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Close Critical Analysis of 'Mrs Midas'

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Close Critical Analysis of 'Mrs Midas'
Critical Analysis of Mrs Midas
In Mrs Midas, Carol Ann Duffy takes the well-known story of King Midas from Ancient Greek mythology and places it in a modern context from the wife’s perspective. Originally, the story is about King Midas and the power he possesses that turns everything he touches into gold, which leads him to ultimately realise that wealth alone can’t make him happy - even unlimited gold. The moral of the King Midas story is that you can’t buy happiness, and also to be careful what you wish for as greed is sure to overcome you. This is where the present day expression ‘The Midas Touch’ derives from; meaning everything a person does is successful and profitable – as everything in modern society seems to be money orientated. Duffy implies another meaning to the story of King Midas as in ‘Mrs Midas’, Midas is portrayed as the modern day working man who neglects his wife for success and wealth – also reflecting the increasing number of couples having a divorces nowadays. The underlying theme of the poem is about the husband’s selfishness destroying marriage as men are associated with becoming too involved in work so neglect their wives/families. “He toyed with his spoon, then mine, then with the knives, the forks” the list of objects that he’s turning into gold illustrates the obsession men have with making money out of continuous successes they have; like Midas’ greed it seems addictive as they keep wanting more and more. ‘Toyed’ implies that he’s enjoying it; he enjoys being the alleged ‘money-maker’ so sees no harm in what he’s doing. It’s a flirtatious reference as if he’s using his male sexuality to get round his wife; this also may reflect how ambitious and prosperous men are perceived as more attractive by women (dependency so ensures security). Midas’ selfishness is highlighted when his wife describes her dream: “I dreamt I bore his child…” she can only dream of having his children as the reality is she’ll never be able to. It’s ironic

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