Catherine Grout's Art Intervention Space

Catherine Grout’s Art Intervention Space explains that the public space art is a practice activity for the public to participate through public communication medium. Moreover, interactive media art relies on the interaction of the participants. It desires about exchanging the idea of authors and the feelings of the audiences. Christian Moeller has explored the way about applying the interactive media art in the architecture art since 1990. His magnificent work Audio Grove and On Air particularly prominent the combination about public architecture art with interactive media sound. In addition, Dutch female artists Danna Roosegaarde designs Dune4.0, 4d pixel and Liquid 2.0, which expand a horizon vision for the interactive media field. 4d pixel
In the early 20th century, Nude Descending a Staircase (Marcel Duchamp, 1912) attempts to use a still image to express the visual experience with different time. However, the traditional art has the limitation as painting or sculpturing depict a timeless and sublime. Interactive media art could presents a continuous or non-sequential process of practice. Participants can experience more intuitive time based on their participation in the reconstruction or intervention time. Osman Khan’s Surla table (2003) is a modern interactive product to explore the relationship between the object and the time. The camera on the table capture the activities on the table and transfer the image to the computer, conveying to the digital pixels. Those pixels perform as lights, forming a circle of images. When audiences move the items, the images which proceed by the computer shifts to another shape. It enables the public to get involve in the presence of an object, feeling the relationship between the entities and digital light spot by a fluid form. Delay mirror makes the image out of the time. It could reflect a continuously image with time delay, creating a special experience for audiences. Digital art compress the time, and also influence the