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Charles Alston: The Harlem Renaissance

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Charles Alston: The Harlem Renaissance
The Harlem Renaissance occurred in the early 1920s. It was an culture celebration in which African American artist, musicians, writers and performers were able to take back their culture identity. This celebration took place between the end of World War 1 and the middle of the 1930s. This Renaissance consist of some of the famous writers, poets, artist, and musicians we see today. Such as, Maya Angelou, Alice Walker, Louis Armstrong, Aaron Douglas and many others.
This culture celebration consisted of many great people. One thing that stood out most was the art and element. It’s interesting to see the similarities of the art around this time. In my opinion, it shows the African Americans life and shows their beliefs and personal experiences …show more content…
Charles Alston was a renowned African-American artist of the early 1900s. He was born in Charlotte, NC on November 28th, 1907 into the hands of Primus Priss Alston and Anna Elizabeth Miller Alston. As a young child Alston gained a liking for art. His family had a great fondness of art most of his family actually possessed artist abilities and jobs . His older brother doodled a lot which inspired Alston to copy him. His actual first sculpture was a sculpture of North Carolina at age 6. He graduated from Columbia University Teachers College in 1931. Alston was named the first African-American instructor at the Museum of Modern Art in 1956. Alston first developed an appreciation for the significance of the African aesthetic to the art world when, during a visit to the Schomburg Collection, he met philosopher Alain Locke. Alston’s involvement in Locke’s New Negro Movement and his engagement with other Harlem Renaissance artists changed the cultural atmosphere of that community. (Johnson, …show more content…
She was born Augusta Christine Fells on February 29, 189 she was the seventh of fourteen children of Cornelia and Edward Fells. She began making art as a child, using the natural clay found in her area. Skipping school at times, she enjoyed sculpting animals and other small figures. But her father, a Methodist minister, didn't approve of this activity and did whatever he could to stop her. Savage once said that her father "almost whipped all the art out of me”. (Bio, 2014) Savage moved to New York in the early 1920s and went to study arts at Cooper Union; she was given a scholarship. She excelled and finished her work there in three years instead of
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