When Ceres does confront the world, she sees a world so utterly contrasting and conflicting with her current mindset. Even with that great rift in her heart, the world continues to live on, and the “apple trees appear, one by one.” Had she been spiteful, Ceres would have cursed the apples as ironic reminders of the fruit that ultimately sentenced her daughter to Hell (reference to Eavan Boland’s The Pomegranate.) However, Ceres has truly learned to put aside her anguish and can be merciful, and she sees the apples as the symbols of a new beginning. The light is enveloping the world in all of its glory, and it “is pouring/ into the promise of fruit.” She can revel in the fact that there is still hope for her daughter.
With every winter, there must also be a summer to cleanse the dreary sentiments that have arisen. Ceres’ summer will inevitably come as well, because indeed, time stops for no one. However, even if Ceres accepts her