“Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him”. Striking through the thought of his dear ones was sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith's hammer upon the anvil; it had the same ringing quality. The functions of “time was depicted of the ticking of his watch as they hurt his ear like the trust of a knife; he feared he would shriek. As these thoughts, which have here to be set down…
Unfortunately the relationship between the speaker and the mother in the poem is unclear as it is stated that her mother has passed away and is in a grave, which is shown here in the following excerpt “… into the grave!” but all throughout the poem she speaks of her mother’s courage, which is shown here “courage that my mother had. Went with her, and is with her still… if instead she’d left to me. The thing she took into the grave!–That courage like a rock” which is not typically something that is said by someone who didn’t have a good relationship with the person who’d passed…
The novel As I Lay Dying by William Faulkner, had many interesting paragraphs that catches the readers eye. However, the above paragraph between Vardaman and Darl debating the matters of death and existence stops the reader and demands attention. The above paragraph is a narrative paragraph. Vardaman’s association of his mother’s death with the fish’s death at first seems to be a childish, illogical connection. This association, along with Darl’s linking of the question of existence to a matter of “was” versus “is,” allows these two uneducated characters to tackle the highly complex matters of death and existence. The bizarre nature of this exchange illustrates the Bundrens’ inability to deal with Addie’s death in a more rational way. For Darl, language has a peculiar control over Addie’s existence: he believes that she cannot be an “is,” or a thing that continues to exist, because she is a “was,” or a thing that no longer exists. For Vardaman, objects that are similar to each other become interchangeable: he assigns the role of his mother to the fish, for example, because the fish is dead, like Addie. These somewhat logical responses to Addie’s death demonstrate…
“The Jilting of Granny Weatherall” is a short story written by Katherine Anne Portier about an elderly woman on her deathbed. Granny Weatherall is a very interesting character and the story describes her last thoughts and memories as she lies there taking her last breaths. Granny Weatherall is perceived as an independent and strong-willed character that has lived a full life. As she lies on her deathbed, she drifts in and out of consciousness and seems to not have a full grasp on reality. As she nears the end of her life, the reader is able to understand her thoughts and feelings, and feels how the elderly woman is struggling with coming to terms with dying. The themes in this short story have a deep and meaningful relation with death. The writer seems to intertwine the character’s struggles with the themes of betrayal, religion, memories, and death.…
In the story “Cremains,” Sam Lipsyte explicitly explores the theme of death. Death familiarizes itself with the protagonist as he tries to adjust to his new day-to-day life in his now-deceased mother’s apartment. He attempts to move on but is held back by his inability to decide on how to dispose of his mothers cremains. Meanwhile, he continues to get high off of her leftover morphine, until he eventually combines her ashes with the morphine and shoots them into his veins. Before doing so, he hears on the radio “our culture is afraid of death, and considers it something we must wage battle against.” It’s Tessa, his mother’s pain specialist, and she continues: “I say, surrender, submit. Go gentle. Terminal means terminal.” Tessa’s statement illustrates the issue the protagonist has in dealing with death. To the protagonist, it isn’t natural to surrender to death, it’s not easy to go gentle, and he is fighting his grief just like he would fight death itself.…
Harwood’s use of personification and tone in ‘Sharpness of Death’ persuades readers to identify with the reality of death. In the first stanza, the speaker directly addresses death to portray her dislike towards it. This is evident in the use of imperative tone in “Leave me alone.” The use of a caesura further emphasises the speaker’s strong dislike towards the changeable nature of death. The speaker pleads “Give me more time for time that was never long enough”, which reaffirms the unpredictability of death and also reflects the transience of time. An acceptance of death is expressed in the final stanza, in which the speaker truly understands the reality of death. The speaker describes a memory of her relationship with a former lover, and immediately following this description she asserts that if these memories of love are put aside, then death can “set your teeth in me”. Here, the use of imperative tone and graphic imagery suggests that the speaker accepts that death is unavoidable. Therefore, in Harwood’s ‘Sharpness of Death’, Harwood creates a sense of immediacy between the speaker and the reader which allows readers to engage with the reality of death.…
Emily Dickinson, a chief figure in American literature, wrote hundreds of poems in her lifetime using unusual syntax and form. Several if not all her poems revolved around themes of nature, illness, love, and death. Dickinson’s poem, Because I could not stop for Death, a lyric with a jarring volta conflates several themes with an air of ambiguity leaving multiple interpretations open for analysis. Whether death is a lover and immortality their chaperone, a deceiver and seducer of the speaker to lead her to demise, or a timely truth of life, literary devices such as syntax, selection of detail, and diction throughout the poem support and enable these different understandings to stand alone.…
Harwood’s elegy Mother Who Gave Me Life nostalgically explores the confronting concepts of the unavoidability of death and past bleak memories. Harwood explains explores the fragility e nature of life through the fabric motif symbolism; “fine threadbare linen” depicting symbolising the frailty image of her mother and the inevitability of her demise. Similarly, the reminiscent cosmic and iconic imagery depicts the futile effort to extend life “I prayed you would see live to see Halley’s Comet a second time.” Furthermore, the reference to Halley’s Comet informs the audience of the persona’s short-lived hope for human immortality, on to be brought back to the reality of death. In addition, the author speaks ofoutlines a cycle of death and the continuity of life, shown through repetition that is as perpetuated through motherhood shown through repetition; “I think of women bearing women” which utilises gender specific diction to highlight the significance of women as a . Thus, the cycle of women bearing women is shown as a symbol of life and continuity. Likewise, through cumulative listing, Harwood provides an insight into the human history of motherhood, noting that that it transcends all temporal restraints indicated through cumulative listing “your mother, and hers and beyond”, and its ability to never cease. Though Harwood constantly implies of her desire to be able to extend life she acknowledges that in reality death is inevitable through the use of elegiac language; “you left the world so”. Finally through elemental references and natural imagery, Motherhood is portrayed to be infinite and as the link between…
George Bernard Shaw letter – describe writer’s attitude toward mother & her cremation – diction and detail…
Death is an odd thing, humans do not know what waits for them the moment their hearts stop beating, they do not know where they’ll end up going- but death is a common topic. Whether it be in movies or writing, death has made its impression on the world; especially on poet Emily Dickinson. Dickinson’s poems, “I heard a Fly buzz- when I died” and “Because I could not stop for Death” focus on a consistent theme of death and her own curiosity on what it might be like to die herself. Dickinson’s life and use of the archetypal device have a connection to helping fuel her dreary, death revolving, poetry.…
She remembered the last labored breaths her mother had taken, each a struggle for one last moment of life. She remembered watching that same life pass out of her as she heaved her last, and how it had not been quiet and tranquil as movies and books made dying moments out to be. It had been obvious that her last few moments were filled with pain, as it tried its hardest to catch her one last time before she could physically feel it no more. Her soul had passed on, and her body was no longer hers.…
In this paper I have been asked to compare and contrast literary works involving the topic of my choosing. For this paper I chose the topic of death. Death can be told in many different ways, and looked at the same. This paper is going to decide how you feel about death, is it a lonely long road that ends in sorrow, or a happy journey that ends at the heart of the soul? You decide as we take different literary works to determine which way you may feel.…
In the story “On the Rainy River” a 20-year old named Tim O’Brien is about to be given the freedom to go anywhere in life until he receives a draft notice requiring him to join the army in the Vietnam War. Tim O’Brien is tested both physically and mentally. He has the option to flee to Canada or go to the war. Each option would result in abandoning family, friends, and fond memories. In his essay “Shooting an Elephant,” reminisces about a bad decision he made earlier in life, just like Tim. Reflecting on his experience, Orwell has also identified the reasons why he did it: “I could get nothing into perspective. I was young and ill-educated and I had to think out my problems in utter silence,” Tim O’Brien also dealt with his problems alone, “ I felt isolated; I spent a lot of time alone.” Both Tim and George are struggling to deal with their problems and it’s eating away at them.…
Many are scared of death and try their hardest to avoid it but most do not know what they are avoiding. George Bernard Shaw uses figurative language to describe what he saw and what he learned during the cremation of his mother. Shaw uses ironic tones of humor and beauty to describe the cremation. Shaw describes the cremation by stating: “The feet burst miraculously into streaming ribbons of garnet coloured lovely flame, smokeless and eager like pentecostal tongues, and as the whole coffin passed in, it sprang into flame all over; and my mother became that beautiful….” Shaw’s figurative language of metaphor and irony create this image of a beautiful burning coffin when most other people would be devastated to witness this event. He compares…
Death is a constant presence in life that can not be escaped and is experienced by everyone. Dylan Thomas’s “Do not go gentle into that good night” and Emily Dickinson’s “Because I could not stop for Death” and both deal with different perspectives of death. Thomas’s poem looks at death from an external perspective of watching a person die where Dickinson’s poem looks at death through the perspective of a person experiencing death. These perspectives on death show the acceptance of death and eternity and death and disparity of life ending.…