Dickenson confronts the idea of mortality, which no one prepares for and the idealisms of experiences that humanity succumbs to. Death comes to all and neither societal placement nor monetary means can stop the inevitable demise everyone must face. The author dictates this as ultimate sovereignty in comparison to the subjugation the world places on human beings. Dickenson clearly points at the seclusion that the souls of the dead encounters watching the people they love mourn their loss at their burial site. Once on these journeys, no one can transport a companion for the ride and the belongings that one acquires on Earth cannot follow them through the passing into immortality. The notorious element of reclusiveness that is not a desire of the protagonist identifies this piece as Gothic Literature. Dickenson brilliantly interjects poetic realism into the core of her opus with the most imperative aspect of it coming with transforming the burial mound into a release or goodbye to the lives the souls are inherently abandoning. The notions of the souls feeling sentiments for the relationships and artifacts one loses upon expiry conveys the female perspective of euthanasia that still possesses a dark foreboding tone that combines well with the isolation motif. This part of the poem reveals to the reader the message that the bondage of Earth transfigures into independence for eternity; following precisely the Feminine Gothic Literature elements of terror, powerlessness, solitude, and
Dickenson confronts the idea of mortality, which no one prepares for and the idealisms of experiences that humanity succumbs to. Death comes to all and neither societal placement nor monetary means can stop the inevitable demise everyone must face. The author dictates this as ultimate sovereignty in comparison to the subjugation the world places on human beings. Dickenson clearly points at the seclusion that the souls of the dead encounters watching the people they love mourn their loss at their burial site. Once on these journeys, no one can transport a companion for the ride and the belongings that one acquires on Earth cannot follow them through the passing into immortality. The notorious element of reclusiveness that is not a desire of the protagonist identifies this piece as Gothic Literature. Dickenson brilliantly interjects poetic realism into the core of her opus with the most imperative aspect of it coming with transforming the burial mound into a release or goodbye to the lives the souls are inherently abandoning. The notions of the souls feeling sentiments for the relationships and artifacts one loses upon expiry conveys the female perspective of euthanasia that still possesses a dark foreboding tone that combines well with the isolation motif. This part of the poem reveals to the reader the message that the bondage of Earth transfigures into independence for eternity; following precisely the Feminine Gothic Literature elements of terror, powerlessness, solitude, and