Cambells Soup
Campbell 's Soup Cans (sometimes referred to as 32 Campbell 's Soup Cans)[1] is a work of art produced in 1962 by Andy Warhol. It consists of 32 canvases, each measuring 20 inches in height × 16 inches in width (50.8 × 40.6 cm) and each consisting of a painting of a Campbell 's Soup can one of each of the canned soup varieties the company offered at the time.[2] The individual paintings were produced with a semi-mechanized silkscreen process, using a non-painterly style. Campbell 's Soup Cans ' reliance on themes from popular culture helped to usher in pop art as a major art movement.
For Warhol, a commercial illustrator who became a successful author, painter, and film director, the work was his first one-man gallery exhibition as a fine artist.[3][4] First exhibited in the Ferus Gallery of Los Angeles, it marked the West Coast debut of pop art.[5] The combination of the semi-mechanized process, the non-painterly style, and the commercial subject initially caused offense, as the work 's blatantly mundane commercialism represented a direct affront to the technique and philosophy of abstract expressionism. The abstract expressionism art movement was dominant during the post-war period, and it held not only to "fine art" values and aesthetics but also to a mystical inclination. This controversy led to a great deal of debate about the merits and ethics of such work. Warhol 's motives as an artist were questioned, and they continue to be topical to this day. The public commotion helped transform Warhol from being an accomplished 1950s commercial illustrator to a notable fine artist, and it helped distinguish him from other rising pop artists. Although commercial demand for his paintings was not immediate, Warhol 's association with the subject led to his name becoming synonymous with the Campbell 's Soup can paintings.
Warhol subsequently produced a wide variety of art works depicting Campbell 's Soup cans during three distinct phases of his career, and he
For Warhol, a commercial illustrator who became a successful author, painter, and film director, the work was his first one-man gallery exhibition as a fine artist.[3][4] First exhibited in the Ferus Gallery of Los Angeles, it marked the West Coast debut of pop art.[5] The combination of the semi-mechanized process, the non-painterly style, and the commercial subject initially caused offense, as the work 's blatantly mundane commercialism represented a direct affront to the technique and philosophy of abstract expressionism. The abstract expressionism art movement was dominant during the post-war period, and it held not only to "fine art" values and aesthetics but also to a mystical inclination. This controversy led to a great deal of debate about the merits and ethics of such work. Warhol 's motives as an artist were questioned, and they continue to be topical to this day. The public commotion helped transform Warhol from being an accomplished 1950s commercial illustrator to a notable fine artist, and it helped distinguish him from other rising pop artists. Although commercial demand for his paintings was not immediate, Warhol 's association with the subject led to his name becoming synonymous with the Campbell 's Soup can paintings.
Warhol subsequently produced a wide variety of art works depicting Campbell 's Soup cans during three distinct phases of his career, and he
References: Baal-Teshuva, Jacob (ed.), Andy Warhol: 1928–1987, Prutestel, 2004, ISBN 3-7913-1277-4 Bourdon, David, Warhol, Henry N Faerna, Jose Maria (ed.), Warhol, Henry N. Abrams, Inc., Publishers, ISBN 0-8109-4655-6 Frazier, Nancy, The Penguin Concise Dictionary of Art History, Penguin Group, 2000, ISBN 0-670-10015-3 Harrison, Charles and Paul Wood (eds.), Art Theory 1900–1990: An Anthology of Changing Ideas, Blackwell Publishers, 1993, ISBN 0-6311-6575-4 Lippard, Lucy R., Pop Art, Thames and Hudson, 1970 (1985 reprint), ISBN 0-500-20052-1 Livingstone, Marco (ed.), Pop Art: An International Perspective, The Royal Academy of Arts, London, 1991, ISBN 0-8478-1475-0 Lucie-Smith, Edward, Artoday, Phaidon, ISBN 0-7148-3888-8 Marcade, Bernard and Freddy De Vree, Andy Warhol, Galerie Isy Brachot, 1989. Random House Library of Painting and Sculpture Volume 4, Dictionary of Artists and Art Terms, 1981, Random House, ISBN 0-39452131-5 Vaughan, Willam (ed), The Encyclopedia of Artists, Vol 5., Oxford University Press, Inc., 2000. Warin, Jean (ed), The Dictionary of Art, Vol 32, Macmillan Publishers Limited, 1996 (2002 reprint) Warhol, Andy and Pat Hackett, Popism: The Warhol Sixties, Harcourt Books, 1980, ISBN 0-15-672960-1 Watson, Steven, Factory Made:Warhol and the Sixties, Pantheon Books, 2003