This paper addresses the identity that is constructed of African-Americans through Rock’s language use of racial speech and taboo language. It also attempts to portray Rock’s function of the skit and the controversial attitudes that arose, including my own.
1.0 Introduction
‘Sticks and stones may break your bones but words will never hurt you’.
Unfortunately for Randall Kennedy this limerick held no connotation that he wished to acknowledge, as he recites his Mother’s words, he finds himself in war with a word, a word that for every African-American is at the core of inflicted pain; Nigger. Kennedy narrates his Mother’s experience during the era of the Jim Crow segregation,
‘I have been called nigger to my face on a couple of occasions by people who sought to convey their racial hatred or contempt for all blacks including me.’ (Kennedy, 2002)
This word for Centuries, although has been at the centre of normalisation and empowerment in recent years, is the definition of prejudice assigned by white supremacists. Racial discourse has changed over the years, the media has been at the frontline of these changes along with the law and democratic societies yet the word nigger still remains a temperamental taboo, its history foreshadows it and no matter what context the word may be used in, its cultural inheritance warrants its preservation. (Kennedy, 2000:3)
A man that attempted to manipulate its detrimental meaning was the illustrious comedian Chris Rock. Rock is known for his politically incorrect humour and his fight to tackle racism and his 1996 HBO special, Bring the Pain performance is what give him his contentious status today. ‘Niggas vs. Black people’ is a twist on street culture vs. working class; it is a linguistically controversial skit that portrays how boorish behaviour feeds racial stereotypes while including his own personal assessment of the state of Black America. Rock
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