In the theater version of Cyrano de Bergerac, Director Robert Kelley faced several problems in thoughtfully expressing the theme of the play. Because the play involves a love triangle around three characters with different quality of appearance, one theme can be that appearance prevents one from realizing the true identity of a person. In a small theater, the director had to devise an efficient plan that successfully conveyed the theme with limited space and a few actors. The director also had to modify some scenes in order to fit the whole play in a short amount of time. Despite some miscasts in the actors, the director managed to emanate the meaning of the play through appropriate stage props and script.…
Andrew Manze, an English violinist, and Joseph Szigeti, an American violinist are both internationally renowned for their Baroque playing1. I am going to take a look at each of their recordings of Corelli's La Follia, the difference being however, that they are playing from separate scores and interpretations of the piece. Manze's recording has been done from an earlier, more original copy of the score (I will call it score 1), with few written musical directions. Szigeti's recording is performed using the same piece, however it has been edited by Leonard and Sauret (score 2) to include many musical directions and rearranged movements. Manze's recording was done in 2002 and Szigeti's in 1940. La Follia consists of a variety of different sections; Corelli will jump from warm adagios to fast and exciting vivace sections, this exciting and beautiful style of writing meant his sonatas provided a basis for composers to follow for another half a century.…
The novel Maestro, by Peter Goldsworthy is a beautifully crafted novel dealing with the tragic gulf between talent and genius, between the real and the spurious. Good literature, however, is often judged not only by what is written, but also the way it is written. Reflecting this criteria, Maestro is well written, perfectly contrasted and thus an excellent example of a good piece of literature. Goldsworthy has achieved this thorough his character development, utilization of the settings and use of language.…
In William Faulkner’s quote he states, “He (man) is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” which is true due to the fact that it is seen through the thoughts that are expressed by the characters Pelagia, Captain Corelli, and Carlo in Louis De Bernieres’ Corelli’s Mandolin. Pelagia is a young and intelligent Greek women who finds herself unwillingly falling in love with a charming Italian soldier named Captain Antonio Corelli and Carlo Piero Guercio, a fairly large but loving artilleryman for Captain Corelli. All of these characters in the novel are full of compassion and endurance and make sacrifices which help them to not only survive the events of World War II but also overcome them.…
In the play Romeo and Juliet written by William Shakespeare shows the key idea of think with your head, not with your heart. This idea is still relevant today as people today usually think with their heart without thinking with their head first. In the play when Romeo meets Juliet at the Capulets ball, the idea of think with your head, not with your heart is still relevant today. Romeo said when he sees the beauty of Juliet, Did my heart love til now Forswear its sight. For I never saw true beauty til this night. I know Romeo is now thinking with his heart now because a minute ago he was frustrated about Rosaline, but now he forgets everything about Rosaline and fall in love with Juliet. Later on, Romeo soon finds out that Juliet is Capulet. He says Is she a Capulet My life is my foes debt. This shows me how stupid Romeo is because if he uses his head to think about the identity of Juliet, both of them can avoid this star-crossed love. I think Shakespeare wrote this to warn his audience think with your head, not with your heart as well as making his audience excited. This actually worked for me because though I knew this scene makes Romeo look foolish, I felt excited about what is going on next. The idea of think with your head, not with your heart is still relevant today as many people today fall in love quickly with each other by just looking at the profile picture on facebook, which is a really bad idea as they know nothing about each other but only a picture. Not like the freedom society we live in now, actually it was not always possible for a girl and a boy fall in love with each other so quickly and get married during middle century as parents usually have the complete authority over their children. So the audiences would probably felt jealous about the love between Romeo and Juliet as most of their marriages were arranged by their parents but not themselves. When Romeo slews Tybalt for Mercutios revenge, the idea of think with your head, not…
Fellow soldiers, army members, citizens of Venice, and most humble duke, I believe we are all united here today for we all shared unique experiences and relationships with Othello that held meaning for us. He was a man who had an impact on us all, and though I shared a close friendship with Othello, that was merely my own experience, and I cannot imagine the effect his absence has had on the rest of you. Let us support one another with the same support Othello presented us and ensure we continue his morality through our own actions. Rest in peace, virtuous…
The captain of the youth's company had been killed in an early part of the action. His body lay stretched out in the position of a tired man resting, but upon his face there was an astonished and sorrowful look, as if he thought some friend had done him an ill turn. The babbling man was grazed by a shot that made the blood stream widely down his face. He clapped both hands to his head. “Oh!" he said, and ran. Another grunted suddenly as if a club had struck him in the stomach.(Red Badge of Courage 67).…
German allies are now their enemies and the Italian soldiers are rounded up and executed. Corelli himself survives a…
Albert Einstein said that unless we change our "modes of thinking" about political issues, we are headed toward "unparalleled catastrophe." Do you agree or disagree with this statement?…
“True heroism consists in being superior to the ills of life, in whatever shape they may challenge us to combat.” Napoleon Bonparte, French General.…
When the men are supposed to bomb Ferrara and Yossarian moves the bomb line so it appears as if the men have already bombed it, the lack of communication leads the men to believe that it actually has been bombed. No one claims full responsibility for the bombing, so no one can disprove its having taken place. Since the men feel very removed from the object of winning the war and accomplishing important goals in that pursuit, they are very happy about this prank. But such an error can lead to other men dying because they do not receive the support they need. Though this reversal of cause and effect seems comical, it has real consequences that are very serious. Though Heller never describes a bloody scene where men are massacred without this support, the reader can imagine the very real effects of communication breakdowns.…
Long before I had an iPhone of my own I would spend long car rides listening to music on my mom's iPod. Her music might have been a little old, but I didn't really mind. Most of the songs passed by in a blur of 80's synth or soulful guitar, however, there was one song that caught my attention every time, Billy Joel's "Scenes from an Italian Restaurant". Growing up on Long Island I'd always been a fan, but at such a young age I could never fully grasp what most of his songs were about. Instead, every time it would come on I would just dance around snapping my fingers to the beat, not a care in the world. But, like "Scenes from an Italian Restaurant" is about growing up and facing reality, I had to grow up too. At first, I thought the song was…
Another way to show Charlie’s bravery is when he disobeyed a direct order, but he did so in order to protect his comrade, Tommy and also because he knew it was suicidal order ( because of the Germans using equipment, that as soon as they get to the front line they would be killed). Furthermore, Charlie is not given a chance to present his side of the story. Ultimately, the negligence of the chain-of-command resulted in the death of an innocent soldier. But even at the end you may argue he was still showing bravery by not shivering: to show he was week, wanting to see the bullets coming towards him rather than putting the hood on, that the guards persisted he had on (maybe they showing cowardice) Big Joe is a symbol of innocence that Charlie takes comfort in before his pending execution, he thinks about him by singing oranges and lemons before his death rather than pitying himself because he knew he wasn’t a coward regardless to what his sergeant or anyone else had said.…
Der Film hat sich in den letzten Jahrzenten als eines der wichtigsten Medien herauskristallisiert. Immer wieder werden neue Untergattungen des Films entdeckt. Darunter ist auch die Gattung der Literaturverfilmung zu finden, die versucht zwei Medien miteinander zu verbinden. Die Verfilmung ist ein Schnittpunkt der literarischen und filmischen Institution, die erfolgreichste, aber auch umstrittenste Begegnung zweier erzählender Medien, die man als Vertreter der alten und der neuen Kultur sehen kann. Die Literaturverfilmung ist ein auf einer literarischen Vorlage basierender Film. Diese jedoch bringt eine immer wiederkehrende Problematik mit sich. Inwiefern ist es gestattet, der literarischen Textvorlage abzuweichen und inwiefern ist es möglich ihr treu zu bleiben. Immer mehr Wissenschaftler befassen sich mit dieser Frage. Unter anderem Helmut Schanze und Peter Scheppelern. deren Versuch, einen Weg zu finden, diese Problematik zu lösen, ich in dieser Arbeit heranziehe und versuche eine Theorie für die Literaturverfilmung William Shakespeares Romeo und Julia" von Baz Luhrmann zu finden und zu analysiern. Ausserdem gehe ich auf die herausragensten Unterschiede zwischen der Literaturverfilmung zu der literarischen Vorlage Romeo und Julias ein.…
4. he realized that it was impossible to do it till the Italian youth were not charged with the patriotism, sacrifice, moral character and vast capacities to endure pain.…