “ (Brams 339, ch 22). Thus it is apparent in the novel that Dracula is evil. Brams made his definition of evil quite clear through Dracula’s sexualized, violent, and sacrilegious actions. Evil was elucidated as an overtly sexually driven being, who is fueled by violence, and does not follow God. To Stoker, this was a definite ideal of evil befitting of his time, so then, why are will still obsessed with Dracula today, why has this tale in particular persevered? Again, the clear declaration of Dracula as an antagonistic murderer still fulfills humanity's desire for a definitive ideal of good and evil, over time that ideal has not faded into the background. We as human beings have gravitated towards such a clear-cut definition of evil, and rarely have we come across one so obvious as Dracula’s tale. We yearn for a separate ideal of good like that of Jonathan Harker to defeat the looming threat of evil of Dracula. Thus, we are drawn to Dracula because of how clear-cut the lines between good and evil are in the novel and how we yearn for our reality to parallel this black and white…
Dracula, written in this time, essentially deals with the concern as Dracula is heavily nodded as an “other”, by regaling in his long ancestry which includes historically-famed militaristic groups, further illustrating his as a possible bloodthirsty nature. He is marked by successful generation of conquerers, come to conquer once again. Dracula intends to enter the civilized world and dominate it. He represents the East, and the backwardness that has yet been “civilized” by modernity, which in of itself is threatening. Dracula makes the claim, “Your girls that you all love are mine already.…
The views of the people during the Victorian Era hold true in this book until they are brought out by Dracula’s power. This power of seduction is very visible throughout the entire novel, and brings out the character’s repressed sexual thoughts. Each character affected by this power shows a change in their sexuality in some…
Bram Stoker's Dracula is one of the most renowned British novels of all time. It has left its marks on many aspects of literature and film. Many thematic elements are present throughout the story and have been interpreted in many ways. Stoker uses his characters to manifest the themes that he wishes to imply. Three themes that present themselves throughout the book are the theme of Christian Redemption, science and technology, and sexual expression.…
“There is reason that all things are as they are...” (Stoker 17). Outlasting countless other tales of its time, Bram Stoker’s lore of “Dracula” began as and still continues to be a classic, frightening novel and despite how some would classify it on only a single one end of the spectrum, it holds true elements of both literary and commercial fiction. He uses various techniques of writing, such as the epistolary plot structure and dramatic irony, and elements, including suspense, to present an unexpected, fear-inducing concept based on the xenophobic idea of the Victorian era.…
Stoker’s ability to illustrate the unfamiliar roles in which many in this novel take on proves to be helpful in understanding the relations between all the characters in the novel. In this essay I would like to argue that throughout Stoker’s novel there is a constant competition between good and evil. I believe Stoker set up Dracula like a competition between the band of men and Dracula. Who wins?…