I recently read a book titled “Night Comes to the Cumberlands” written by a man named Harry M. Caudill. I chose this book for a couple of different reasons. The first is because after reviewing the book, I realized it was very thorough in how it covered the plight of the Appalachia people, it also goes into detail about how many different events from when his grandfather’s grandfather, James Caudill, built his cabin in 1792, to the current state of events when the book was written in 1962. At the time it was first published in 1962, it seemed to appeal to the American peoples’ conscience so much that it actually prompted the…
In Radio Free Dixie: Robert F. Williams & the Roots of Black Power, Timothy B. Tyson tells us all about the story of Robert F. Williams. The story of his life as a black activist during his generation and the influence he had on many people. Not only do we learn about the life of Robert Williams, but we also get a look into the ways in which African Americans had to live during this time and how horribly they were treated by whites and those with authority in Monroe. This book discusses many of the struggles that blacks had to face including the intersection of races, sex and gender roles. Timothy Tyson’s historically written book focus’ on a biography of Williams as well as black lives during this time period. The book leads up to Williams…
In 1958, a historical narrator by the name of Shelby Foote of Greenville, Mississippi published his first volume of a trilogy series of the history of the American Civil War. Some one thousand pages later, Foote shows his brilliance and quality of vision through the history of a nation in pure shambles, and on the break of certain destruction, and elimination from the face of the earth. Written in Memphis, Tennessee, Foote a native southerner like any other published author faced criticism and critique of his work, especially for focusing on the history of the war by discussing the decisions and actions of conflicts that boiled over into large blood pools on the battle field. Douglass Mitchell, Stuart Chapman, and James Cox developed complex…
In the beginning of his book he utilizes characterization to connect the reader to the fishermen and townspeople. “She’s a tall blonde who inspires crushes in the teenaged sons of some of her friends,” describes Junger, “but there’s a certain no-nonsense air about her that has always kept Bobby on his toes” (7). The way Junger describes Christina, Bobby Shatford’s girlfriend, sounds as if he knew her at the time. This use of pathos makes Junger a much more effective and believable…
From the beginning to the end, she uses vocabulary that gives off more of an old timey southern feel. For example, going to use the “privy” instead of the bathroom or using “grandeur” to describe how formal the balls and get togethers they had were. At times it was very difficult to understand what she was trying to get across with the vocabulary she used. The context clues around it helped me to figure out what she was saying. One thing I noticed about the author’s style is she likes to throw in phrases and repeat them. By doing this she makes readers mentally note in their head that it has a bigger meaning. Sarah shares during her first encounter with slave discipline how her mind kept telling her “Go Sarah,” and that was the start of her anti-slavery feelings in the book. From this point, she starts to have difficulty expressing her beliefs and the phrase “Go Sarah” pops into her mind. The author also uses phrases to set in personality traits for the characters. As Handful grows up on the plantation she begins to realize the limitations placed on her life. In one of her conversations with Sarah she says, “My body might be a slave but not my mind. For you it’s the other way around.” Handful believed there was a greater purpose in the world for her, but the only thing stopping her was the color of her skin. Meanwhile, the only thing…
Have you ever felt betrayed by something you thought you understood? That’s how Jacqueline Woodson felt. In “How a Southern Town Broke a Heart”, Woodson introduces change as a central idea of the story. By observing how her character changes over the course of the plot, it seems evident that Woodson is trying to convey to the reader that as you age, and understand more, your perspective of things can change.…
On the way to Sandy Beach, the group exiled from Poker Flat stopped at a mountain campsite. Here they came across two people making their way to Poker Flat from Sandy Bar. The two people were Tom Simson, "The Innocent," and Piney Woods. Oakhurst knew Tom because they had played cards a few months back. The encounter was a learning experience for Tom because Oakhurst "won [his] entire fortune," (Harte 609). Seeing that Tom was such an easy mark and had no business playing cards, Oakhurst took him aside and said "Tommy, you're a good little man, but you can't gamble worth a cent. Don't try it over again," (Harte 609). This suggests that there are no hostile feelings towards one another, and also the compassion of Oakhurst. Tom is similar to Oakhurst in the aspect that he is willing to do whatever it takes to save Piney, and the rest of the group. "There's one chance in a hundred," is what Oakhurst tells Tom about saving the group. Oakhurst contradicts himself when asks Tom to take a gamble to save the others. "Don't try to do it again," (Harte 609) is what Oakhurst initially tells Tom,…
Throughout our lives, everyone that we share bonds with and interact with on a regular basis, either forms or has some sort of influence on our identity. Consequently, the majority of us naturally find ourselves striving to fit in with these people, especially during the tough transition from childhood to adulthood. It is this part of the human condition that makes us feel as though we must forge ties with something outside of ourselves in order to establish a strong sense of existence and a clear understanding of who we are. Although most individuals are able to make these connections with others naturally, others who stray from the social norm might not be so fortunate, but rather than accepting their feeling of non-existence, may be forced to deny the need to belong entirely in order to continue to express their own unique identity. It can also be argued that this idea is not as black and white as it seems, because although not all connections are essential to our sense of self, some such as the bonds we share with our family are critical to the formation of our identity. Furthermore, the nature of a connection itself is complicated, as it is not always a fluid thing that occurs naturally; for some it is a choice, one which can mean the difference between social acceptance and seclusion.…
| Highlights Sandy’s social awkwardness.Billy as a charismatic and popular person who arouses both Sandy’s and Marianne’s interest.…
In reply to the thought of other towns quitting the lotteries, Old Man Warner, one of the oldest residents, assumes that, “[the town would] all be eating stewed chickweed and acorns” (Jackson, 4) without it. Warner believes that the Lotteries have a positive impact and the town would not be as stable and modern without it. The author manipulates Warners’ belief offering insight on how customs can extremely change one’s attitudes. In addition, after the ‘winner’ had been decided, Mrs. Delacroix “[selects] a stone so large she [has] to pick it up with both hands” (Jackson, 7). To act friendly towards each other before the Lottery was a pretense. Mrs. Delacroix is still eager to have an impact on the tradition. Jackson, once again, displays strong devotion without thinking of moral values. Mr. Hutchinson “[goes] over to his wife and [forces] the slip of paper out of her hand” (Jackson, 5). Bill is more than willing to show that his wife has drawn the paper with the intention that she is stoned, not him. Jackson shows that the people don’t mind hurting their family and friends. Dialogue is a major literary element used by the author to build…
One of the prominent themes in this story is human hypocrisy. Although most of the characters are shown through their words and actions, one particular person stands out: Mrs “Tessie” Hutchinson. At the beginning of the story, Tessie heads towards the town square, stating that she “forgot what day it was” to her neighbour Mrs. Delacroix as they both chuckled softly. Soon enough, phrases are shared between Tessie and her soon to be rivals: Thought we were going to have to get on without you, Tessie”, (Mr.Summers), “Your in time, though”, (Mrs. Delacroix). Throughout the story, Mrs. Hutchinson doesn’t seem to mind the fact that someone, close to her or not, will be stoned to death. Her attitude at the start of the lottery is calm and cheerful; Tessie is unaffecyed by what the outcome of the lottery might be, since she thinks that she wouldn't be in that situation. When it is her family's turn to pick up their lottery ticket and finds out that her husband got the "winning paper", her character completely changes. Mrs. Hutchinson starts to lash out at Mr. Summers, the lottery director, saying that "you didn't give him time enough to take any paper he wanted. I saw you. It wasn't fair!". Tessie's character evolves by a simple change in the lottery: her family becoming the center of it all. She tries to find ways of getting out of this situation, like including her eldest daughter Eva and her husband Don, in her family, but, little does she know that "daughters draw with their husbands' family". Tessie continues to state that "it isn't fair" and I think we ought to start over. I tell you it wasn't fair". When each member of her family takes…
In the novel’s opening pages Steinbeck laces the text with recurring words, illustrating the setting and tone. He repeats words like “red country”, “dust”, “boiling”, and “raw stinging” to make the reader feel as if they are in the scorched and dust covered setting of Oklahoma in the midst of the Dust Bowl. He also utilizes recurring words like “pale”, “dark”, and “grey” as a sort of way to engrain into the reader’s minds with the depressing and utterly tragic tone the introduction to the story evokes. Pronouns like “…they are”, “They awakened”, and “…the people” immediately disconnects the reader from any one person and imply that everyone at this time was going through the same struggles. With the repetition he uses, Steinbeck successfully has his audience feel and see the melancholy tone and blistering setting.…
Candy is old and handicapped so he isn’t included in the activities the guys plan to do. Crooks isn’t allowed out the barn, unless he is playing horseshoes with the guys. He can’t go drink with the guys or go out and pick weed in the field with them because he is black. Curley’s wife is desperate for attention. She doesn’t get any attention from Curley so she goes and try to find it from other men. She really isn’t suppose to be doing that but she does it anyway behind Curley’s back. She goes around batting her eyes and curling her hair in her fingers and men stare at her. She does that because she is lonely she wants the attention from Curley but he is too busy and doesn’t pay attention to…
Southern belles are the way in the south that will have a place to fit. In this particular story O’Connor uses females to demonstrate a Southern social code. The society where these ladies are placed is one where a lot is expected. “The Southern Belle grows up (in genteel style), gets married (becoming a Southern lady), and like the larger American culture’s stereotypical woman, fulfills her highest destiny when she is wife and mother” (Pierce 1). Carramae has the attributes to truly be a southern belle who is a blonde that at age fifteen had come to be both a wife and a mother. Then on the other side her sister, Glynese an eighteen year old redhead with many admirers. Glynese wasn’t one to settle for crumbs she was worth a ’36 Plymouth and to get married by a preacher. Both “Glynese and Carramae are both fine girls,” (O’Connor 5) that any mother would be proud to be affiliated with and brag about and any man ready to escort such pretty ladies. “These Southern ladies are caricatures of normal girls who court young men, marry, and produce children” (Westling 518) representing the ways of a fine South.…
diamond, he was going to be losing a huge profit in the harvest season for years to come. His…